This is the question that has been driving me crazy - people seem to use it interchangeably - sometimes I just turn an idea or thought over and over in my head, instead of consulting the Oracle - so today, I went into Roget's Thesaurus and the answer is ......either / either! I have the entry from the Thesaurus here:-
Main Entry: mould
Part of Speech:noun
Definition:molded structure
Synonyms: conformation, copy, duplicate, embodiment, facsimile, figure, form, mold , plaster, replica, sculpture, shape
Phew! - now that I have that sorted, let me tell you what I have been up to this week.
I had a resin pendant, in Victorian filigree, coloured to resemble amber with the exoskeleton of a scorpion embedded into it. I seem to have acquired all this stuff, until my stash is so large, I shouldn't really need to buy anything else - but it doesn't work that way ever, does it - like being too rich or too thin or having too many shoes! - you can never have too many things in your beading stash.
Anyway, I digress - so, I put this pendant which is as faux as faux can be, with some real branch bamboo coral which was dyed gold and black - two rows of those with two more faux amber beads and I had myself a handsome piece of jewellery - it looks quite regal in fact - well I think so, have a look at it for me...
Main Entry: mould
Part of Speech:noun
Definition:molded structure
Synonyms: conformation, copy, duplicate, embodiment, facsimile, figure, form, mold , plaster, replica, sculpture, shape
Phew! - now that I have that sorted, let me tell you what I have been up to this week.
I had a resin pendant, in Victorian filigree, coloured to resemble amber with the exoskeleton of a scorpion embedded into it. I seem to have acquired all this stuff, until my stash is so large, I shouldn't really need to buy anything else - but it doesn't work that way ever, does it - like being too rich or too thin or having too many shoes! - you can never have too many things in your beading stash.
Anyway, I digress - so, I put this pendant which is as faux as faux can be, with some real branch bamboo coral which was dyed gold and black - two rows of those with two more faux amber beads and I had myself a handsome piece of jewellery - it looks quite regal in fact - well I think so, have a look at it for me...
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I called it Isis - the Egyptian Goddess, who was worshipped as the ideal mother and wife ( just like me - wife, I mean) and was the patron goddess of nature and magic, mother of Horus, the hawk headed God of war. She had seven ( a lucky number in Egypt) scorpions to protect her from harm - three in front of her, two under her palanquin and two at the rear - this babe sure didn't take any chances!
My little exoskeleton pendant is unlikely to do much in the way of protection, but what I like about it is that such an ugly/scary object has been so convincingly prettified - that's why I bought it, I guess. I like the contrast of pretty and scary in the same object!
At the weekend, I pulled out all the moulds I have - in my mold stash (!) and decided that from now on, I shall use every one of them - one or two each week and until I use them all shall buy no more - I do want the AMACO sun mould set, but fortunately, it is out of stock in the UK and I refuse to pay a whole load to have it shipped out to me from the States. So I pulled out the 'Hydrangea' mould and a sunflower mould and made some Copper Precious Metal clay bits with them- my problem is that I tend to make jewellery with what I have - it just evolves as I go along from a little germ of an idea - when I conceive a whole design, it never works out for me. This is actually important when making pieces of copper, as I need to know how many holes I want in the piece - too few and I will kick myself, and too many just looks silly - you get my drift?? Anyway, I imagined a necklace with polymer clay and copper pieces, all from the same mould and designed a necklace - and the long and the short of it is, it never happened and I ended up with a polymer clay necklace, as well as a sweet pair of copper earrings and pendant to match, which nods cursorily in the direction of Steampunk.
My little exoskeleton pendant is unlikely to do much in the way of protection, but what I like about it is that such an ugly/scary object has been so convincingly prettified - that's why I bought it, I guess. I like the contrast of pretty and scary in the same object!
At the weekend, I pulled out all the moulds I have - in my mold stash (!) and decided that from now on, I shall use every one of them - one or two each week and until I use them all shall buy no more - I do want the AMACO sun mould set, but fortunately, it is out of stock in the UK and I refuse to pay a whole load to have it shipped out to me from the States. So I pulled out the 'Hydrangea' mould and a sunflower mould and made some Copper Precious Metal clay bits with them- my problem is that I tend to make jewellery with what I have - it just evolves as I go along from a little germ of an idea - when I conceive a whole design, it never works out for me. This is actually important when making pieces of copper, as I need to know how many holes I want in the piece - too few and I will kick myself, and too many just looks silly - you get my drift?? Anyway, I imagined a necklace with polymer clay and copper pieces, all from the same mould and designed a necklace - and the long and the short of it is, it never happened and I ended up with a polymer clay necklace, as well as a sweet pair of copper earrings and pendant to match, which nods cursorily in the direction of Steampunk.
Confection
| Confection by ephemera I want you to miss me so much that when we kiss I find our last kiss still melting slowly on your tongue. I found this poem on http://hellopoetry.com/poem/confection/ and Ephemera kindly gave me permission to use it here - it is so evocative, I love it!  I used a faux enamel technique on the flowers and they shimmer prettily - just right for a floral garden to welcome the May Blossom - yes I know that May Blossom is Hawthorn, but I am allowed some artistic licence here. |    |
Hydraulic Hydrangea - pendant and earrings
I made these from Precious metal clay, and decided to patinate them with the Vintaj range of Patinas which are new in the UK - they seem to have them a lot more in the USA - where copper is a favourite metal - very rustic and Boho - I took a look on various other UK websites, and it is slowly creeping into UK consciousness, so I guess, I shall be at the forefront of the Copper Revolution. I coloured my flowers Tiffany blue and moss green, and then, since I had changed my mind about how I was going to use them, set myself a challenge to make them up as they were - I had 4 holes in each as they were meant to be links in a necklace - this is how they ended up. I used some watch gears and cogs as I think they are so sweet - you have to look closely at the individual piece to find the gears, but they are there. It has been a challenge to take photographs to portray them properly, but I have enjoyed it. I still have two little flowers left, and they will no doubt surface some day as earrings.
  Murano glass Lampwork bead |  Hands up those who can see the watch gears....... |  |
Mood Indigo - named by Michael Shilvock
This was made from a Ghau Box, once again from my stash of bits and bobs. This is a rather large box, with inlays of turquoise, lapis and coral, all swirly patterned - I matched the colours with gemstones - and having made a frame for the Ghau box, filled it in with as many gemstones as would fit to give it a lavish look. My husband took one look at it and said 'call it Mood Indigo' - probably because of the prominent colour of the Lapis Lazuli - so here it is.
Play the song too, why don't you - I am a great believer in some foot tapping while I work - and there's nothing better for that than the great Nina Simone - I booked tickets to see her sing in Manchester ( can you see someone singing?? - but you know what I mean) and they cancelled because she was too ill to go on - she died in Paris not long after.
Play the song too, why don't you - I am a great believer in some foot tapping while I work - and there's nothing better for that than the great Nina Simone - I booked tickets to see her sing in Manchester ( can you see someone singing?? - but you know what I mean) and they cancelled because she was too ill to go on - she died in Paris not long after.
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Genesis
Everyone I know makes Tree of Life pendants - and they are very pretty. It is a motif that recurs in religious symbols, philosophy and mythology and refers to the idea that all beings are connected to one another.
I had been toying with the idea of making one - but I had to figure out an angle - a common or garden Tree (!) simply wouldn't do. I have always been fascinated by the story of the Book of Genesis - and the misogynistic idea that everything is the woman's fault - well, maybe it is, but I'm not about to admit it (actually, neither did Eve - she blamed the serpent!). I think it is also because I went to a Convent school as a child ( but probably just cos I like the idea of mischief). I made a pendant very early on in my practising days for my willing guniea pig and friend Sheela, also with this motif. In todays pendant, there is a serpent looking up at the apples in the moonlight, hatching the plot that will bring mankind to its knees (actually womankind) and him onto his belly for ever and ever - and so it goes for mischief makers!
I had a hammered copper star shaped pendant for many moons, not knowing quite what to do with it, and I used it to make this visual pageant of the day the Book of Genesis was born - and I had to call it just that.
I had been toying with the idea of making one - but I had to figure out an angle - a common or garden Tree (!) simply wouldn't do. I have always been fascinated by the story of the Book of Genesis - and the misogynistic idea that everything is the woman's fault - well, maybe it is, but I'm not about to admit it (actually, neither did Eve - she blamed the serpent!). I think it is also because I went to a Convent school as a child ( but probably just cos I like the idea of mischief). I made a pendant very early on in my practising days for my willing guniea pig and friend Sheela, also with this motif. In todays pendant, there is a serpent looking up at the apples in the moonlight, hatching the plot that will bring mankind to its knees (actually womankind) and him onto his belly for ever and ever - and so it goes for mischief makers!
I had a hammered copper star shaped pendant for many moons, not knowing quite what to do with it, and I used it to make this visual pageant of the day the Book of Genesis was born - and I had to call it just that.
 Genesis  |  Mischief brewing here It all began with Adam. He was the first man to tell a joke--or a lie. How lucky Adam was. He knew when he said a good thing, nobody had said it before. Adam was not alone in the Garden of Eden, however, and does not deserve all the credit; much is due to Eve, the first woman, and Satan, the first consultant. - Notebook, 1867 Mark Twain |  The Tree From the Garden of Eden - now owned by Sheela |
Before I end, I have a joke for you - One day God told Noah to build an ark and put in two of each animal. Noah built the ark, there was the Great Flood and the animals were saved. After the waters receded, Noah released the animals, two by two, back into the wild. He said to the dogs "Go forth and multiply". He said to the deer, " Go forth and multiply".
He then said to the snakes, "Go forth and multiply." They looked at each other, flummoxed. "What is the matter?" asked Noah.
"We can't," the snakes replied "we're adders!"
Have a fab week and I will catch up with you next Friday
xx
He then said to the snakes, "Go forth and multiply." They looked at each other, flummoxed. "What is the matter?" asked Noah.
"We can't," the snakes replied "we're adders!"
Have a fab week and I will catch up with you next Friday
xx
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