Hello readers, I hope you are all enjoying the weather, which is slowly showing signs of getting warmer. It is so nice to be able to shed the heavy winter gear, and wear fewer clothes - can't wait to get to the point where the sandals come out of the cupboard and onto my feet.
My mother went on a little tour of South India with her niece, and very kindly brought back some beads for me. I had asked her to look out for a string of Rudraksha beads - more about them later. The ones she sent are about 20mm in diameter, and I was a bit intimidated by their size, I had really wanted them a bit smaller. However, no one puts Caprilicious in a corner, and I decided to rise to the challenge. I made some polymer clay ruffle beads from a tutorial by Christelle Van Lingen, in a blend of red and gold, and put a necklace together with a copper electroplated oak leaf skeleton.
I added a blue agate bead and a copper Bali style bead to provide a pop of colour and extra interest, and little gold plated crystal beads to add some sparkle to the piece - I was quite pleased with the way the necklace turned out. I like the juxtaposition of an ancient, traditional seed bead, and the polymer clay, which is as contemporary as you are going to get - and very different, too from anything i have seen, made with these seeds.
Rudraksha is a large evergreen broad-leaved tree whose seed is traditionally used for prayer beads in Hinduism. The seed is borne by several species of Elaeocarpus. Rudraksha is a Sanskrit compound consisting of the name Rudra ("Shiva") and akṣha ("eyes").
Rudraksha seeds are covered by an outer shell of blue when fully ripe, and are also known as blueberry beads. The berries are strung into a rosary, used for repetitive prayer. The seeds are classified on the basis of the number of divisions that they have, and different qualities are attributed to the rudraksha based on this. A common type has five divisions, and these are considered to be symbolic of the five faces of Shiva.
Rudraksha beads are often worn by Indian 'sadhus' or holy men, who are devotees of Shiva.
The plant and the blueberries that produce the Rudraksha seed
Sadhus, wearing strings of the Rudraksha beads - the one on the right looks pretty pleased with himself!
In a complete about turn from the oak leaf necklace, I made a couple of light and pretty summery pieces to go into the English Country Garden collection - a little pendant - Primrose, and a necklace made of all the shiny, pretty floral elements I could find - The Summer Bouquet. The inspiration for this came from a throwaway comment by a presenter on last Sunday's airing of 'The Antiques Roadshow' while valuing a tiara - he mentioned that tiaras were often turned upside down and worn as necklaces in Victorian times - so I made a modern day tiara/ necklace - it is extremely light and pretty, and looks like a wildflower bouquet.
Winner - Bead Barmy Readers Gallery Competition April 2013
I had news that Katrina won in the 'We've got the Blues' category, and that it sold, all on the same day - I must remember to tell the new owner she has a winner!
Linda Jones, a well known and influential jewellery designer, and author, writes a blog for the WireWorkers Guild, which is a forum for people who love wire. She offered to feature me on her blog in May, and sent me a questionnaire. I filled it out, and she emailed me back - she was so complimentary, I have had a job fitting my head through the door and am literally floating around the room. This is a screen capture of her email
What can I say - other than thank you, Linda Jones! And here it is http://wireworkersguild.blogspot.co.uk/2013/04/caprilicous-jewellery.html?showComment=1366967638186#c8771846690699081699
When I finally managed to come down to earth , I finished off the last piece I made this week and took these photographs of The Spirit of Ecstasy. The art nouveau wire work surrounding the focal was behind the idea for the name.
The Spirit of Ecstasy, also called "Emily", "Silver Lady" or "Flying Lady", was designed by English sculptor Charles Robinson Sykes and carries with it a story about a secret passion between the second Lord Montague of Beaulieu, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902 and his secret love and the model for the emblem, Eleanor Velasco Thornton. Eleanor was John Walter's secretary, and their love was to remain hidden, limited to their circle of friends, for more than a decade. The reason for the secrecy was Eleanor's impoverished social and economic status, which was an obstacle to their love. John-Walter, succumbing to family pressures, married Lady Cecil Victoria Constance, but the secret love affair continued.
Eleanor died on 30 December 1915 when the SS Persia, on which she accompanied Lord Montague on his journey to India, was torpedoed off Crete by a German submarine, four years after she had been immortalized by her lover.
Spirit of Ecstasy
The rough cut black tourmaline gleams gently, and the severity of the black is relieved by the multi-coloured, shiny crystal spacers, and the graceful swoops of the wings of the focal. The polymer clay 'cabochon' is smooth, although its surface appears corrugated, and was made from a tutorial by Sophy Dumoulin of CraftArt Edu. I just love this technique - although time consuming, it is fabulous - and you have to wait till the absolute end, to see if the piece you have made is any good - for someone short on patience, it is a good exercise! The toggle clasp is pretty too, but this time, I put it at the back of the neck, where it should rightfully belong - when I tried to bring it to the front, as I do with a lot of pretty clasps, it fought a major battle with the focal, and lost. I consoled it by explaining that the back of the wearer is visible too, especially if she has her hair short, or swept up - or it could remain a delicious secret between the necklace and the wearer ( must be going doolally tap - I am now talking to a clasp!).
That's as much as I had time for, sweet people, I am exhausted by the repeated expansion and deflation of my head after all the accolades Caprilicious has received this week - and I know I will have to work hard to stay worthy of what has been said.
Catch you next week, same time, same place
I hope you have all had a good week - I had the week off from work and decided to use it productively - was meant to drive to Shrewsbury, an hour away, to take an enamelling class, but snow and ice precluded that enterprise, and we had to reschedule. So I was forced to stay at home, and play on my own with my baubles and beads, and my computer.
I entered Ariel onto a colour palette design challenge and bloghop hosted by Bonnie Coursolle of Jasper's Gems from Ontario, Canada. http://www.jasper-moon.ca/JaspersGemsBlog.htm
She posted three colour palettes, and Ariel was made in the colours of the first one she gave the participants to work with. It is nice sometimes to accept a challenge and work within its confines - it gives the mind a focus.
Just after I posted last week, I found out that I had won a £10 voucher from a trade magazine called Beads and Beyond - I had submitted a picture well before Christmas 2012 to their inbox, and quite forgot about it - in fact, I had to ask members of a jewellery forum if it was true that the picture had been published when I got the email that I had won the voucher, I thought it might be some sort of pre April fool prank. One of the ladies sent me this picture - I should really go out and buy the magazine now.
I entered Glacial Fantasy in a 'Jewellery Design Star' competition on Artbeads.com - this is a company in the USA that sells jewellery making supplies. I don't usually have time to hunt down competitions, and enter my jewellery, so it was nice to be able to do it this week.
I sent Pearl Blay, the author of The Beading Gem's Journal a picture of Glacial Fantasy. She writes a daily blog http://www.beadinggem.com/
where she posts
'the best Free Jewelry Tutorials,
Tips,Trends & More'. I have been following this blog since the day I started to make jewellery, and have learned a lot from her writings. Her blog lands in my inbox with a 'ping' every afternoon - she is in Canada-her advice is sound, and she has an archive of tutorials on almost everything to do with handmade jewellery making. I have approached her twice in the past, and only got as far as being allowed to submit a picture of one of my necklaces to her 'Readers Gallery of Inspirational Designs', but Glacial Fantasy piqued her interest and she wants to do a feature on Caprilicious Jewellery sometime in April. She contacted Manish, who took the picture of the glacier in Ladakh, and will put his picture on the blog as well. It is a big deal for Caprilicious, as her blog is extremely zealously curated, and I am suitably thrilled and grateful to Pearl. I will keep you posted when the feature comes out - it is fabulous to have one's work recognised by one's peers, especially someone who has been there, done that and seen it all.
I had a vague idea of what I wanted to make, so I made these little pieces - I embellished black clay with real gold leaf from Thailand, and made a few faux bone elements. I wasn't sure how I was going to connect them, till I remembered a roll of hemp tucked away at the back of my supplies cupboard. While I pondered this weighty question, I was thankful that there wasn't much clearing up to do - this was a clean technique and my table didn't look like a bombsite at the end of it.
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As my school reports said - 'could be tidier' !
I watched a late night movie, with subtitles, from Senegal - I watched the griot sing his soulful song - the Mandinkas pass on their history from generation to generation through songs sung by griots, accompanied by a kora-a stringed instrument. The marabout (and the protagonist visited quite a few in this movie to help restore his potency) was laden with bones and cowrie shells, and all I could think about was how this scene could be incorporated into a piece of jewellery. I think this necklace was conceived that night - there has to be some benefit to being an insomniac .
Cowrie shells were used as currency in Africa . Their symbolic qualities and beliefs led to them becoming a popular and valued object of currency for hundreds of years. During early colonial times, many Africans preferred being paid with cowrie shells over gold coins- which was a surprise (and an unexpected windfall) to the first Europeans who went to trade in Africa.
Cowrie shells are also tagged with a mystical quality, and have played a role in West African fortune telling, and are an integral part of music and indigenous instruments, as well as gambling games. They are also used as fertility symbols and brides wear them in a waist belt. One of these found its way into my hands, but it was all broken and tattered, so I rescued the cowrie shells from it - reuse and recycle - that's my motto!
I was trying to replicate the mood of the music, and the picture above in my photograph. I was clearly underemployed this week, so I played with my little camera - I lit a joss stick and tried to take a picture inside my light box, with the smoke wafting over the necklace - but I soon found out that this was easier said than done - smoke just doesn't do as it is told - I discarded a whole bunch of pictures - thank goodness for modern technology - imagine how expensive all this would have been if I had to develop all those pictures to find one that I liked!
My most recently ordered leaf skeleton pendants arrived, and I wasted no time putting the aspen leaf into a necklace of lemon quartz and pyrite. The pale gold of the quartz contrasts with the dark gold of the pyrite - Lemon quartz is so pretty, it reminds me of the weak first rays of the sun, the first thing in the morning - a wistful light, yet so beautiful. My husband liked it so much, he even wore it for a couple of minutes - yes, I got a picture, but I am not allowed to post it ( thank goodness, you say?? - you are absolutely right).
I was asked to make some earrings to go with Glacial Fantasy - I decided to have another look at Manish's pictures from Ladakh for inspiration - I found a couple that set me thinking of icicles, and I made these for the ladies who had commissioned necklaces from me.
Zahra - the Luminous one
The pearls I chose for this necklace, brought the word 'luminous' to mind - when I looked for a translation in Arabic/Persian, this flowery language came up with 'Zahra'.
We have some large holly bushes in front of the house, and I boiled up some leaves - I thought that their skeletons would be an interesting shape - but in the end, it was all 'Bubble. bubble, toil and trouble' for no reward - man, those holly leaves sure are tough! Eventually I gave up, and when I rang the lady who electroplates the leaves for me, she said she had the same problem, so she just electroplated the entire leaf as it was. I cheated, and bought this pendant from her - I was fed up with the whole holly debacle by then.
Being used to the delicate skeletons I am now accustomed to, I was a bit surprised by how substantial the holly leaf was, but in the end, I think it came good and I love the way it turned out.
I ended the week with a birthday, my colleagues from work threw a surprise lunch party for me, and some of them even wore their necklaces from Caprilicious, as did I. It was a lovely thought, and a really nice afternoon - thank you to all the ladies who turned up and made me feel special.
And, that was the week that was! Catch you next week, same time, same place, take care and have a great Easter break
This week, there were some very difficult decisions to be made - I had to submit a single button to the Button Project picking for my theme 'Silk' , 'Metamorphosis' , or 'Heritage' - I could eventually add another three to a set of four to be sold off by the organisers when the project ended.
I decided to go with 'Metamorphosis' as my theme, loosely interpreted by me as the change or transformation that occurs as night follows day. I thought that there would most probably be too many butterfly/ larva buttons as the other theme was Silk- and anyway, who wants to make or wear a dead caterpillar? - not me, that's who!
I made the four buttons in polymer clay, and took my pictures, I was quietly pleased with the way they turned out. I planned to give each one a gradation from a dark blue to a pink/yellow/orange, and I added a leaf motif in the background, so the button would eventually resemble a fossil. The method I used was pioneered by Sophy Dumoulin of CraftArt Edu. However, with this technique, there is no way of telling what the piece will look like till it is cured, sanded and buffed - sanding reveals the true design, hidden inside, almost like a metamorphosis in itself - I held my breath till, lo, and behold, the buttons appeared - not entirely the way I envisaged, but near enough.
I was now faced with the choice of button - I had to decide which one was the best and was destined to be the original exhibit, with the others sitting in a box, waiting to hear if someone loved them enough to give them a home. How bad would they feel, if they had to come back home to Nuneaton in a padded envelope - how could I put my sweet button babies through this?
And once I decided which one I liked best, should I send the required photograph on a dark background, or on white?
Having agonised over this for a long while, I gave up and decided to listen to some music instead, till the Aspirin cleared my head.
The one at the top left is the one I chose eventually, with the dark background. Now, all that is left is to wait and see whether the organisers will accept my entry.
Through Caprilicious, I met a lovely lady I shall call BN - she makes jewellery too and is like me, a doctor. She loves Caprilicious and took the trouble to come all the way to Nuneaton to see me - I was ever so pleased to meet her and we talked jewellery for hours - it was nice to find someone to chat with on a topic that is so dear to my heart, without fear of their eyes glazing over with boredom - I'm sure I do that a lot at work, and have to restrain myself, quite often, when my radar picks up the glazed expression I used to get when my mother lectured me on my many misdemeanors as a teenager. I only hope I am quicker to spot 'the look' than my mother was!
BN gifted me some beads - she said it was like a goody bag on Ready Steady Cook - I had to make pieces of jewellery using the ingredients from her bag, the only difference being there was no stipulated time limit. In return, she had some of my polymer clay faux amber and a few other bits and bobs. After she left, I made Bedouin Oasis, with some of her beads, one of my handmade polymer clay pendants, with two pairs of earrings to match.
The sand is hot beneath my feet
This desert air, a burning heat
I'm running wild in all directions
Slowly falling from my imperfections
These flats out here seem dead and barren
The silence is blarin'
When then a quiver runs suddenly
Through my spine as I sense
A safe haven
A sweet serenity
I teamed Tiger Ebony wood bicone beads and shell segments in an asymmetric necklace and the colours so reminded me of an oasis - calm and serene - the pendant seemed to work well with that theme, its center looks like a rippling body of water to me - I wore the necklace to work, and got a load of compliments - I was very pleased with the response.
This necklace stemmed from BN's question - 'could you create small?' - I wasn't too sure that I could rise up to the challenge - Caprilicious seems to have become all about the large, flamboyant piece - but I am sure there are plenty of capricious women who want their delicious pieces small and dainty. So, I went off with my thinking cap and sat in a corner for a while ( should that be a dunce's cap you sit in a corner with??) and came up with Indigo Evenings. The iolite I picked is a beautiful deep blue, the colour of twilight in the tropics, and I looked in my gemstone stash in vain to find a green to complement it - I finally found the perfect green in my box of crystals, and added some tiny pearls to make a piece that is so dainty, it looks almost fragile in my hands - so, BN, if you are reading this, have I fulfilled your challenge?
Ariel is a fictional character and the lead protagonist of Walt Disney Pictures' film The Little Mermaid (1989). Ariel is voiced by Jodi Benson in all animated appearances and merchandise.
Ariel has a very distinctive appearance, with her long, flowing red hair, blue eyes, green tail and a purple seashell bra. The blue-green color of Ariel's fin was a hue specially mixed by the Disney paint lab; the color was named "Ariel" after the character. The choice of red as Ariel's hair color was the subject of dispute between the filmmakers and studio executives who wanted the character to have blonde hair. It was noted that red hair contrasted better with Ariel's green tail and that red was easier to darken than yellow so it was ultimately kept.
In the mid nineties, I used to borrow this little girl from my friends, and she and I would stay up all night, watching cartoons, eating ice cream and Jelly and crisps in bed - she loved to come and stay with me, and her parents had the weekend to themselves - The Little Mermaid was one of the movies we watched, over and over, without ever tiring of it.
I made this cuff in memory of those days, using the pen and ink technique learned from Alice Stroppel. It took simply ages to get her hair just so, fortunately, I now have a table where I can leave all the makings without feeling guilty about the mess. The place looked like a bombsite for days and days, while I struggled to juggle the demands of the bracelet, and the rigours of the day job.
All this for one tiny bracelet!!
Made from scratch, the bracelet started like this
And finished up like this!
Lipstick on Your Collar
BN gave me some slate grey veined jasper - the stones look like little pebbles from a river bed - initially I thought I would put them with coral ( and I might, yet) but while doing a rummage in my bead stash, I found these lipstick coloured pink dyed howlite, and they seemed to be clamoring to be let out of the box - I think they go really well together. As I have said before, I am not a particularly 'pink' person - but this necklace found its way from the light box where I photographed it, straight around my neck, and hence, to work. The grey jasper lends the piece a bit of sophistication, and raises its game. One look at it, and I don't have to say another word about how it got it's name.
The gentleman whose photograph I used as inspiration for Glacial Fantasy
( http://www.flickr.com/photos/manisholiday/ or http://kingdom-of-sky.blogspot.co.uk/ for more pictures) liked the necklace so much, he ordered another for his girlfriend! Kudos, indeed - such kind gestures make it all worthwhile!
That's all this week sweet people, thanks for stopping by - catch you next week, same time, same place,
New - from the Out of Africa Collection
I have never been to sub Saharan Africa, but have increasingly been seduced by the beautiful imagery from that continent.
This recently came to a head when I bought a copy of the eye wateringly expensive book 'Africa Adorned' by Angela Fisher - with page after page of colour and vivacity leaping out of it. It brings to mind the jewellery and colours in the desert lands of Northern India - the women wear large jewellery and head dresses, and bright colours, almost as if to combat the drab brown of the sand and scrub land surrounding them. Tribal sophistication is bold and dramatic, calling forth of the fierce nature of our human spirit to overcome all obstacles. That's what jewellery was originally worn for in ancient cultures ....to remind the wearer of her strength and purpose. Jewellery never was just about baubles and beads. It had purpose. And power. And beauty.
Clothes and accessories should be as bright as you are comfortable with - if you want to be noticed - the key however, is to be comfortable.
Sweet little gemstones on tiny chains are lovely, in their own way - but the statement they make is completely different from what the Caprilicious Tribal woman is all about. I have some of these 'little sweeties' in my own little collection, mainly bought for me by my mother, who is into pastel colours and whites - get the picture? - but as I grew older, I realised I had to find my own style, and dress to project the image I have of myself in my minds eye - and that image is bright colours and stand out jewellery (sorry, mum).
I am a strong believer in that old adage (or have I just made it up?) - you are what you wear - ergo, if you dress well and feel confident, you walk tall and are undaunted by the curve balls that are thrown at you during the course of the day.
I set up a new section on my website and Facebook page - Out of Africa - the intention is to make urban - contemporary pieces influenced by tribal jewellery to sit on those pages - and hopefully on you. This section is all about big, bold and eclectic mixing to complement the romantic patchwork of chunky knits, flowing attire and a bohemian Lagenlook. I am keen to make these at affordable prices so that all my readers are inspired to try them out - I am sure they will go down well. Tribal style is more about attitude than a place. So whenever you want to show off your fun and free-spirited side, tribal jewellery is the way to do it. This collection will be full of vibrant pieces to add a whimsical and artistic touch to anyone's wardrobe
I have been gearing up to this for a while now - I made some chevron beads, faux bone and this week, faux amber which will fit in with this, my new venture. The necklaces are meant to be bright, bold and in your face, some more so than the others - to the ladies who model themselves along the lines of heroines from the novels of Jane Austen, I say - perhaps you might want to look at my other pages.
As you can see, the beads gleam in the light - no varnish was involved - each bead was buffed with my trusty bench buffer, 'Buffy' - I would never have imagined that I could love a rotary, fast moving tool so, I am usually girlishly afraid of them - but, I couldn't do without my darling Buffy now. Mike's task this week is to find me a little table and a box to house Buffy so that the dust is contained, a la Melanie Muir, not to mention catching the beads that sometimes ping around the room like bullets - Oh, that Buffy - he likes to keep me fit, diving after those beads!
I made a Hamsa pendant out of wire and hung it on a necklace made using a few Chevron beads, a couple of faux amber beads, with glass millefiori beads and real carved bone beads, reminiscent of Berber jewellery from Morocco. The Hamsa is a stylised hand - if you want to read about it, here's a link to a post I wrote earlier - http://www.capriliciousjewellery.com/3/post/2012/11/where-i-keep-calm-and-play-with-wire.html
It is called Flower Power because of the Millefiori beads - which is Italian for a thousand flowers - and also because Marrakesh was on the hippie trail in the seventy's and eighties. It is bright and colourful and is bound to brighten up your day - who says the desert in the only place where one needs cheering up - look outside - the rain and slush and snow is just as dreary.
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Mike took this pic - clearly I need a better photographer, urgently
Is that a Gauntlet (or are you just happy to see me)??
I have been issued with a challenge by one of my customers - if you can help, do feel free to drop me a line. I am required to take the beads from the first picture below and turn them into a piece that will evoke the feeling of being in the second picture - which is a frozen river in Ladakh.
Her last challenge was to request a necklace evoking a stark cold mountain scape, snow capped, with sunlight hitting the mountain tops. I created Meluhan Dreams for her with wire, crystals and druzy - she sent me this picture, and is clearly delighted with it. She even phoned me all the way from Delhi to say how happy she was and to have a chat with me about Caprilicious - I was so thrilled. I have to make sure I rise to this challenge as well.
I have a couple of months to decide how I am going to work this miracle!
From The Vineyard
I found this string of almost perfect amethyst nugget beads while sorting out my bead box - each one looked like a grape - the gems in this string are almost edible. Teamed with some peridot beads and the tiniest freshwater seed pearls, they went into this necklace with a gold plated birch leaf. I hung a bunch of crystals, pearls and amethyst on the front of the bail to resemble grapes. I know it should have been a vine leaf, but this is England and vineyards are not so plentiful out here - so please indulge my poor muse here.
A lentil bead, made with polymer clay
I love the idea of making my own beads and components, and fashioning my pieces from all the images floating around in my head - mixing polymer clay with gemstones and crystals - Mixed media jewellery is the way forward, I am convinced of this. I made Aloha with this bead, and a string of sea sediment Jasper. It was named by Mike, who said it has a Polynesian feel to it - who am I to argue??
Om is a mystical Sanskrit sound of Hindu origin, sacred and important in various religions such as Hinduism, Buddhism and Jainism. It occurs at the beginning of every prayer or invocation and can be used repetitiously in a mantra for meditation. I acquired this conch shell pendant, inlaid with a turquoise Om - It sat in my collection for a while, until, the beads that go into this necklace fell out of a box into my hands - if I believed in mystical stuff, I would say that was really weird!
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I love this clip - it is of Diana Vishneva dancing to Deva Premal's 'Moola Mantra' - the forms she makes with the simplest movement and accessories are astonishing and beautiful - rather like the courtship display of a bird. I loved it so much, I bought the CD - but alas, neither do I look like Diana, nor can I dance like her - the best I can do is a booby bird's dance.
That's a wrap for this weeks jewellery folks, have a fab week and I will catch up with you, same time, same place, next week,
What's in a name? that which we call a rose
By any other name would smell as sweet;
Romeo and Juliet,
Act 2, Scene 2
People have often asked me how and why I name my jewellery, and occasionally, when short of inspiration, I have berated myself for starting this, my very own little tradition. However, mid moan, even I have to agree that it is better to have a query about a piece with a name - than have someone ask me -' how much is SC24590? '.
I have now been doing this consistently for an year, and have now got quite used to it. It gives a piece a character - sometimes, I design the piece to look like a concept I have dreamed up - and sometimes, the piece is made, and then I look at it and a name comes to me. This usually happens fairly seamlessly - and the few times I have been unable to find a name for it, I have realised it was because I was not happy with the piece for one reason or another, and have taken it apart. Ergo, if I cannot name it, it will not be allowed to exist ( insert a throat slitting movement of the right hand here).
I love tutorials - freebies are nice, but when folk take a load of time to photograph every little step, and make a living out of teaching all they know, I am happy to support them. Most times the tutorials work out and make life so much easier - who want's to waste time reinventing the wheel?? CraftArt EDU is a website that has all sorts of tutorials, and I indulge in them on and off - one such was a tutorial by Sophy Dumoulin for hollow polymer clay fossil beads. I spent an enjoyable evening making four beads - when finished they looked like dragon eggs - I imagined incubating them in a warm place only to find a baby dragon tapping it's way out of the eggshell - that's how the name Dragonseed was born.
My buffing wheel truly came into its own and the beads have a lovely soft sheen. I was dying to make them up into something, but had to wait - I had some very dear friends visiting us over the weekend to help celebrate our wedding anniversary.
A couple of weeks ago, I mentioned the painting I bought for my (most definitely) better half, from Kalyani Ganapathy. It came back in a lovely shiny black frame and I am pleased to say that Mike loved it. We are running short of wall space, but we found a little niche for it - I have a little nook with a little pressed glass plate from Iceland which resembles a geyser, an antique Victorian plate, a silk rose and a metal frog with an emergency cigarette in its mouth on a plinth made of a single piece of oak - an eclectic collection of whimsical objects - and my pomegranate fish fitted in there as if they were painted for that little corner. Have a look at Kalyani's Facebook page - https://www.facebook.com/kalyaniganapathysart?fref=ts
It is filled with grown up whimsy, and the colours are so fabulous, they send my right brain spinning with delight, my heart aching with lust to acquire more and my fingers itching to get to my credit card!
My mother, who still takes painting lessons at 85, was a bit peeved that I paid for a painting - she probably reckons ' why pay for something when she could do it at home with a smaaallll aubergine' .... a classic line from Goodness Gracious Me, one of my favourite TV series. This particular sketch is a parody of Indian mothers, every one, bless them - but my answer to that is there's aubergines, and there's AUBERGINES - and this one is an AUBERGINE!! Thank you, Kalyani Ganapathy!
I decided I would wrap the 'fossils' in wire, rather than drill holes into them and hang them as pendants ( I think I am still secretly afraid of the Dremel - but I'm not telling anyone, including me). I wrapped them in copper wire and enjoyed making the curlicues and spirals I learned from Rachel Murgatroyd at In The Studio, many moons ago - the pendants are large at 3.5 to 4.5" long, but light and pretty, and, most definitely different!
This must be the week of the dragon for Caprilicious - I found this wonderful black Hetian Jade Chinese pendant in the shape of a dragon - black jade is actually a very dark green, and comes from the depths of the earth where lava has solidified with mineral inclusions such as carbon and iron. Hetian jade is best known as 'mutton fat jade' when it is a creamy white, and can be very expensive. The black form, though less expensive, is still very beautiful, and I found this pendant in my quest for unusual shapes and colours. I teamed this pendant with green aventurine and faceted onyx beads in a two strand necklace. The name Tanita derives from Semitic roots meaning "serpent lady" - the ultimate serpent being the dragon, of course. This was also the name of the Phoenician goddess of love, fertility, the moon and the stars.
My friend's daughter whom I have known since she was knee high to a grasshopper (Omigod, I am old enough to say that - and for it to be true!) fell in love with a pair of earrings made with the wings of the Thai Jewel Beetle (or Sternocera aequisignata, when it's at home). Both my friend and I thought she might have been squeamish about the fact that the jewellery was made out of insect wings, but, no, to my surprise she even asked for a necklace to be made to go with it! The wings are weightless and rustle pleasantly in a beetlish (!) manner, and I came up with a simple but effective design for a single layer of wings around her neck. As her hair has been coloured green recently - it should look perfect on her - I hope she will send me a picture when she wears it.
The earrings that started the ball rolling
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The necklace will look fabulous on her!
That's all for this week folks, thanks for stopping by - catch you next week, same time, same place,
Have a good weekend,
No, I don't mean blood from a stone, you read it right first time - Light from a Stone - this epitomises Labradorite. This greyish brown stone is, at first sight boring - in fact it resembles something you might find lurking at the bottom of a cat litter tray - but, wait .... move the stone till it catches the light - and you get that fabulous flash of light from within it's depths - a flash of yellow, blue and green - and you are hooked!
Labradorite is a feldspar, first found in Canada, formed by the slow cooling of magma, giving the crystals time to arrange themselves in large clusters before being locked into place in layers - these layers reflect light at different angles, giving that characteristic flash - the Schiller effect.
The Inuit thought the Northern Lights had been captured by the stone, it is that beautiful. I once bought a bracelet with a large slab nugget - and was immediately hooked - grey brown is difficult to design with, and of course, the stone needs to move to catch the light, so still photographs do not do it justice - Oh well, I can but try - I am not sure if any one will be discerning enough to actually want the necklace, but I love it, and will happily wear it myself.
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This is a little National Geographic clip of the Northern Lights - I have tried heroically to get the stones in my necklace to bring forth the fire in the stones - but this tends to happen when they are moved in the light - so do bear with me.
We were lucky enough to catch a tiny glimpse of the Northern lights last August around the coast of Norway - and they are mighty beautiful - but it has to be really cold and clear to get a good display - Brrrrrrrr - I say, stay warm and wear my necklace!
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These are the hardest photographs I have had to take - I positioned each bead so it would catch the light, and unfortunately this is the best a still camera could do - you can see flashes of fire here and there.
The Harnessed Peacock
This is my nod to Mary Wesley, whose books I read and enjoyed a long time ago - she published her first book at the age of seventy, and wrote a number of best sellers after that - the women in her books are all extremely unconventional, and she has a sharp and dry wit. Harnessing Peacocks is one of her books, and it was also made into a motion picture. Mary had a red lacquered coffin made for herself by a local artisan, and kept it in her living room - she offered to be photographed in it for an interview by a magazine - politely declined, of course! I love that story, she must have been such fun - even her biography is called Wild Mary.
The copper non tarnish wire bird has a crystal tear drop dangling from its beak, and brilliant green and blue crystal and glass 'tail feathers'. I kept the chain simple, but not so simple that I didn't embellish it with a few crystal dangles.
This one was made to complement a turquoise clasp - I used zebra howlite, square onyx beads, shiny crystals, blue glass beads, dichroic glass rectangles and pressed glass beads in the shape of pansies all the way from Czechoslovakia. I love Czech glass - they have some beautiful beads, and I buy them whenever I can find them. They looked like sweeties from my childhood when I finished the necklace, hence the name.
The real deal - I like mine better - no calories!!
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I love this clip of Scherezade by Rimsky Korsakoff - I have played it before on this blog - but am playing it again, as it is appropriate here - this is only part of it, but the music is so haunting - do listen to it - and of course, the Kirov - Mariinsky ballet needs no introduction.
I made these pendants for Scherezade - to wear when she told her prince stories, night after night, holding his interest by withholding the ending - just to live another day, and tell yet another story - a cruel tale, but, we got all these stories from her plight, and she got a stay of execution - and he got the girl - a win win (win) situation, by all accounts!
The druzy cabochons came all the way from Jakarta, I love the crystalline centres that sparkle in the light - once again difficult to photograph. I have been taking online photography lessons and tips, but might make my way to some real ones at the local college come January, I so hate not being able to share my enthusiasm with you. Lashings of wire, and tiny gemstone beads embellish the druzy, but I have kept the whole thing simple, on a ribbon instead of making a whole necklace around it to keep the focus on the pendant itself - this will turn heads anyway, so a whole 'statement necklace' will probably be a bit of overkill.
I have just about managed to capture a bit of the sparkle at the centre of the gemstone here
I have a few more cabochons, and have been trying to set one into a pendant in the shape of a lotus - and struggling, I don't mind admitting. There's something missing, and I just can't put my finger on it - don't you just hate that feeling - but I have put it away for the time being and hope that when I look at it again, inspiration will strike me like a bolt of lightning and I can show it to you next week. Till then, have a lovely weekend, and a fabulous week. See you same time, same place,
It has been a bitter sweet year - in the effort to take my mind off the loss of my brother, I ended up creating a monster that has taken me over - what has now become my passion - the reason I wake up every morning - I now dream, sleep and think jewellery when I am not at my day job, and have to tear myself away from my jewellery making to go to bed at night. It is official - Caprilicious is my obsession!
I have learned to bead, make wire jewellery, use a kiln, enamel, and overcome my fear of power tools to now become comfortable with my Dremel, and even a bench buffer! Who would've thunk it!
It is very difficult at a certain stage of competence in one field (not to mention a certain age), to try and learn an entirely new skill and become a beginner - all fingers and thumbs, being told off by the teacher for making a basic mistake, and feel like a complete fool. I now have a lot of sympathy for my juniors at work - indeed, I have become a much more patient teacher, as a result of revisiting my learning skills!
I am used to learning in a class and by following a teacher on a one to one basis, so I chose this route - and I think I benefited from it - although expensive this way, I cut to the chase and learn the little tips and tricks that click into place when I fly solo - especially with quality control!
I had no idea I could be creative - but the ideas seem to come - and people seem to like what I make - I even surprised my mother - getting a compliment from her is like extracting hen's teeth ( and you have to catch the dratted hen first!) - and she has volunteered her approval - WOW!!
Michael, my long suffering husband, has been very supportive throughout, but I tend not to take his compliments too seriously - he gives them to me easily, and I can't help thinking that his vision is a bit rose tinted where my endeavors are concerned - sweet man, but I don't want to make the mistake of believing my own hype!
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Thanks to all of you who have supported Caprilicious Jewellery, bought some pieces, been my fans on Facebook, commented on my efforts, and generally been good eggs. I will work hard to live up to the expectations Caprilicious has generated in the past year, and .......... The Only Way is UP!
I have been on a crazy-mad spending spree at my Nepalese artisan's shop, and bought a few bits and bobs. Having used up the last of the previous stash in the weeks before, I felt I could justify buying more. I have some truly beautiful pendants, and have promised myself that I will make a necklace using the Ghau box as the focal for Caprilicious' birthday this week, and have bought loads of little turquoise beads to this end. As this ghau box is a bit more expensive than the other pieces, I have spent a lot of time designing the necklace in my mind - it will have to be as spectacular as the box deserves.
While mulling this over, I made a necklace with coral, free form lapis lazuli nuggets and a turquoise and coral pendant - very colourful and bright.
A real winterberry on a bush
Winter months can be so dark and dreary, rain and snow, mist and fog - enough to drive the most hardy soul demented - my necklaces are designed to raise the spirits and drive all vestiges of Seasonal Affective Disorder out of the wearers consciousness - that is my raison d'etre.
I picked some colourful crackle agate beads - they have such beautiful markings, and are gently faceted - smooth and cool to the touch, and ever so pretty. These were teamed with crystals in many colours and shapes, and silver tone spacer beads in a seemingly random manner - the whole time, the gemstones reminded me of berries and it was all I could do to restrain myself from trying to eat them - they look so very edible! This, then, is ..............................
I love beads that aren't round - if they happen to be round, I like them to be faceted, or marked beautifully - in other words, I just like them a bit different to the general idea of a bead being round, with a hole running through it. Imagine my surprise and pleasure, when I started making jewellery, when I discovered that anything with a hole running through it is classified as a bead - it doesn't have to be round to qualify - Hooray!!!
I bought these graduated pale pink sponge coral rondelles - now, I am not a pale pink person, but the texture and the shape of the beads appealed to me. I thought long and hard about how I was going to brighten the necklace - and then - in an 'Eureka!' moment, I teamed it with a clasp inlaid with lapis lazuli and coral from my favourite Nepalese artisan - I set the clasp so that it was to one side of the graduated beads and added stardust gold tone beads and a few lapis beads to tie in with the clasp - I think it looks Very Elegant
For the last two or three months, I have been slowly accumulating a stash of bling - both vintage and new items, to assemble into a Tom Binns inspired necklace - after all it is party time, and in my youth (!) I would have given anything to own one of these. I made two last year, and thought I would do the same again. Michelle Obama is a dedicated follower of Tom Binns, among others.
Of course, Tom makes his necklaces from scratch, although he was known as the 'King of Junk Jewellery' and why ever not?? - his necklaces start from about £500. Caprilicious brings you a toned down version with vintage diamanté (always more plentifully available at Christmas time) - a sort of Tom Binns meets Desperately Seeking Susan, they fall in love and run off together - a happily ever after kinda story.
The Alice in Wonderland Collection - Tom Binns
Mrs O wearing Tom Binns
The inimitable Madonna
Emma Watson aka Hermione wearing Tom Binns - she's all grown up now!
Rock Chick Bollywood
From a Polyvore album I made up
Rock Chick Gothic
Casual disarray, dripping with diamanté tassels, crosses, hearts, keys, skulls and other fetishes - Party time has arrived!!
A couple of weeks ago, I offered to take the pain out of Christmas gift giving - a gift wrapping and delivery service - this was accepted with alacrity by one poor chap, who confessed to being all fingers and thumbs when it came to tying his own shoelaces, let alone a package for his special lady. He bought a pretty piece of Bling! and I wrapped it for him in boxes I have in for this purpose - it is now under his bed - or wherever he hides his presents, waiting for the big day.
'All earrings in the Caprilicious shop reduced by 10% - have a browse and send me a message with the name of the piece you want so I can invoice you correctly and take it out of the shop.'
I have a birthday week offer running in my Facebook store, with 10% off all the earrings in store, and am happy to extend it to the website as well - if any of you reading this fancy a pair of earrings as a treat, or to buy for friends as a gift, send me a message via the contact page with the name of the earrings you like and your email id, and I will sort it out for you.
I know I am a bit early with this weeks blog, but I wanted to post on Caprilicious' first birthday. I have some ideas about what I will make today with the Ghau box, and I will post them later on, at the week end, as usual.
Once again, thanks for all your support, and the wishes I have had on the Facebook page today - couldn't have done it without you, catch you soon, wonderful people,
This is one of my all time favourites and I named a necklace after it - I sold two in a royal blue, and decided to make another to use up the left over spacers. This one was in a pretty peacock blue with an Aurora Borealis finish - I called it Beguiled!
( didn't think it would be quite right to call it Bothered or Bewildered )
This is probably one of the few pieces I can remake easily - I know the bead sizes, the sizes of the spacers, where to source them from, and the exact numbers of the beads required to make it all written down - so, I shall make it from time to time in different colours - my threshold for boredom is very low! so it will have to be different in some way.
The Aurora Borealis (AB) finish is where a crystal has been coated on the outside, covering about half the crystal face. When the crystal is turned, you can see the colour of the crystal on one side and the AB finish on the other. The more facets the crystal has, the better the effect, and a rainbow effect appears when the bead is turned.
I just love this finish, and buy most of my crystal with it - they are usually a little more expensive than normal crystal, but the shine is worth it. Unfortunately my photography skills have not kept up with my magpie skills - so I get a bit frustrated - but I really cannot find the time to read the entire manual of my little camera (which is larger than the camera), anyway, it all reads like Double Dutch to my simple mind.
So, my plan is to lie in wait till some unsuspecting person walks through the door who can teach me a thing or two about the camera, arm wrestle them to the ground, and make them divulge .....or else!
The lady who bought Bewitched took one look at Beguiled - and was a bit fed up - she thought that it was better than the original - maybe she will have the second one as well, who knows??
This one was made of black and silver crystal in three strings - the AB finish on black gives the bead an oil slick, shiny finish that no longer looks totally black. I added a couple of Lava rock beads - they have a channel cut through the middle and little rhinestones have been applied by hand in the Swarovski factory. Due in part to the painstaking work involved, the beads are expensive - but, Christmas comes but once a year, and every one likes to look their best - a few pennies extra towards this may well be in order. The lava beads, due to their weight, cause the necklace to drape beautifully around the neck.
I played with polymer clay all weekend - curing and sanding- and buffing! I made some earrings to donate to my favourite charity, and once these were all packaged up, I felt I could go back to my bead stash, which has been sitting forlornly in the corner, while I play with crystals.
In the colours of the midnight sun in summer in the northern - most part of the world - this was taken in Norway last year.
I used some Kyanite slices, resembling the blue of the sky, and I added some coral and black agate geode beads to make this necklace. The geode beads are pretty - they are cut and rounded off to reveal the crystalline structure of the minerals inside the gemstone, and they sparkle in the light. The sponge coral chunks are earthy, and a beautiful deep red.
Eastern Promise - Royal Blue
It was that time again, time to dip into my stash of Nepalese artisan made pieces - they are so pretty, albeit rather expensive - but in my opinion, if one considers the work that goes into a handmade piece of wearable art, it is well worth the price. I knew I wanted to put this pendant on a lapis lazuli necklace, and had been collecting enough to make this piece. As it is rather a large pendant, it needs a robust necklace to balance it, so I put a four stranded necklace together with lapis, coral and stardust beads.
This one is named for Princess Tiana - from the story of the Frog Prince - you know the one, where you have to kiss a lot of frogs to find your prince ( and then if you're totally unlucky he turns into a pig )- the original story came from Russia - Disney set it in New Orleans, and there are some incredible jazz sounds in that movie. The pale green Czech pressed beads, the tiny silvery crystals, and the lava rock in a multi strand necklace looks very sophisticated and simple - Bling for the daytime!
La Belle Epoque
There is a lot of nostalgia for 'The Beautiful Era', just before the onset of the First World War, when all was golden and glowing - the 'retrospectoscope' has been liberally applied to this memory, complete with rose tinted glass. Beloved by the French, La Belle Epoque is thought to be a time when relative peace and prosperity in the land allowed art to flourish, parties to be gay and wild, and women to be louche, and men to have a rakish Rhett Butler smile and not give a damn - what more can you ask for?? Louche women and wild parties demand - yes, you guessed it - BLING!
This necklace will take you to any party - three strands of black and silver with an AB finish, a Blinged up Lava rock bead focal, and peacock coloured crystal on one side.
Next week we take a short break in Rome, and I will have very little time to make anything. I shall of course spy on what the European women are wearing - at this time of year, it is usually all about scarves, and earrings, necklaces don't get a look in.
Have a good week, and I will catch you when I get back,
No, I haven't been slaying vampires in my spare time, or even as my main occupation - I have been playing with my Dremel - I buffed everything - if he had stayed still for a couple of minutes, I would have buffed the cat! It took me a while to actually take the Dremel out of the box - I had this irrational fear that it was going to bite me, so I did it in stages - took one whole day to charge the battery (even though it has an hour turnaround) - but, 'you've got to do these things properly don't you' - was how I rationalised my procrastination. Eventually I ran out of excuses, and then went for it. Now, of course, I am an old hand and am blithely buffing away - everything is shiny in our house now!!
I bought a tutorial by one of the teachers at Polydays 2012 - one of the ladies at the meet had made it, and was wearing hers, it looked fab, very much the stuff I want to make. A lot of polymer clay people make faux gemstones - faux coral, and turquoise and all sorts - but I would rather use real gemstones if I decide to make that sort of jewellery. In the modern jewellery I want to create - all angles and swirls and colour - I am happy to use polymer clay and be proud of it. It is such a modern material, and lends itself to all sorts of new techniques - I love the challenges it presents. I intend to combine it with wire and all sorts - the possibilities are endless.
SORBET - design credit Bettina Welker
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The necklace is made of Buna cord, and the pendant and clasp are rolled into one in a very clever way. The amount of clay in the tutorial was enough to make six of these - so I did.
After this, I was getting wire withdrawal symptoms! So I sat myself down in front of the telly with one of my enamel pendants I made last week- the one I like the best, and devised this necklace.
It is named Moonflower for the flower I have fused onto the centre of the pendant with glass. The Moonflower opens at night and remains shut during the day. It is an Ipomea, and grows prolifically in India. To go with the night time theme, I constructed a web of stars around one of the beads, added a ceramic owl and some grey and white ceramic beads which I bought in Greece, to the necklace. To reduce my wire cravings, I added a wire bail, embellished by a little flower.
I have a link to a website which shows a real time video of a moonflower opening which I found fascinating - I invite you to take a look - it is fascinating, and rather beautiful - http://www.moonlightsys.com/themoon/flower.html
Let me tell you about the Absinthe Fairy :-
Absinthe is an anise flavoured spirit, which is also flavoured with fennel, and the flowers and leaves of the 'grand wormwood'. It has anywhere upto 89% alcohol and tastes of licorice!
Absinthe traditionally has a natural green colour due to the chlorophyll in the herbs used, but may also be colourless, and contains 'thujone' which was thought to be a dangerously psychoactive drug - this reputation has been proven undeserved. Much beloved by the Bohemians, it was even added to ordinary water by the common folk - to purify the water - wish I could use that excuse!
The Absinthe Fairy is a green fairy, and is a metaphorical concept of artistic enlightenment and exploration, of poetic inspiration, of a freer state of mind, of new ideas, of a changing social order. Absinthe was the drink of choice of the Bohemians in Paris in the 19th century, and they called it 'La Fee Vert' - or the Green Fairy!
I made a necklace from a string of beautiful Aurora Borealis coated green crystal briolettes to which I added silver and green crystal, and I felt that the resulting necklace had to be named after her - it is exactly what an Absinthe fairy would wear.
The Blue Fairy -or- The Fairy with the Turquoise Hair
The Fairy With Turquoise Hair (La Fata dai Capelli Turchini) is the original 'Blue Fairy' as picturised by Disney from Carlo Collodis tale The Adventures of Pinnochio. Disney, however, turned her into a blue eyed blonde! She appears at regular intervals to admonish the little wooden puppet to avoid bad or risky behaviour, and guides him out of the bad habit of telling lies. Eventually, she breaks the habit, forgives him, and gives him a human form.
Turquoise blue is one of my favourite colours, and I simply love the deep blue of these briolettes, coated with the iridescent Aurora Borealis shimmer. I made a simple necklace with them, along with shiny, sparkly, 'stardust beads' - simple is not usually my style, but the crystal is so beautiful, it would be criminal to try and add other elements that distract from it - so, here we have it - the simple little Blue Fairy necklace...................
I had a few beads left over from the two strings I had bought - they were mightily displeased at being left behind - I could hear them cussing and muttering - so, (after all, who am I to ignore the need of crystal briolettes to be admired) I put them into my next piece - KINGFISHER. What better example of shiny blue and green can there be? ( a peacock, I suppose, but lets pretend that we didn't think of that ) The inspiration for this one was from the way the briolettes are sold - with plastic spacers between them, to prevent them from breaking. I used silvery tube spacers - have had them for the longest time, and always wondered what I would do with them - now I had the answer! Three strands of blue and green shimmer, separated by silvery tubes with the faintest hint of a design imprinted on them - delicious!
I had to take loads of pictures to get a reasonable facsimile - the shine from the Aurora Borealis coating, especially on the blue thwarted me at every turn - and I still feel, that I did not do justice to the necklaces. I will have to research how to photograph crystal - I am sure there is a trick or two I can unearth with a bit of diligent Googling.
I have a bit more bling in my stash, and no doubt it will all make it's way out of the box soon - after all, Christmas is coming, the goose is getting fat, etc, etc,
Catch you all next week, have a good one
The Denise Cuff Bracelet
I finally finished the floral cuff bracelet for my friend Denise - and I named it in her honour. Last week it was almost done except for a touch of varnish, and I thought the leaves were a bit bright, so I dulled them a bit before varnishing the cuff.
Denise visits us in late August, and I will ask her to carry a gift for a friend who lives in 'Vegas. She took one look at the Enchanted Garden collar, and asked if I could make her a headband - I thought long and hard, before I made it - a clay lining to the headband would make it too heavy to wear - instant headache! I prefer to keep my friends, so decided to make some roses with the wire cured into them, and wrap them onto a headband with beads and leaves, almost like a tiara. I named it after Anna Karenina, the ultimate romantic tragedy heroine.
The Anna Headband
She looks like she might wear my headband!
I'm not sure who this actress is, but I'd make her a headband any day of the week - isn't she romantic looking? This picture is from an advertisement for the movie.
Rather than make beads, I preferred to make the individual roses around a long stem of wire each, and cure them upright, so the wafer thin petals didn't bend or fold when cured in the heat of the oven.
I took this picture on a glass dummy Mike brought back from a junk shop many years ago - it sits in a corner wearing a Chinese silk cap with a queue attached to it and a spare pair of my glasses on its nose. I wasn't allowed to use this picture on my website or Facebook page - Mike said it looked too weird (did he mean wired ??) and might put people off - wonder what he meant!!!!! I think it's quite funny, actually.
Begin the Beguine - brings back a night of tropical splendour....
I am very proud of this piece - it evolved from a butterfly I made when making some faux ivory pieces - I coloured it with alcohol ink, and put it away. Something made me bring it out again, and I made some more butterflies, and my favourite - a dragonfly to go with it. I made this necklace with some jewel coloured quartz nuggets and crystals, and it is so tropical and summery, I just had to call it Begin the Beguine.
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I love the Louis Armstrong version, but couldn't find it, so have found a French version by a woman who is fast becoming a favourite of mine - Laura Fygi - what a beautiful voice - this is music to make love to, ladies (and gentlemen)!
These are a pair of beautifully cut, matched cushion cut citrines, and they have an asterisk shape cut into the back to allow even more light through. They were wrapped in square sterling silver wire which was then fashioned into heart shapes. They are very light and pretty, and I have had to provide rubber ear stoppers to prevent accidental loss - we all know how painful it is to lose a favourite earring, I won't let that happen to any of my patrons!
Begin the Beguine wrung me out - all those intricate butterflies, each one different from the other, and then putting them together so it would look like they were all fluttering around the necklace - but it was worth it for the message I received from the lady who bought it - she loved it, and I am so happy it went to a good home.
I also had a phone call from India, from the lady who bought Meluhan Sunset - a piece conceived by her imagination, translated into a piece of jewellery by me. It was taken to India by my mother and then couriered to New Delhi, to her office, where it sat, waiting for her to pick it up. Of course, she didnt't go to her office for one reason and another that week, and mum and I sat on pins, praying that it wasn't lost.
Anyway, she has it in her hot little hands now, and said she was drooling all over it, she loved it so much - it was fantastic to hear from her, and the relief that she had it, and loved it, was almost palpable.
I made this Dove of Peace brooch a while ago - it is a wire dove, attached to a vintage brooch. It has a twig and a leaf in its 'beak'. It languished quietly on my website for a while, until it was rescued by a discerning lady, who posted a picture of her wearing it on Facebook - suddenly it had so many 'fans', and an order for another followed - so thank you Debbie!
I made the brooch myself this time with polymer clay and attached a wire dove to it. I am enjoying these little brooches - polymer clay is such a fantastic medium to play with. I concealed the wire holding the dove deep inside the brooch, and it is such a pleasure when the engineering of a piece works just so!
Last week, The Bollywood pendant was snapped up almost as I posted this blog, and an old school mate from Melbourne asked if I could make her another, with a pair of earrings to match. She is a wedding gown designer and makes evening wear as well, she says they will match the new gown that she will wear to a Fashion Award affair. Check out her designs on Facebook - Arlene D'Monte Designs and at Brides on Main http://www.bridesonmain.com.au/collection/collection.html
Here are the pieces I made for her.....
My designs on a red carpet - would you credit that??? - Hollywood next, I suppose!
That's all for this post, see you again next week, have a good weekend