I bought a couple of tutorials previously from Nicole Hanna, who is a young woman, (well, compared to me she is a littl'un - unfortunately, these days a lot of people fall into that category) who has got the 'wire world' weaving - one by one she has infected people with this bug, and I am a recent infectee (??). She is also incredibly generous, and set up a competition where she put out an unfinished tutorial on her blog, and the competitors had to finish the piece in whatever way they saw fit. I resisted the urge for the longest time, and finally, made a couple of three pieces which I submitted - not to win really, but just because I could! As I said, I am new to wire weaving, and I'm sure there are plenty of worthy people who will make the most beautiful stuff. Also, the half tutorial was a starting point, and I was kinda testing myself to see how many ways I could use it - I might just carry on, well after the competition is over.
It reminded me of the books I read as a child, where a tattered piece of a map has to be deciphered to claim a lost treasure, and hundreds of people are fighting over this torn and tattered, barely decipherable piece of paper in the hope of getting to the treasure first.
Named for the God of the Sea - this pendant has a rather masculine brown picture jasper bead, with beautiful splashes of red, and I added swirls of wire, and turquoise beads for femininity. Too much wire, woven too closely together, in my opinion detracts from the femininity of a piece - I like the embellishment of negative space, and although not a 'girly' person, and like my jewellery large, I tend to appease my feminine side more.
So, this pendant is meant to represent Neptune rising out of the waves - what do you think??
My second piece was called Through the Moon Gate - I saw them in China - they are circular openings in a garden wall that act as a pedestrian passageway, a traditional element in Chinese gardens. Moon Gates have many different spiritual meanings, depending on the tiles on the gate. The sloping roofs of the gate represent the half moon of the Chinese Summers and the tips of the tiles of the roof have talismans on the ends of them.
I put scroll like imaginary dragon heads on either end of the 'roof' - Chinese dragons are symbols of power, strength and good luck, and used by Emperors as the yang that complements the yin, which is the phoenix.
I raised the degree of difficulty by using a turquoise doughnut - I had to figure out a way to hold it in, without it having a bead hole through which the wire would pass, and then work out how to finish off the ends of the wire. Since the doughnut is encircled by bead encrusted wire, it spins around inside the bezel, and the tactility of that unexpected result pleased me - I like nice surprises!
I eventually used eight and a half feet of the thicker wire, and miles and miles of the finer wire to weave the pendant - and it took me an entire day - but what fun it was. My fingers were sore and my joints creaked in protest, in the wire workers equivalent of writers cramp. But, here it is, and I think the pain was worth it in the end.
Through The Moon Gate
I had one more day left to submit a piece with Nicole's unfinished tutorial if I wanted to - she allowed multiple pieces - by this time, I felt I could make the first half in my sleep - so I did, but this time, I upped the degree of difficulty yet another notch - I decided to make earrings - with a smaller bead than specified in the tutorial, with two pieces that had to match, and mirror one another - which is more difficult than you can imagine. Both earrings have to be made simultaneously, as a difference of a millimeter will look terrible when they are set down together.
The tutorial ended here - and thus endeth the lesson!
Now to figure out what to do with it - the rules allow more beads, more wire - in fact, more anything - hmmmmmm!
The upside down tear drop shape flatters the face, and the perfectly matched carnelian beads are dramatic and dressy. I didn't add any more wire in the end - the earrings would have been too heavy. At 2.8 inches long from the top of the bail to the tip of the freshwater pearl dangle, they are bound to be easy to wear, and Barbara, who got to model them (it) certainly likes them.
Oh, Happy Day!
I wanted a pretty and colourful piece to take on holiday with me - polymer clay jewellery is ideal for travelling with - the jewellery is light, and relatively inexpensive - no one will attempt to steal it or mug you for it, and it looks fab in the holiday pics. Lotions are not a problem, and the pieces travel well, just thrown into a case - not like metal/wire which might bend or break, and all in all it is a win, win, win situation. This necklace was inspired by Donna Kato's squiggle beads from her book, but as I wanted it to be as colourful as I could make it, I made a rainbow blend using a tutorial from Polymer Clay Central - I just love the colours and the way the necklace looks - it makes me want to sing - Oh Happy Day.....
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No, I am not religious, but it is the joyousness of this piece of gospel music I love. And the colours in this video, and the jewellery - wow!
Squiggle beads - design credit - Donna Kato and Polymer clay central
That's it for now, folks - I will write again when I get back from my holiday in gay Paree - catch you next week
Hello folks, I hope you have had a satisfying week and are ready for some fun this weekend.
A piece of great news - Caprilicious Jewellery is soon to be available at an outlet in Abu Dhabi - I have sent off the first consignment, and if the jewellery sells well there, I might do regular business. More about this next week.
I had to share this - I sold this pendant last week to a lady who asked me what inspired me to make it - she was obviously well into Art Nouveau jewellery - she had written a thesis on the subject, and she said the pendant reminded her of Lucas von Cranach's Tintenfisch und Schmetterling - I had actually seen the aforementioned pendant on a website during one of my periodic browses of the internet - but to be compared with a master jeweller - very humbling.
Who knows what stays in your brain when you look at images constantly, as I do - or, if this pendant was indeed influenced by Lucas von Cranach - all I can say is, I see the octopus, but not necessarily the butterfly - I leave you to decide whether they do actually have some resemblance to one another.
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Tintenfisch und Schmetterling (Octopus and Butterfly; 1900) by Wilhelm Lucas von Cranach, a master jeweller who liked his octopuses - strange bedfellows, I say!
I went to Shrewsbury this week, to the workshop of the lovely Jules Harper to learn how to prepare precious metal clay pieces for the application of enamel. I went on an enamelling and a precious metal clay (silver) course last year at In The Studio, but this time around, wanted one on one tuition. Now that I have a bit of experience, there were so many questions bothering me - one cannot keep bobbing up and down in a class with loads of people - you sound like a smart aleck and eat into other peoples time. Jules taught me how to fire copper and bronze clay
properly, and to prepare them and enamel them - most exciting of all, the little lentil bead I made with copper clay and enamelled on both sides - it would look so sweet in earring designs, and is light because it is completely hollow. She is a very patient teacher, and the time just flew by - that's a sure sign of a lot of fun - maybe not quite so much for her, though. I thought it was around 5pm when I left her place, and it was only when I was halfway home, I realised it was in fact well past 7pm - sorry Jules!
Here's a link to her website if anyone is interested http://www.artclayjewellery.co.uk/
Now that the weather is slowly getting better, I want to play with my kiln and make some colourful pieces in it, and thanks to Jules now, it wont be such an anxiety ridden operation.
Having 'borrowed' the necklace on the right in reds and golds, to wear to a dinner party, I received so many compliments that I felt i needed to make another, this time in the cool colours of blue and silver - to my eye, it looks like the necklace has been bathed in moonlight - but, I will leave it to you to decide if the name is apt, and which one you prefer.
The Greek word "amethystos" may be translated as "not drunken", from Greek a-, "not" + methustos, "intoxicated". Amethyst was considered to be a strong antidote against drunkenness, which is why wine goblets were often carved from it. According to a 16th century French poem, Dionysus, the god of intoxication, of wine and grapes was pursuing a maiden named Amethystos, who refused his affections. Amethystos prayed to the gods to remain chaste, a prayer which the goddess Artemis answered, transforming her into a white stone. Humbled by Amethystos's desire to remain chaste, Dionysus poured wine over the stone as an offering, dyeing the crystals purple.
Amethyst is a purple quartz found deep within volcanic rock, and its colour comes from manganese and iron impurities. The Agapanthus or Nile lily is an amethyst coloured flower, and the little nuggets of amethyst in this next necklace brought the buds of this very pretty flower to mind. I had a load of these in my garden, but unfortunately, as the name suggests, it likes warmer climates and all of my plants died. I might try to grow it indoors this year. I love the geodes/ druzy form of any gemstone, where the natural striations are left in, as part of the stone, and the pendant I used was sourced with great difficulty. It came to me all the way from Brazil, after a lot of bargaining with the vendor, to secure the best price. I thought it was so regal, I crowned it with a scroll of wire filigree work. A little jade butterfly, prehnite nuggets and some green crystals set the purple of the amethyst nuggets off beautifully.
That's all I had time for this week folks. We are off to Giverny, and will visit Monet's garden, and then on to Paris where I want to see his paintings at the Musee de l'Orangerie.
I have enjoyed the Impressionists for ages and have a few prints on my walls - can't wait to see the real thing. The poor cat will be most unhappy to go into the cattery , but, needs must. I hope the weather will play nicely with us, and I will catch you when I get back,
Have a great week,
Hello readers, I hope you are all enjoying the weather, which is slowly showing signs of getting warmer. It is so nice to be able to shed the heavy winter gear, and wear fewer clothes - can't wait to get to the point where the sandals come out of the cupboard and onto my feet.
My mother went on a little tour of South India with her niece, and very kindly brought back some beads for me. I had asked her to look out for a string of Rudraksha beads - more about them later. The ones she sent are about 20mm in diameter, and I was a bit intimidated by their size, I had really wanted them a bit smaller. However, no one puts Caprilicious in a corner, and I decided to rise to the challenge. I made some polymer clay ruffle beads from a tutorial by Christelle Van Lingen, in a blend of red and gold, and put a necklace together with a copper electroplated oak leaf skeleton.
I added a blue agate bead and a copper Bali style bead to provide a pop of colour and extra interest, and little gold plated crystal beads to add some sparkle to the piece - I was quite pleased with the way the necklace turned out. I like the juxtaposition of an ancient, traditional seed bead, and the polymer clay, which is as contemporary as you are going to get - and very different, too from anything i have seen, made with these seeds.
Rudraksha is a large evergreen broad-leaved tree whose seed is traditionally used for prayer beads in Hinduism. The seed is borne by several species of Elaeocarpus. Rudraksha is a Sanskrit compound consisting of the name Rudra ("Shiva") and akṣha ("eyes").
Rudraksha seeds are covered by an outer shell of blue when fully ripe, and are also known as blueberry beads. The berries are strung into a rosary, used for repetitive prayer. The seeds are classified on the basis of the number of divisions that they have, and different qualities are attributed to the rudraksha based on this. A common type has five divisions, and these are considered to be symbolic of the five faces of Shiva.
Rudraksha beads are often worn by Indian 'sadhus' or holy men, who are devotees of Shiva.
The plant and the blueberries that produce the Rudraksha seed
Sadhus, wearing strings of the Rudraksha beads - the one on the right looks pretty pleased with himself!
In a complete about turn from the oak leaf necklace, I made a couple of light and pretty summery pieces to go into the English Country Garden collection - a little pendant - Primrose, and a necklace made of all the shiny, pretty floral elements I could find - The Summer Bouquet. The inspiration for this came from a throwaway comment by a presenter on last Sunday's airing of 'The Antiques Roadshow' while valuing a tiara - he mentioned that tiaras were often turned upside down and worn as necklaces in Victorian times - so I made a modern day tiara/ necklace - it is extremely light and pretty, and looks like a wildflower bouquet.
Winner - Bead Barmy Readers Gallery Competition April 2013
I had news that Katrina won in the 'We've got the Blues' category, and that it sold, all on the same day - I must remember to tell the new owner she has a winner!
Linda Jones, a well known and influential jewellery designer, and author, writes a blog for the WireWorkers Guild, which is a forum for people who love wire. She offered to feature me on her blog in May, and sent me a questionnaire. I filled it out, and she emailed me back - she was so complimentary, I have had a job fitting my head through the door and am literally floating around the room. This is a screen capture of her email
What can I say - other than thank you, Linda Jones! And here it is http://wireworkersguild.blogspot.co.uk/2013/04/caprilicous-jewellery.html?showComment=1366967638186#c8771846690699081699
When I finally managed to come down to earth , I finished off the last piece I made this week and took these photographs of The Spirit of Ecstasy. The art nouveau wire work surrounding the focal was behind the idea for the name.
The Spirit of Ecstasy, also called "Emily", "Silver Lady" or "Flying Lady", was designed by English sculptor Charles Robinson Sykes and carries with it a story about a secret passion between the second Lord Montague of Beaulieu, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902 and his secret love and the model for the emblem, Eleanor Velasco Thornton. Eleanor was John Walter's secretary, and their love was to remain hidden, limited to their circle of friends, for more than a decade. The reason for the secrecy was Eleanor's impoverished social and economic status, which was an obstacle to their love. John-Walter, succumbing to family pressures, married Lady Cecil Victoria Constance, but the secret love affair continued.
Eleanor died on 30 December 1915 when the SS Persia, on which she accompanied Lord Montague on his journey to India, was torpedoed off Crete by a German submarine, four years after she had been immortalized by her lover.
Spirit of Ecstasy
The rough cut black tourmaline gleams gently, and the severity of the black is relieved by the multi-coloured, shiny crystal spacers, and the graceful swoops of the wings of the focal. The polymer clay 'cabochon' is smooth, although its surface appears corrugated, and was made from a tutorial by Sophy Dumoulin of CraftArt Edu. I just love this technique - although time consuming, it is fabulous - and you have to wait till the absolute end, to see if the piece you have made is any good - for someone short on patience, it is a good exercise! The toggle clasp is pretty too, but this time, I put it at the back of the neck, where it should rightfully belong - when I tried to bring it to the front, as I do with a lot of pretty clasps, it fought a major battle with the focal, and lost. I consoled it by explaining that the back of the wearer is visible too, especially if she has her hair short, or swept up - or it could remain a delicious secret between the necklace and the wearer ( must be going doolally tap - I am now talking to a clasp!).
That's as much as I had time for, sweet people, I am exhausted by the repeated expansion and deflation of my head after all the accolades Caprilicious has received this week - and I know I will have to work hard to stay worthy of what has been said.
Catch you next week, same time, same place
I have been struck by spring fever! The mild temperatures, and the emergence of buds on the trees and little plants coming through the ground in my herbaceous borders are turning me into a happy bunny - all I can think of are flowers and leaves and pretty things.
In this mood, I began to populate my new page - The English Country Garden with pieces of jewellery, but in the interim, put in a slide show of pictures taken over the last couple of summers of my own garden - just so people won't be bored if they find themselves on that page.
Last week, I made Bluebells, the inaugural piece, and this week, made Chloe, The Cat in the Window, inspired by my own cat Harold, and Wisteria Lane, which of course is the fictional street which is the home of the Desperate Housewives in the TV serial.
The central pendant in Wisteria Lane is an Art Nouveau design reminiscent of the paintings of Alphonse Mucha, it was surrounded by a frame of woven wire and tiny crystals, some of which were hung in bunches to resemble Wisteria.
Sceptre was made to break the mold and to get away from being all happy clappy/ spring has sprungy - a lovely faceted goldstone is at the heart of this piece, with turquoise beads to provide contrast.
Design credit - Gailavira.com
I am not a fan of designs that use wire as a major feature, almost as if the designer is saying
' look at what I can do' - adding more and more tortured wire, just because they can. To me these wire heavy designs resemble a cats cradle, with no light relief, and if they go wrong, they are very close to junk - I'm sure plenty of people like them, but I'm just not one of them.
Eclipse was a piece made using a tutorial by a lady who uses a lot of wire in her designs, but very elegantly, so that miles of wire are woven and curved into organic shapes. I was already doing a lot of weaving, so it seemed logical to take it one step further and see how her designs were translated by my hands. I like the way the pendant looks in the pictures - almost mystical. I am enjoying the photography almost as much as the making of the piece - almost!
Design credit - Nicole Hanna
Carol Robertson was kind enough to email me after she had been looking at the Caprilicious website - she said she couldn't read the wordage on the pages as the fonts were too grey and seemed to merge into the background. I thought I'd change that and see if people liked it any better - the fonts in the main text have all been changed to white, and they certainly show up better on a black background. Do you like it?? - if you have any thoughts, please share them with me, I would be ever so pleased to hear from you. I like the black background - it allows the photographs to stand out better, but I would like people to be able to read the words too - after all they come from me and are part of Caprilicious too.
I have checked the android version, and it shows up with black writing on a white background, for some reason, but it is definitely visible - I worried that if it was changed over to white writing, it would disappear on your mobile phone screens, and I know that some people keep an eye on the comings and goings on the Caprilicious website via their mobiles.
That's all for now folks, have a good weekend, and don't forget to tell your friends about Caprilicious, please. I'll be here next week, same time, same place - catch you then. If you read the Caprilicious blog regularly, why not sign up to follow it - all you have to do is to click the 'follow this blog' link by the side of the blog title and it will land in your inbox each week.
'Bye for now
We have been informed (hopefully reliably) that spring has finally sprung - at long last, about six weeks late this year. My thoughts have turned to my second passion, my garden, and the bluebells that are poking their heads out of the cold ground. Coming from a tropical country, as I do, it is such a pleasure each year to ring in the changes of each season, and in celebration of nature's wonder, I have written a new page for the Caprilicious website, soon to be populated with flowers and other pretty things from my garden. This is my first piece on the new page, titled THE ENGLISH COUNTRY GARDEN. Just now this is the only piece I have there, so, to keep it company, I have included a gallery of pictures of my own little piece of England - my garden.
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Tiny butterflies flit around the edges of this piece, and little bluebells and leaves unfurl between tendrils of copper wire in this little pendant on an organza ribbon. A chemical antiquing (stinky) bath, a polish with steel wool, shined up and protected with micro crystalline wax, and the pendant is good to go.
We went out to the pub for Sunday lunch - when I got back, I found that Pearl Blay of The Beading Gem's Journal had posted a blog about Glacier Inspired Jewellery featuring Caprilicious Jewellery. It really made my day - thank you so much Pearl. You can read about it here -
Before I got this news, I was a bit fed up (that's me being polite and restrained). I had spent the day before making some really pretty beads - for once they were all equally measured and sized, and had a blue and white stripey veneer, attempting to resemble an African Trade Bead. I also made some polymer clay canes - this is a big deal for me, as I have shied away from making canes for a long time now. I constructed a complex cane of a lions face, so I could make a bracelet for a friend of mine, who is a dedicated big cat person. Although it wasn't my best effort and would have ended up a practice piece, a whole day was spent, happily wallowing in clay (brings to mind a hippopotamus), and late in the evening, the finished pieces were popped in the oven to cure. A moments distraction, and I set the oven to 225C! - 100C higher than it should have been - the result?? billows of horrid smoke, and a horrendous smell - and a load of cinders. I had to scrub the oven clean before we went out to lunch - all that hard work wasted!
They say everyone does it once, but I had hoped to be the exception - alas, it was not to be, and I joined the long list of people who have had burnt offerings to throw away. Pearl's mail on my return was a sight to gladden my heart and raise my spirits.
To cheer myself up, I made Reika - Portrait of a Geisha, using three faux black jade pieces I made earlier from a tutorial by Lynda Moseley. Reika means Beautiful Flower in Japanese - apparently the same word can have more than one meaning, if pronounced differently. As for writing Japanese names........
Kanji, one of the three scripts used in the Japanese language, are Chinese characters, which were first introduced to Japan in the 5th century via Korea. Kanji are ideograms, i.e. each character has its own meaning and corresponds to a word. By combining characters, more words can be created. For example, the combination of "electricity" with "car" means "train". There are several ten thousands of characters, of which 2000 to 3000 are required to understand newspapers. A set of 2136 characters has been officially declared as the "kanji for everyday use".
Suddenly, the complexities of the English language seem like child's play - I don't think I could cope with the Kanji concept - I hated algebra, so it's no good asking me what A+B equals, apparently the Kanji for electricity + car = train (?? !!) Not to me, it doesn't!
I do speak at least four Indian languages tolerably well, and can write in one of them, so I suppose there's hope for me yet - not that I'm planning to take lessons in Kanji anytime soon!
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The Kanji tattoo for Reika
The fluorite flower dangling from the tip of the pendant echoes the shape of the flower beads on either side of the pendant, and the colour echoes the little nuggets of the necklace.
Four polymer clay 'fossil' cabochons sat waiting in my finished-but-waiting-to-be-made-into-something box. I gave one of them to my new friend BN - we decided that we would both have a go at them and compare notes. I dug up my Wigjig, and made a surround for one of them with wire, intending to hang it asymmetrically as a focal bead in a string of graduated blue agate rondelles from my stash.
The Wig Jig has been waiting patiently for me to use it - I made a bracelet for one of my colleagues at work, a long time ago, and then forgot all about it. It has movable pegs that fit into the holes of an acrylic block, and the wire is coiled and swirled around these pegs, to give perfectly formed coils, each one with the exact same dimensions as the last, without any tool marks marring the wire.
I bought the Jig because it reminded me of the Rangoli patterns drawn on the doorsteps of Indian households every morning, and more colourfully at festivals - the nostalgiascope at work again! The ladies draw a grid made of tiny dots, and then draw a pattern looping around the dots with white or coloured powders, and get some very pretty decorative effects. All good little Indian girls know how to do this - and I did too, once - when I was a good little Indian girl, a long long time ago
There is a WIG JIG 'University' with free online patterns to be used with the Jig, and the thought of attending University again, albeit for such a fun lesson, tickled me pink!
Rangoli Pattern around a grid of dots
A more complex 'festival' pattern waiting for colour
A pattern filled in with coloured powders
The 'cabochon' was made using a fossil technique taught by Sophy Dumoulin on CraftArt Edu, and wire wrapped using the WigJig Centaur.
I named the necklace Silver Shadow after that hallmark of luxury and elegance - The Rolls Royce. The emblem on the front of the Silver Shadow Roller is a glorious Art Noveau Lady, with her hair and wings streaming backwards in the wind - elegance personified.
The faceted blue agate beads are like fat little droplets of water around the neck - I do love this piece, simple, yet dressy and elegant.
I made a cuff bracelet with a blue agate geode - I seem to gravitate towards that stone - the blue is so pretty. This piece was commissioned by a friend of mine in Mumbai - and I am so relieved that she likes it.
Well folks, here it is - Caprilicious is officially a Jewellery Design Star on the Artbeads.com website. Thank you for taking the time to vote for me. People have asked me what the prize is - it is recognition and exposure - a physical prize is not important, and wasn't the reason I entered the competition. I love it when people like my jewellery, and if I could afford to, I would give it away to all those who expressed a desire to wear it - as it is, I keep it affordable and within the remit of most people, so I am almost giving it away - it must be some deep seated need to be liked - fortunately, I'm not a psychiatrist, or I would have divined some weird and wonderful reason for this pattern of behaviour.
Thanks once again for stopping by, and for voting. Catch you same time, same place next week, have a fabulous weekend - we're off to the garden centre
New - from the Out of Africa Collection
I have never been to sub Saharan Africa, but have increasingly been seduced by the beautiful imagery from that continent.
This recently came to a head when I bought a copy of the eye wateringly expensive book 'Africa Adorned' by Angela Fisher - with page after page of colour and vivacity leaping out of it. It brings to mind the jewellery and colours in the desert lands of Northern India - the women wear large jewellery and head dresses, and bright colours, almost as if to combat the drab brown of the sand and scrub land surrounding them. Tribal sophistication is bold and dramatic, calling forth of the fierce nature of our human spirit to overcome all obstacles. That's what jewellery was originally worn for in ancient cultures ....to remind the wearer of her strength and purpose. Jewellery never was just about baubles and beads. It had purpose. And power. And beauty.
Clothes and accessories should be as bright as you are comfortable with - if you want to be noticed - the key however, is to be comfortable.
Sweet little gemstones on tiny chains are lovely, in their own way - but the statement they make is completely different from what the Caprilicious Tribal woman is all about. I have some of these 'little sweeties' in my own little collection, mainly bought for me by my mother, who is into pastel colours and whites - get the picture? - but as I grew older, I realised I had to find my own style, and dress to project the image I have of myself in my minds eye - and that image is bright colours and stand out jewellery (sorry, mum).
I am a strong believer in that old adage (or have I just made it up?) - you are what you wear - ergo, if you dress well and feel confident, you walk tall and are undaunted by the curve balls that are thrown at you during the course of the day.
I set up a new section on my website and Facebook page - Out of Africa - the intention is to make urban - contemporary pieces influenced by tribal jewellery to sit on those pages - and hopefully on you. This section is all about big, bold and eclectic mixing to complement the romantic patchwork of chunky knits, flowing attire and a bohemian Lagenlook. I am keen to make these at affordable prices so that all my readers are inspired to try them out - I am sure they will go down well. Tribal style is more about attitude than a place. So whenever you want to show off your fun and free-spirited side, tribal jewellery is the way to do it. This collection will be full of vibrant pieces to add a whimsical and artistic touch to anyone's wardrobe
I have been gearing up to this for a while now - I made some chevron beads, faux bone and this week, faux amber which will fit in with this, my new venture. The necklaces are meant to be bright, bold and in your face, some more so than the others - to the ladies who model themselves along the lines of heroines from the novels of Jane Austen, I say - perhaps you might want to look at my other pages.
As you can see, the beads gleam in the light - no varnish was involved - each bead was buffed with my trusty bench buffer, 'Buffy' - I would never have imagined that I could love a rotary, fast moving tool so, I am usually girlishly afraid of them - but, I couldn't do without my darling Buffy now. Mike's task this week is to find me a little table and a box to house Buffy so that the dust is contained, a la Melanie Muir, not to mention catching the beads that sometimes ping around the room like bullets - Oh, that Buffy - he likes to keep me fit, diving after those beads!
I made a Hamsa pendant out of wire and hung it on a necklace made using a few Chevron beads, a couple of faux amber beads, with glass millefiori beads and real carved bone beads, reminiscent of Berber jewellery from Morocco. The Hamsa is a stylised hand - if you want to read about it, here's a link to a post I wrote earlier - http://www.capriliciousjewellery.com/3/post/2012/11/where-i-keep-calm-and-play-with-wire.html
It is called Flower Power because of the Millefiori beads - which is Italian for a thousand flowers - and also because Marrakesh was on the hippie trail in the seventy's and eighties. It is bright and colourful and is bound to brighten up your day - who says the desert in the only place where one needs cheering up - look outside - the rain and slush and snow is just as dreary.
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Mike took this pic - clearly I need a better photographer, urgently
Is that a Gauntlet (or are you just happy to see me)??
I have been issued with a challenge by one of my customers - if you can help, do feel free to drop me a line. I am required to take the beads from the first picture below and turn them into a piece that will evoke the feeling of being in the second picture - which is a frozen river in Ladakh.
Her last challenge was to request a necklace evoking a stark cold mountain scape, snow capped, with sunlight hitting the mountain tops. I created Meluhan Dreams for her with wire, crystals and druzy - she sent me this picture, and is clearly delighted with it. She even phoned me all the way from Delhi to say how happy she was and to have a chat with me about Caprilicious - I was so thrilled. I have to make sure I rise to this challenge as well.
I have a couple of months to decide how I am going to work this miracle!
From The Vineyard
I found this string of almost perfect amethyst nugget beads while sorting out my bead box - each one looked like a grape - the gems in this string are almost edible. Teamed with some peridot beads and the tiniest freshwater seed pearls, they went into this necklace with a gold plated birch leaf. I hung a bunch of crystals, pearls and amethyst on the front of the bail to resemble grapes. I know it should have been a vine leaf, but this is England and vineyards are not so plentiful out here - so please indulge my poor muse here.
A lentil bead, made with polymer clay
I love the idea of making my own beads and components, and fashioning my pieces from all the images floating around in my head - mixing polymer clay with gemstones and crystals - Mixed media jewellery is the way forward, I am convinced of this. I made Aloha with this bead, and a string of sea sediment Jasper. It was named by Mike, who said it has a Polynesian feel to it - who am I to argue??
Om is a mystical Sanskrit sound of Hindu origin, sacred and important in various religions such as Hinduism, Buddhism and Jainism. It occurs at the beginning of every prayer or invocation and can be used repetitiously in a mantra for meditation. I acquired this conch shell pendant, inlaid with a turquoise Om - It sat in my collection for a while, until, the beads that go into this necklace fell out of a box into my hands - if I believed in mystical stuff, I would say that was really weird!
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I love this clip - it is of Diana Vishneva dancing to Deva Premal's 'Moola Mantra' - the forms she makes with the simplest movement and accessories are astonishing and beautiful - rather like the courtship display of a bird. I loved it so much, I bought the CD - but alas, neither do I look like Diana, nor can I dance like her - the best I can do is a booby bird's dance.
That's a wrap for this weeks jewellery folks, have a fab week and I will catch up with you, same time, same place, next week,
Happy New Year to all of you, my readers. Now that we have survived the end of the world, we'd better make a good fist of it - so, onward and upwards we go!
One of my presents from Santa was a book about Salvador Dali - I love the wackiness of the man - he even created some pieces of jewellery - he treated them as mini sculptures, which of course is what they are - and I thought I'd share a few pictures of my latest inspiration with you.
Mine of course, was made out of wire, an aventurine bead for the green iris and a couple of crystals. It is called JEALOUSY- the green eye lending itself readily to the title - and of course, the crystal tear drop -there are plenty of tears associated with that particular emotion!
It is to be worn as a pendant, although it can easily be converted into a pin. I didn't think anyone would want to wear it on an eye patch, that might just be going a little, teeny weeny bit too far! The pendant is made out of two long pieces of wire, bound by another extra long, slender wire. Fun to make, although extremely fiddly, all those wires wanting to go every which way but where you want them to!
I picked up a two foot length of copper enamelled non tarnish wire and made a Chinese PIPA knot which I embellished with beads - it was so pretty, I made another and paired them into earrings. I love Chinese knots, but they are very difficult to put together - sometimes the instructions sound like they are in double Dutch. I would love to find someone who could teach me on a one to one basis, but in the meantime, these are what I can do ..............
I read up on the history of knot making in China, essentially a folk art. When I was there, every gift, every wine bottle, came with a tag made of knotted cord. Wire of course is another entity altogether - it stays put when bent into a shape - but if bent into the wrong shape - OMG!- near impossible to tidy up invisibly, so..... practice, practice, practice is the key.
..........endless and repetitive pattern evokes one of the fundamental truths of Buddhism and the cyclical nature of all existence. In essence, knot work serves to create an atmosphere of well-being, good luck and health, longevity and harmony. As gifts, they are emotional, sentimental, and are often keepsakes between lovers and friends.
Waresa, or to give her her full name - Mbaba Mwana Waresa is the Zulu goddess of rain, rainbows, and is credited with the invention of the fermentation process and therefore, beer!! (probably a cooking experiment gone wrong or a long forgotten drink taken out of the cupboard and served to her menfolk inadvertently) - my kinda Goddess!!
This pendant, also a wire knot, was affixed to a copper frame which was embellished with tangled fine black wire and silver lined seed beads to resemble raindrops. A beautiful lapis lazuli faceted oval sits in the middle of all of this. I hung it on a leather thong, embellished with copper wire curls at each end. This is a large but light piece, and can easily be worn with jeans and a jacket during the day, or on bare skin, at night. For some reason, I seem to have gone all tribal on me - but I just go where my beautiful muse takes me - I'm easily led!
After the holidays, I received a little parcel with a little rectangular piece of labradorite in it - the colour of the piece captivated me, and it went straight into this pendant. The stone is surrounded by ruby quartz beads, and copper wire lace, both the pendant and the lace resemble the sea foam - Aphrodite, of course was the Greek goddess of love, who was born out of the sea foam -and she was known to be a beauty by all that looked on her.
This was meant to be a 'take a break, have a Kit Kat' period - but I am absolutely bonkersly obsessed - wire, beads and tools attach themselves to my ankles as I walk by, begging to be joined together in holy matrimony - hence all the little bits of jewellery that are on these last few blogs - only to keep the whine of the beads quiet. Now, I am left with a little pile of pendants and earrings that have been photographed and set aside, and will have to find a place to put them away before they get stomped on by a galumphing husband or eaten by a hungry cat! These are a few earrings I made - as you can see, I made simple dangles on frames I bought earlier, and then the wire wanted in on the act, so I had to wrap some more crystals around the edges - pretty, though.....
So, this is what I made in my 'rest' period - I have been itching to get my hands on some of the beautiful gemstone beads I bought, and Nepalese pendants - I have at least six of those, and learn a new modern style of wire work from a lady called Lilian Chen and... and.... and... - there will not be enough hours in the day for all that I want to do, and all I have to do at the day job - it certainly promises to be a lot of fun. Do stay with me through the year, wont you, and I will do my best to entertain you.
See you same time, same place, next week
That's another Christmas done and dusted, and it will soon be 2013. I hope all of you had a fabulous time with friends and family, and that Santa recognised all your efforts to be good in 2012 with loads of nice things in his sack for you.
I have been requested to lay on a Boxing Day sale by my junior doctors at the hospital - now that Caprilicious is a commercial venture, they don't see why I shouldn't fall in line with the rest of the commercial world post Christmas - so, if Santa has been particularly forgetful (or mean), you can always indulge yourself here.
All this being new to me, I did not have the time (or the know how) to set up a slick system with a code at checkout and an automatic discount, so I have requested people to contact me with the names of the items they want and I will send out an invoice - apologies for this cumbersome way of doing business in advance.
I had a few days off at Christmas, and took over the kitchen to play with polymer clay. I could see my husband wincing, every time he walked into the room and saw my stuff spread out all over the counter tops - but he bore it manfully - a tiny shudder shook his frame, and was the only sign of what he was thinking! Of course, I made sure Santa rewarded him well for his forbearance - I will elaborate no further!
I cleared up to cook our turkey on Christmas day, but other than that, the kitchen looked like it had been hit by a cyclone.
This is a photograph taken of Einstein's office in Princeton, just as he had left it, within hours of his death. Now, I'm no genius, creative or otherwise, but I am quietly proud that my kitchen looked worse than this for a few days!
That's my excuse, and I stick to it!
I made a few bits and bobs, but mainly played - wallowed, really, in clay - I pulled out all the tutorials I had collected, either paid for, or freebies found on the internet and stored on Pinterest for a rainy day - and how it rained! I didn't really want to produce anything - just to know that I could, if/when I wanted to, if you know what I mean. I ended up with more scrap clay than I started with, from abortive attempts, as well as some pretty cool stuff, but that's the way it goes.
Polymer clay artists are predominantly women, and kitchen implements, and other items around the house are press ganged into service in the name of art. Thinking outside the box is the name of the game - I even used the metal tube around Mike's cigars as a form, for a faux bone/ivory tubular bead! The dinks made in the piece to distress it and give it an aged look are from rolling it in coarse and fine salt, and washing it away once the clay is cured - got that from a tip off Pinterest, and it worked well - hooray!!
Unfortunately, once used the implements cannot be reused in the preparation of food - indeed, they are quite ruined by the plasticisers in polymer clay - the surface goes all dull and horrid - Oh well, that just means one more implement taken out of commission from the kitchen, into my craft cupboard.
This is a necklace made of faux ivory made while I was playing with clay. I made a tubular bead, and few others, and had a lot of fun antiquing the pieces, and polishing them on the buffing wheel. They were teamed with onyx, lava beads in different shapes, black onyx, haematite, a hefty chunk of coral and a few jasper beads. A single turquoise nugget provided an extra splash of contrasting colour.
I love tribal inspired jewellery and this one is definitely African - the look and feel of it is rugged, chunky and interesting, and it is for someone who likes the avant garde, and is not afraid to experiment - girly girls, look away!!!
Chunky coral and lava beads add texture and colour, contemporary jewellery is all about drama, contrast and vibrancy, and I have tried to bring all of these to this piece.
A few more presents were required, and I made a couple of bracelets and earrings to be gifted to some of my favourite people at work. My pliers mysteriously jumped into my hands as I was walking past, so I made a few pairs of earrings so as not to hurt their feelings, they were feeling a bit put out when I was playing with clay.
I saw these beads on a website, and they were so colourful and pretty, I had to buy them. They are called rainbow jasper and it may be that they are a mosaic of different types of jasper - nevertheless, they were just too nice to pass up. I teamed them with ceramic electroplated spacers and turquoise and made this pretty necklace.
Once I had cleared the kitchen in time to cook Christmas dinner, I was informed by Michael that he would do it all - my presence was not required - sweet!
I sat down in front of the telly to watch Ben Hur - again - with a roll of wire and and a bloodstone cabochon. Bloodstone is a dark green, almost black coloured stone, and to my mind needs brightening in some form - you might not agree with me on that - but I am sure the pendant I made was worth the effort - it took simply ages to form all the curlicues and swirls - this is my favourite pattern from a tutorial by Gailavira, from whom I bought the tutorial originally.
That's about all I had time for this week - now to get ready for the New Year. I am working at the day job on New Year's Eve, and New Years Day - clearly, I drew the short straw this year, but somebody has to be at work, while all the rest of you have a good time partying. Catch you in 2013, have a lovely time on new year's eve if you are out and about, and stay safe.
Speak to you soon,
What terrible weather we've had - rain, rain, and more rain - floods in parts of the UK, though luckily we haven't been affected too much around where I live. The whole of the UK has been covered over by a blanket of cloud - even the weather girl on the TV has lost her perky smile - she has a squeaky, high pitched, chirpy, birdie voice and usually ends with a 'bye bye' - now she slinks off apologetically, having delivered her message of doom with a semi grimace - more of the same!
Anyway, the rain has kept most people at home, and out of the hospital, so the worried well have kept dry and snug. This meant that I was free to play with my kiln all weekend, while on call - I made some pendants and focal toggle clasps with copper clay, and tried to enamel them in cheerful colours - or at least that was the plan.
These are the pretties I made, after I scrubbed the fire scale from them and cleaned them up, all ready for enamelling.
The bottom two are 'Hamsa' hands -
The Hamsa is a palm-shaped object popular throughout the Middle East, North Africa, and usually made into amulets for jewellery and wall hangings. Depicting the open right hand, the Hamsa is believed to provide defence against the evil eye. The symbol pre dates Christianity and Islam. In Islam, it is also known as the hand of Fatima, so named to commemorate Muhammad's daughter Fatima Zahra. Christians call it the hand of Mary, for the mother of Jesus, and the Jewish community calls it the hand of Miriam.
In the Middle East, the Hamsa has been adopted as a symbol of hope for peace, and the Hamsa prayer goes
Let no sadness come
to this heart
Let no trouble come
to these arms
Let no conflict come
to these eyes
Let my soul be filled with the blessing of joy of peace
and I concur with this sentiment!
As far as I am concerned, of course, it is a pretty object - I don't actually care whose hand it is! I saw some beautifully coloured ones in Morocco, and I thought I'd make some with brightly coloured enamels.
Unfortunately, I proved unequal to the task of enamelling them - I have successfully enamelled onto silver clay and copper sheet metal - but just couldn't get it right this time around. Fortunately, I only ruined two of the pieces - I will do it someday - just have to get a bit more research in - reminds me of the years where my sister and I used to attempt to bake cakes and end up with pancakes - she is now a fabulous cook, and knocks out cakes at the drop of a hat, and I can too - if and when I want to (very rarely).
So to cheer myself up, I made some simple pendants with wire -at least wire wont talk back and give me cheek! I made three little pendants, and an ear cuff - bending and twisting away my irritation with the enamelled pieces ( or more correctly, non enamelled rubbish).
The Queen of Siam
I'm usually a bit of a hoarder, and like to keep pretty things for a while, but I have realised that this strategy is pointless - if, indeed, one can call it a strategy. Now that I have all this coral and turquoise in the house, I decided to make up the rest of the pendants I bought from E. Limbu, the Nepalese artisan - they were too pretty to languish in a cupboard till I felt like sharing them with somebody. So I made one with teardrop shaped coral and pyrite slab nuggets. As soon as Mike saw it he said how Russian it looked - and I did a double take - Russian??
But when I looked at it again, I saw what he meant - the sponge coral looks decadently opulent, so I called it Czarina.
Eastern Promise - Czarina
Eastern Promise - Carnival
The second pendant was a bit more ornate, so I put it into a fairly simple necklace with chunky coral and turquoise nuggets, and Mother of Pearl heishi beads - these tiny, flat little beads came strung in a jumbled up mass of vibrant colours, and I spent some time separating the colours - this worked well, and the necklace looks as exuberant as a carnival - hence the name. I used some pretty brushed silver tone flowers as well, and they set the carnival beads off perfectly.
Sweet Jade Orchid
I had this beautiful clasp in my stash for over an year - and I felt so mean for ignoring it, in spite of its piteous cries. When made up into a necklace with aventurine nuggets to match, it was too heavy - felt like a yoke around my neck - I was unable to raise my head after a few minutes. I was so annoyed, I had to cut the necklace up - and then I had to bag all the elements up - I try not to lose any beads if I can help it, as I always plagued by the thought that I might end up needing just that one that I was careless with some day in the future - and that would seriously exasperate me. So there I was, on my hands and knees, chasing beads around the room, - when I finally finished, it was back to the wire, to sit down, manically twisting and tweaking away, weaving the vexation out of my system. When I felt better, I had five little pendants with green jade beads, and I remade this necklace using them. The pendants remind me of the inside of an orchid, and that's how this necklace got its name.
A jade orchid
The Latest Trend - apparently.................
I wore ear cuffs in my early twenties - I vaguely remember a plain and simple silver band fitting snugly around the cartilage of my ear. People have been making and wearing them in the last couple of years, but I am reliably informed (!) that they are going to be the latest, must have accessory in the spring of 2013 - if we all survive beyond December the 21st! - we'll all know then how reliable my source is. While I was playing with wire this week, I made a couple of them - mainly as give away items - I found these pictures of various celebs already wearing them and a picture showing how they are worn which I shall keep for people who aren't in the know. The ones on the green back ground are mine, and they are quite comfortable to wear.
Thanks for stopping by the blog - I now know that more than ten people read it (the blog has ten official 'followers') , but a lot more have sent me comments or clicked the 'like' button on Facebook - its nice to know I'm not rambling to myself like a lunatic, but as Mike says, talking to yourself is OK, its only when you answer yourself back that you need to worry!
That's all I had time for this week folks, catch you same time next week. Have a great weekend,
I have been playing with FotoFlexer - it has been a nice calm week and I have had time to think and play. I love getting parcels in the post, and I think the best thing about Caprilicious is that it allows me to get at least two parcels every morning - the postie must wonder what goes on at our place, but I suspect he doesn't give a toss, as long as he gets his Christmas pressie.
He has been delivering crystals all week - and I have helped to keep the Czech economy ticking over - with a bit of help from the ladies who have bought stuff from me. I decided that I would no longer put capital into beads and jewellery related items - I wait till something is paid for, and use that money to purchase other bits and bobs - so far the plan has worked well, with one or two minor lapses.
So what have I been doing with the recently delivered crystal beads?? - take a look.......
Diabolique - because the Devil wears Caprilicious - naturally!
One of my Caprilicious friends has been helping me to name my jewellery - thank you, Lynda Borley! - she suggested I make a necklace called Madame Bovary. I gave it a little thought - Emma Bovary was a woman whose quest for romance led her to ruin, and eventually suicide -she was in love with the idea of being in love, and had romantic assignations with men who always disappointed her in the end -what sort of a paradigm would her story be for a piece of jewellery? - who would want such associations with something like that around their neck?
However, life has its ups and downs, and I imagined how she must have felt each time she was getting dressed to attend a new liaison - the quickening of the pulse when she thought of the bit of 'afternoon delight' in store, the little half smile and the hum as she flitted about, trying on this outfit and that, and matching her jewellery to her clothes - maybe picking something light and easy to conceal under a mantle as she left the house, to be revealed when her man was with her - I went off into this daydream - and when I woke up I had made Madame Bovary! - a necklace Emma Bovary might wear to a tryst, tripping happily off to meet one or another, not realising where her insatiable quest for romance was to take her!
A string of amethyst coloured tear drop shaped crystals came through the letter box and I made them up into a three strand necklace I called Silk Cut - after the only vice I have left, now that I have been teetotal for over an year, and am on a perpetual diet! The purple of the Silk Cut advertisement is delectable, and I tried to do it justice with this piece.
Wild!- from the Bewitched series
BEWITCHED, BOTHERED AND BEWILDERED
Men are not a new sensation
I've done pretty well I think
But this half-pint imitation
Put me on the blink
I'm wild again, beguiled again
A simpering, whimpering child again
Bewitched, bothered and bewildered - am I
Couldn't sleep and wouldn't sleep
When love came and told me, I shouldn't sleep
Bewitched, bothered and bewildered - am I ...............
I sat down with a roll of 16 gauge wire and twisted it into this bracelet, which I then embellished with pretty coloured Alexandrite beads - they reminded me of the bubblegum we chewed all day at school (when the nuns weren't watching of course, or a beating we were sure to get!). I shaped it to fit my wrist and added a magnetic clasp to ensure that it stayed on the wrist.
This is a fun little piece, made of copper linked beads in shades of orange and brown - it has a bracelet to match, and this can be linked to the necklace to make either a longer piece, or wrap twice around the neck - daytime chic, and nice to wear over jumpers and roll neck tops in autumn / winter. At this time of year, it is nice to add a bit of colour - spices up the day, and your mood, as well.
Iara - The Green fairy of Brazilian Folklore
Iara was a water nymph, from Nova Olinda in Brazil, a beautiful young woman, sometimes described as having green hair and translucent skin, who spent her days on a rock by the river combing her hair or dozing under the sun. When she sensed a man was in the vicinity, she would start to sing gently to lure him. Once under the spell of the Iara a man would give up everything dear to him to live with her underwater forever, which was not necessarily a bad thing for the man, as she was pretty and would cater for all needs of her lover for the rest of his life - the poor Iara was doomed to a life of servitude for making the mistake of 'pulling' (sounds familiar!).
The legend of the Iara was one of the explanations for the disappearance of those who ventured alone in the jungle - a romantic bogeywoman!.
I teamed a carved jade pendant with Serpentine which is so called because it resembles the skin of a snake. It is sometimes called New Jade and has been used since ancient times to guard against disease and sorcery. It is also thought to help find inner peace and is a meditation stone - not too sure about stones finding me inner peace - but hey, if you want to believe that, that's fine by me - I used it because it is so pretty.
That's as much as I have had time for this week. I have to be in London for a couple of days early next week to attend a meeting associated with the day job - Continuing Medical Education - that's what it is called. I shall wrap up warm - it is turning pretty cold out there. Catch you when I get back,
Have a good weekend, and a great week