Yes, I know, that's a strange title for a jewellery blog - but have a look at the picture below and tell me if they don't look like rainbow coloured slugs and snails!
Slugs on my work surface
Snails in my oven!
One of the ladies from Jane's Armchair Raiders (a jewellery maker's forum I belong to on Facebook) liked my squiggle bead necklace so much, she had me make her some beads - a compliment, indeed! So, it would appear that someone is soon to be the proud owner of another Rainbow squiggle bead necklace/parure - can't wait to see what she makes with them. She has a very neat and tidy approach to her jewellery, and a finish that is second to none. I will definitely be looking out for this necklace on her page 'MadeByAleks' on Facebook. Her jewellery style is very different to mine, and it will be interesting to see what two people make with the exact same beads.
This necklace is named for the Lapis Lazuli nuggets, as the word 'Nila' honours the Nile river in Egypt, and also means blue. The necklace has faceted nuggets of carnelian and lapis, and carries an electroplated maple leaf in an iridescent copper finish. I hung a swirl of wire in front of the leaf, with an onyx and a blue jade teardrop, to add colour and movement. The waxy carnelians are set off by the lapis to perfection - I like the colour combination very much - what do you think??
This lovely black jade pendant has two little boys on it - one of them is holding a ball and they look like the are having a fine old time. As the pendant is a rather dark shade of green, I brightened it by adding chunky pyrite nuggets, and pale green prehnite nuggets. I recently discovered prehnite, a beautiful pale green stone, which comes from India, China and Australia amongst other places where it is deposited in hemispherical masses and finger like projections. It is tinged with black, as if touched by a sooty finger, and is ever so pretty. A pyrite chunk dangling from the end of the pendant provides both movement and interest, and serves to further lighten the somber colour of the black jade.
I bought a couple of strings of howlite slab nuggets in a lovely bright spring fresh green. I broke the strings up, and over a year, have made a few very different pieces of jewellery with them. I made a pendant, and a cuff to match for my friend Sheela, and then a collar - Tinker Bell. With the left over nuggets, I made Atlantis - named for the lost island with the same name.
Atlantis (in Greek, Ἀτλαντὶς νῆσος, "island of Atlas") is a legendary island first mentioned in Plato's dialogues, written about 360 BC. According to Plato, Atlantis was a naval power lying "in front of the Pillars of Hercules" that conquered many parts of Western Europe and Africa in approximately 9600 BC. After a failed attempt to invade Athens, Atlantis sank into the ocean "in a single day and night of misfortune". Atlantis inspires today's literature, from science fiction to comic books to films. Its name has become a byword for any and all supposed advanced prehistoric lost civilizations.
The slab nuggets resemble nothing more than this fabled island which has inspired hopes for a Utopia. The addition of a polymer clay focal bead and some faux bone pipe beads broke up the line of the slab nuggets - I like asymmetry - but I'm sure you have noticed that by now!
I dug out some of the pictures I have of the other pieces I made out of these slab nuggets - some of them were taken before I learned how to use my little point and shoot camera, which makes me wince now to look at them! It just shows how far I have come, I suppose.
An old friend & co - conspirator who has accompanied me in a million kinds of mischief!
I think of all of them, I like Atlantis best - but then, I would say that, wouldn't I!
I plan to play with my kiln this weekend, and try to put the stuff I learned from Jules into action. A bit of enamelling, I think, is in order.
That ends this week's blog folks, catch you next week, same time, same place,
A display in Galeries Lafayette
Bonjour, mesdames et messieurs. We had a little break in France this week, the winter was so long and cold, we felt we deserved a short holiday. Just before I went, I managed to loose my car keys, a parcel I sent off to Abu Dhabi went astray, and I was really frazzled. Happily, the holiday went without any major mishap, apart from my suitcase going missing on the way back - fortunately it came in the next day, so that situation was saved by the skin of its teeth!
Mike and I have both spent time in Paris, many years ago, but it was our first time there together. We planned some alternative stuff - Giverny, the Monet's at the Musee de l'Orangerie, Versailles, the Galeries Lafayette, Printemps, a visit to The Georges V - I intend to stay there when we win the lottery one day, some jazz - stuff that we hadn't done in Paris the first time around.
The parcel to Abu Dhabi pained me most of all - it contained ten of my most beautiful pieces, and I found it difficult to accept that it was lost forever - eventually, I tracked it to a sorting office in Dubai, seventeen days after it had been posted, and felt much better for it. Until that happened, I just didn't feel like making anything to replace my beauties - it hurt to even look at the pictures - so this week, I sat still and held my breath, waiting for some news of it. And, as for the car keys - I have no idea where they could have got to - but they can't be far - I keep scrabbling around everywhere I go in the house, hoping they will be sitting quietly and waiting for me in the unlikeliest place, but no luck just yet.
I have some pictures from Paris, so I thought I'd share them with you this week, as I have been so unproductive jewellery wise.
Monet's waterlily garden
Monet's studio and storage area
I wore my necklace, and I think it looked fabulous - I felt very happy and summery, although there was still a bit of a nip in the air.
I loved those gardens, and we spent a whole day there, dodging the crowds and picnicking among the flowers. The water lily garden across the road from the house had no lilies yet, but it was so beautiful, one could see why he painted them is so many ways. There were frogs in the pond, as big as ducklings, making such a racket - we actually thought they were birds crowing/ cawing! We then went to the museum in Paris, the next day, to see the actual paintings and were wowed by the size of the canvases - and the simplicity of the brush strokes that gave off such luminosity.
Versailles was somewhere I had been before, but we wanted to walk through the Hall of Mirrors again - I can just imagine the courtiers dancing in that magnificent ball room - the gardens are a bit over manicured and grand for me - I am more of a cottage garden person.
We couldn't leave without a small wander around the regular sights of Paris, but didn't really want to overdo the touristy bits. I certainly didn't want to cover old ground - and besides, the shops beckoned!
Le Grand Magasins - or The Grand Shops are the Galeries Lafayette and Printemps on Avenue Hausmann - and that is where we went. The shops looked almost normal on the outside, belying what was hidden within. The beautiful Byzantine cupolas and wedding cake architecture simply took my breath away, I forgot to go shopping! We sat in a coffee shop in the G. Lafayette and ate macaroons and drank pots of weak tea - at 25 Euros a throw, that was the least damage we could inflict on our wallets. Mike was volubly berated for daring to speak English to the Maitre'd - and I sat, quiet as a mouse, not daring to say a word in my school girl French, while my poor husband was lambasted for being English - which he took in good part, actually - apparently, it is par for the course - the French and the English being old adversaries. I wanted to call the manager, but unfortunately, the one doing the berating was the manager! Mike, however, thought it was hugely funny, and at the end of their little interchange, one would have thought they were long lost friends.
No, we didn't go in - the clue is in the next picture!
The Cupola - G. Lafayette
The Macaroon Shop
Just take a look at the prices - for Russian Oligarchs!
Japanese tourists were being tethered by silken ropes into orderly queues, before they emptied the Chanel outlet of its contents - fortunately (for whom?), I couldn't get a look in - I refuse to stand in a queue to spend hard earned cash!
This is the courtyard at the Four Seasons Georges V - I just loved those orchids with their aerial roots, I gave up all pretense at being blasé and nonchalant and took a photograph like the tourist I was. I have wanted to go in there for the longest time, and we decided to do it on our last day - all dressed up, we got out of a taxi, and dodged a bunch of paparazzi who seemed to be hanging around waiting for celebrities - I saw one of them ask a mate if we ought to be recognised - sadly, (or fortunately) the answer was a shake of the head and a Gallic grimace - non! A pot of tea and a milkshake set us back forty Euros, but it was a lovely place to sit and watch the bourgeoisie strut their stuff in their designer gear. The ladies who lunch were lunching away, frazzled after the travails of queuing up to get into the Chanel shop - the footmen brought in little leather footstools for our handbags, our jackets were whisked away, and returned as if by magic, and the loos were perfumed as if no mortal being ever got on with their bodily functions in them.
We went to a fabulous open air jazz concert outside the Opera House - we danced and partied till 3am - it was a public holiday, celebrating the liberation of France in the Second World War.
I spotted this in a restaurant window in Montmartre - we went in for a meal - I wonder how much happiness we brought them - and which way we were headed when they were happiest - in or out of their establishment. They made the best crepes ever - I just loved the ones with a Nutella and banana filling - yummy. My sweet tooth was well satisfied!
My friend BN suggested that I should consider a section for the leaf skeletons as pendants, without any further embellishment, on leather thongs or organza ribbon. I received a consignment of them this week from the electroplating shop, and I set up a new page on the website for them - I intend to keep dipping into the stock, as and when I make my Leafy Glade pieces, but as I can make up the leaves pretty rapidly, with a turnaround time of 3 weeks, I decided to put them on the site for those who like their jewellery simple.
Royal Mail have been ever so helpful, and have helped me track my parcel all the way to Dubai - hopefully, it will now reach its destination. It is a very anxiety making time - between posting off the piece I have made so lovingly, and getting a response from the person who bought it - I almost hold my breath till they get to where they need to go, and the person says - 'I love it' - until then, the thought is never far from my mind - I hadn't realised before that I was such a worry wart, but I suppose it is the same for those of you who have had babies - you worry about them all the time, or so I am told (by my mother!).
Anyway, I can now go off and look for the final piece of the triumvirate of problems that have beset me - my car keys - and then, I have an idea for a necklace with carnelian and lapis lazuli nuggets and a copper maple leaf - but, first things first ............................fingers crossed for me eh, folks
Catch you later
Hello folks, I hope you have had a satisfying week and are ready for some fun this weekend.
A piece of great news - Caprilicious Jewellery is soon to be available at an outlet in Abu Dhabi - I have sent off the first consignment, and if the jewellery sells well there, I might do regular business. More about this next week.
I had to share this - I sold this pendant last week to a lady who asked me what inspired me to make it - she was obviously well into Art Nouveau jewellery - she had written a thesis on the subject, and she said the pendant reminded her of Lucas von Cranach's Tintenfisch und Schmetterling - I had actually seen the aforementioned pendant on a website during one of my periodic browses of the internet - but to be compared with a master jeweller - very humbling.
Who knows what stays in your brain when you look at images constantly, as I do - or, if this pendant was indeed influenced by Lucas von Cranach - all I can say is, I see the octopus, but not necessarily the butterfly - I leave you to decide whether they do actually have some resemblance to one another.
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Tintenfisch und Schmetterling (Octopus and Butterfly; 1900) by Wilhelm Lucas von Cranach, a master jeweller who liked his octopuses - strange bedfellows, I say!
I went to Shrewsbury this week, to the workshop of the lovely Jules Harper to learn how to prepare precious metal clay pieces for the application of enamel. I went on an enamelling and a precious metal clay (silver) course last year at In The Studio, but this time around, wanted one on one tuition. Now that I have a bit of experience, there were so many questions bothering me - one cannot keep bobbing up and down in a class with loads of people - you sound like a smart aleck and eat into other peoples time. Jules taught me how to fire copper and bronze clay
properly, and to prepare them and enamel them - most exciting of all, the little lentil bead I made with copper clay and enamelled on both sides - it would look so sweet in earring designs, and is light because it is completely hollow. She is a very patient teacher, and the time just flew by - that's a sure sign of a lot of fun - maybe not quite so much for her, though. I thought it was around 5pm when I left her place, and it was only when I was halfway home, I realised it was in fact well past 7pm - sorry Jules!
Here's a link to her website if anyone is interested http://www.artclayjewellery.co.uk/
Now that the weather is slowly getting better, I want to play with my kiln and make some colourful pieces in it, and thanks to Jules now, it wont be such an anxiety ridden operation.
Having 'borrowed' the necklace on the right in reds and golds, to wear to a dinner party, I received so many compliments that I felt i needed to make another, this time in the cool colours of blue and silver - to my eye, it looks like the necklace has been bathed in moonlight - but, I will leave it to you to decide if the name is apt, and which one you prefer.
The Greek word "amethystos" may be translated as "not drunken", from Greek a-, "not" + methustos, "intoxicated". Amethyst was considered to be a strong antidote against drunkenness, which is why wine goblets were often carved from it. According to a 16th century French poem, Dionysus, the god of intoxication, of wine and grapes was pursuing a maiden named Amethystos, who refused his affections. Amethystos prayed to the gods to remain chaste, a prayer which the goddess Artemis answered, transforming her into a white stone. Humbled by Amethystos's desire to remain chaste, Dionysus poured wine over the stone as an offering, dyeing the crystals purple.
Amethyst is a purple quartz found deep within volcanic rock, and its colour comes from manganese and iron impurities. The Agapanthus or Nile lily is an amethyst coloured flower, and the little nuggets of amethyst in this next necklace brought the buds of this very pretty flower to mind. I had a load of these in my garden, but unfortunately, as the name suggests, it likes warmer climates and all of my plants died. I might try to grow it indoors this year. I love the geodes/ druzy form of any gemstone, where the natural striations are left in, as part of the stone, and the pendant I used was sourced with great difficulty. It came to me all the way from Brazil, after a lot of bargaining with the vendor, to secure the best price. I thought it was so regal, I crowned it with a scroll of wire filigree work. A little jade butterfly, prehnite nuggets and some green crystals set the purple of the amethyst nuggets off beautifully.
That's all I had time for this week folks. We are off to Giverny, and will visit Monet's garden, and then on to Paris where I want to see his paintings at the Musee de l'Orangerie.
I have enjoyed the Impressionists for ages and have a few prints on my walls - can't wait to see the real thing. The poor cat will be most unhappy to go into the cattery , but, needs must. I hope the weather will play nicely with us, and I will catch you when I get back,
Have a great week,
Hello readers, I hope you are all enjoying the weather, which is slowly showing signs of getting warmer. It is so nice to be able to shed the heavy winter gear, and wear fewer clothes - can't wait to get to the point where the sandals come out of the cupboard and onto my feet.
My mother went on a little tour of South India with her niece, and very kindly brought back some beads for me. I had asked her to look out for a string of Rudraksha beads - more about them later. The ones she sent are about 20mm in diameter, and I was a bit intimidated by their size, I had really wanted them a bit smaller. However, no one puts Caprilicious in a corner, and I decided to rise to the challenge. I made some polymer clay ruffle beads from a tutorial by Christelle Van Lingen, in a blend of red and gold, and put a necklace together with a copper electroplated oak leaf skeleton.
I added a blue agate bead and a copper Bali style bead to provide a pop of colour and extra interest, and little gold plated crystal beads to add some sparkle to the piece - I was quite pleased with the way the necklace turned out. I like the juxtaposition of an ancient, traditional seed bead, and the polymer clay, which is as contemporary as you are going to get - and very different, too from anything i have seen, made with these seeds.
Rudraksha is a large evergreen broad-leaved tree whose seed is traditionally used for prayer beads in Hinduism. The seed is borne by several species of Elaeocarpus. Rudraksha is a Sanskrit compound consisting of the name Rudra ("Shiva") and akṣha ("eyes").
Rudraksha seeds are covered by an outer shell of blue when fully ripe, and are also known as blueberry beads. The berries are strung into a rosary, used for repetitive prayer. The seeds are classified on the basis of the number of divisions that they have, and different qualities are attributed to the rudraksha based on this. A common type has five divisions, and these are considered to be symbolic of the five faces of Shiva.
Rudraksha beads are often worn by Indian 'sadhus' or holy men, who are devotees of Shiva.
The plant and the blueberries that produce the Rudraksha seed
Sadhus, wearing strings of the Rudraksha beads - the one on the right looks pretty pleased with himself!
In a complete about turn from the oak leaf necklace, I made a couple of light and pretty summery pieces to go into the English Country Garden collection - a little pendant - Primrose, and a necklace made of all the shiny, pretty floral elements I could find - The Summer Bouquet. The inspiration for this came from a throwaway comment by a presenter on last Sunday's airing of 'The Antiques Roadshow' while valuing a tiara - he mentioned that tiaras were often turned upside down and worn as necklaces in Victorian times - so I made a modern day tiara/ necklace - it is extremely light and pretty, and looks like a wildflower bouquet.
Winner - Bead Barmy Readers Gallery Competition April 2013
I had news that Katrina won in the 'We've got the Blues' category, and that it sold, all on the same day - I must remember to tell the new owner she has a winner!
Linda Jones, a well known and influential jewellery designer, and author, writes a blog for the WireWorkers Guild, which is a forum for people who love wire. She offered to feature me on her blog in May, and sent me a questionnaire. I filled it out, and she emailed me back - she was so complimentary, I have had a job fitting my head through the door and am literally floating around the room. This is a screen capture of her email
What can I say - other than thank you, Linda Jones! And here it is http://wireworkersguild.blogspot.co.uk/2013/04/caprilicous-jewellery.html?showComment=1366967638186#c8771846690699081699
When I finally managed to come down to earth , I finished off the last piece I made this week and took these photographs of The Spirit of Ecstasy. The art nouveau wire work surrounding the focal was behind the idea for the name.
The Spirit of Ecstasy, also called "Emily", "Silver Lady" or "Flying Lady", was designed by English sculptor Charles Robinson Sykes and carries with it a story about a secret passion between the second Lord Montague of Beaulieu, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902 and his secret love and the model for the emblem, Eleanor Velasco Thornton. Eleanor was John Walter's secretary, and their love was to remain hidden, limited to their circle of friends, for more than a decade. The reason for the secrecy was Eleanor's impoverished social and economic status, which was an obstacle to their love. John-Walter, succumbing to family pressures, married Lady Cecil Victoria Constance, but the secret love affair continued.
Eleanor died on 30 December 1915 when the SS Persia, on which she accompanied Lord Montague on his journey to India, was torpedoed off Crete by a German submarine, four years after she had been immortalized by her lover.
Spirit of Ecstasy
The rough cut black tourmaline gleams gently, and the severity of the black is relieved by the multi-coloured, shiny crystal spacers, and the graceful swoops of the wings of the focal. The polymer clay 'cabochon' is smooth, although its surface appears corrugated, and was made from a tutorial by Sophy Dumoulin of CraftArt Edu. I just love this technique - although time consuming, it is fabulous - and you have to wait till the absolute end, to see if the piece you have made is any good - for someone short on patience, it is a good exercise! The toggle clasp is pretty too, but this time, I put it at the back of the neck, where it should rightfully belong - when I tried to bring it to the front, as I do with a lot of pretty clasps, it fought a major battle with the focal, and lost. I consoled it by explaining that the back of the wearer is visible too, especially if she has her hair short, or swept up - or it could remain a delicious secret between the necklace and the wearer ( must be going doolally tap - I am now talking to a clasp!).
That's as much as I had time for, sweet people, I am exhausted by the repeated expansion and deflation of my head after all the accolades Caprilicious has received this week - and I know I will have to work hard to stay worthy of what has been said.
Catch you next week, same time, same place
I hope you have all had a good week - I had the week off from work and decided to use it productively - was meant to drive to Shrewsbury, an hour away, to take an enamelling class, but snow and ice precluded that enterprise, and we had to reschedule. So I was forced to stay at home, and play on my own with my baubles and beads, and my computer.
I entered Ariel onto a colour palette design challenge and bloghop hosted by Bonnie Coursolle of Jasper's Gems from Ontario, Canada. http://www.jasper-moon.ca/JaspersGemsBlog.htm
She posted three colour palettes, and Ariel was made in the colours of the first one she gave the participants to work with. It is nice sometimes to accept a challenge and work within its confines - it gives the mind a focus.
Just after I posted last week, I found out that I had won a £10 voucher from a trade magazine called Beads and Beyond - I had submitted a picture well before Christmas 2012 to their inbox, and quite forgot about it - in fact, I had to ask members of a jewellery forum if it was true that the picture had been published when I got the email that I had won the voucher, I thought it might be some sort of pre April fool prank. One of the ladies sent me this picture - I should really go out and buy the magazine now.
I entered Glacial Fantasy in a 'Jewellery Design Star' competition on Artbeads.com - this is a company in the USA that sells jewellery making supplies. I don't usually have time to hunt down competitions, and enter my jewellery, so it was nice to be able to do it this week.
I sent Pearl Blay, the author of The Beading Gem's Journal a picture of Glacial Fantasy. She writes a daily blog http://www.beadinggem.com/
where she posts
'the best Free Jewelry Tutorials,
Tips,Trends & More'. I have been following this blog since the day I started to make jewellery, and have learned a lot from her writings. Her blog lands in my inbox with a 'ping' every afternoon - she is in Canada-her advice is sound, and she has an archive of tutorials on almost everything to do with handmade jewellery making. I have approached her twice in the past, and only got as far as being allowed to submit a picture of one of my necklaces to her 'Readers Gallery of Inspirational Designs', but Glacial Fantasy piqued her interest and she wants to do a feature on Caprilicious Jewellery sometime in April. She contacted Manish, who took the picture of the glacier in Ladakh, and will put his picture on the blog as well. It is a big deal for Caprilicious, as her blog is extremely zealously curated, and I am suitably thrilled and grateful to Pearl. I will keep you posted when the feature comes out - it is fabulous to have one's work recognised by one's peers, especially someone who has been there, done that and seen it all.
I had a vague idea of what I wanted to make, so I made these little pieces - I embellished black clay with real gold leaf from Thailand, and made a few faux bone elements. I wasn't sure how I was going to connect them, till I remembered a roll of hemp tucked away at the back of my supplies cupboard. While I pondered this weighty question, I was thankful that there wasn't much clearing up to do - this was a clean technique and my table didn't look like a bombsite at the end of it.
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As my school reports said - 'could be tidier' !
I watched a late night movie, with subtitles, from Senegal - I watched the griot sing his soulful song - the Mandinkas pass on their history from generation to generation through songs sung by griots, accompanied by a kora-a stringed instrument. The marabout (and the protagonist visited quite a few in this movie to help restore his potency) was laden with bones and cowrie shells, and all I could think about was how this scene could be incorporated into a piece of jewellery. I think this necklace was conceived that night - there has to be some benefit to being an insomniac .
Cowrie shells were used as currency in Africa . Their symbolic qualities and beliefs led to them becoming a popular and valued object of currency for hundreds of years. During early colonial times, many Africans preferred being paid with cowrie shells over gold coins- which was a surprise (and an unexpected windfall) to the first Europeans who went to trade in Africa.
Cowrie shells are also tagged with a mystical quality, and have played a role in West African fortune telling, and are an integral part of music and indigenous instruments, as well as gambling games. They are also used as fertility symbols and brides wear them in a waist belt. One of these found its way into my hands, but it was all broken and tattered, so I rescued the cowrie shells from it - reuse and recycle - that's my motto!
I was trying to replicate the mood of the music, and the picture above in my photograph. I was clearly underemployed this week, so I played with my little camera - I lit a joss stick and tried to take a picture inside my light box, with the smoke wafting over the necklace - but I soon found out that this was easier said than done - smoke just doesn't do as it is told - I discarded a whole bunch of pictures - thank goodness for modern technology - imagine how expensive all this would have been if I had to develop all those pictures to find one that I liked!
My most recently ordered leaf skeleton pendants arrived, and I wasted no time putting the aspen leaf into a necklace of lemon quartz and pyrite. The pale gold of the quartz contrasts with the dark gold of the pyrite - Lemon quartz is so pretty, it reminds me of the weak first rays of the sun, the first thing in the morning - a wistful light, yet so beautiful. My husband liked it so much, he even wore it for a couple of minutes - yes, I got a picture, but I am not allowed to post it ( thank goodness, you say?? - you are absolutely right).
I was asked to make some earrings to go with Glacial Fantasy - I decided to have another look at Manish's pictures from Ladakh for inspiration - I found a couple that set me thinking of icicles, and I made these for the ladies who had commissioned necklaces from me.
Zahra - the Luminous one
The pearls I chose for this necklace, brought the word 'luminous' to mind - when I looked for a translation in Arabic/Persian, this flowery language came up with 'Zahra'.
We have some large holly bushes in front of the house, and I boiled up some leaves - I thought that their skeletons would be an interesting shape - but in the end, it was all 'Bubble. bubble, toil and trouble' for no reward - man, those holly leaves sure are tough! Eventually I gave up, and when I rang the lady who electroplates the leaves for me, she said she had the same problem, so she just electroplated the entire leaf as it was. I cheated, and bought this pendant from her - I was fed up with the whole holly debacle by then.
Being used to the delicate skeletons I am now accustomed to, I was a bit surprised by how substantial the holly leaf was, but in the end, I think it came good and I love the way it turned out.
I ended the week with a birthday, my colleagues from work threw a surprise lunch party for me, and some of them even wore their necklaces from Caprilicious, as did I. It was a lovely thought, and a really nice afternoon - thank you to all the ladies who turned up and made me feel special.
And, that was the week that was! Catch you next week, same time, same place, take care and have a great Easter break
This week, there were some very difficult decisions to be made - I had to submit a single button to the Button Project picking for my theme 'Silk' , 'Metamorphosis' , or 'Heritage' - I could eventually add another three to a set of four to be sold off by the organisers when the project ended.
I decided to go with 'Metamorphosis' as my theme, loosely interpreted by me as the change or transformation that occurs as night follows day. I thought that there would most probably be too many butterfly/ larva buttons as the other theme was Silk- and anyway, who wants to make or wear a dead caterpillar? - not me, that's who!
I made the four buttons in polymer clay, and took my pictures, I was quietly pleased with the way they turned out. I planned to give each one a gradation from a dark blue to a pink/yellow/orange, and I added a leaf motif in the background, so the button would eventually resemble a fossil. The method I used was pioneered by Sophy Dumoulin of CraftArt Edu. However, with this technique, there is no way of telling what the piece will look like till it is cured, sanded and buffed - sanding reveals the true design, hidden inside, almost like a metamorphosis in itself - I held my breath till, lo, and behold, the buttons appeared - not entirely the way I envisaged, but near enough.
I was now faced with the choice of button - I had to decide which one was the best and was destined to be the original exhibit, with the others sitting in a box, waiting to hear if someone loved them enough to give them a home. How bad would they feel, if they had to come back home to Nuneaton in a padded envelope - how could I put my sweet button babies through this?
And once I decided which one I liked best, should I send the required photograph on a dark background, or on white?
Having agonised over this for a long while, I gave up and decided to listen to some music instead, till the Aspirin cleared my head.
The one at the top left is the one I chose eventually, with the dark background. Now, all that is left is to wait and see whether the organisers will accept my entry.
Through Caprilicious, I met a lovely lady I shall call BN - she makes jewellery too and is like me, a doctor. She loves Caprilicious and took the trouble to come all the way to Nuneaton to see me - I was ever so pleased to meet her and we talked jewellery for hours - it was nice to find someone to chat with on a topic that is so dear to my heart, without fear of their eyes glazing over with boredom - I'm sure I do that a lot at work, and have to restrain myself, quite often, when my radar picks up the glazed expression I used to get when my mother lectured me on my many misdemeanors as a teenager. I only hope I am quicker to spot 'the look' than my mother was!
BN gifted me some beads - she said it was like a goody bag on Ready Steady Cook - I had to make pieces of jewellery using the ingredients from her bag, the only difference being there was no stipulated time limit. In return, she had some of my polymer clay faux amber and a few other bits and bobs. After she left, I made Bedouin Oasis, with some of her beads, one of my handmade polymer clay pendants, with two pairs of earrings to match.
The sand is hot beneath my feet
This desert air, a burning heat
I'm running wild in all directions
Slowly falling from my imperfections
These flats out here seem dead and barren
The silence is blarin'
When then a quiver runs suddenly
Through my spine as I sense
A safe haven
A sweet serenity
I teamed Tiger Ebony wood bicone beads and shell segments in an asymmetric necklace and the colours so reminded me of an oasis - calm and serene - the pendant seemed to work well with that theme, its center looks like a rippling body of water to me - I wore the necklace to work, and got a load of compliments - I was very pleased with the response.
This necklace stemmed from BN's question - 'could you create small?' - I wasn't too sure that I could rise up to the challenge - Caprilicious seems to have become all about the large, flamboyant piece - but I am sure there are plenty of capricious women who want their delicious pieces small and dainty. So, I went off with my thinking cap and sat in a corner for a while ( should that be a dunce's cap you sit in a corner with??) and came up with Indigo Evenings. The iolite I picked is a beautiful deep blue, the colour of twilight in the tropics, and I looked in my gemstone stash in vain to find a green to complement it - I finally found the perfect green in my box of crystals, and added some tiny pearls to make a piece that is so dainty, it looks almost fragile in my hands - so, BN, if you are reading this, have I fulfilled your challenge?
Ariel is a fictional character and the lead protagonist of Walt Disney Pictures' film The Little Mermaid (1989). Ariel is voiced by Jodi Benson in all animated appearances and merchandise.
Ariel has a very distinctive appearance, with her long, flowing red hair, blue eyes, green tail and a purple seashell bra. The blue-green color of Ariel's fin was a hue specially mixed by the Disney paint lab; the color was named "Ariel" after the character. The choice of red as Ariel's hair color was the subject of dispute between the filmmakers and studio executives who wanted the character to have blonde hair. It was noted that red hair contrasted better with Ariel's green tail and that red was easier to darken than yellow so it was ultimately kept.
In the mid nineties, I used to borrow this little girl from my friends, and she and I would stay up all night, watching cartoons, eating ice cream and Jelly and crisps in bed - she loved to come and stay with me, and her parents had the weekend to themselves - The Little Mermaid was one of the movies we watched, over and over, without ever tiring of it.
I made this cuff in memory of those days, using the pen and ink technique learned from Alice Stroppel. It took simply ages to get her hair just so, fortunately, I now have a table where I can leave all the makings without feeling guilty about the mess. The place looked like a bombsite for days and days, while I struggled to juggle the demands of the bracelet, and the rigours of the day job.
All this for one tiny bracelet!!
Made from scratch, the bracelet started like this
And finished up like this!
Lipstick on Your Collar
BN gave me some slate grey veined jasper - the stones look like little pebbles from a river bed - initially I thought I would put them with coral ( and I might, yet) but while doing a rummage in my bead stash, I found these lipstick coloured pink dyed howlite, and they seemed to be clamoring to be let out of the box - I think they go really well together. As I have said before, I am not a particularly 'pink' person - but this necklace found its way from the light box where I photographed it, straight around my neck, and hence, to work. The grey jasper lends the piece a bit of sophistication, and raises its game. One look at it, and I don't have to say another word about how it got it's name.
The gentleman whose photograph I used as inspiration for Glacial Fantasy
( http://www.flickr.com/photos/manisholiday/ or http://kingdom-of-sky.blogspot.co.uk/ for more pictures) liked the necklace so much, he ordered another for his girlfriend! Kudos, indeed - such kind gestures make it all worthwhile!
That's all this week sweet people, thanks for stopping by - catch you next week, same time, same place,
This week I had a couple of days off from work, so I decided to try out some new stuff - I love colourful jewellery and there is no one who uses colour more successfully and with more panache than a polymer artist called Alice Stroppel. She has a tutorial for pen and ink drawings on polymer clay, and I got this from her in an attempt something different - I hoped I hadn't bitten off a bit more than I could chew, but felt like I ought to stretch myself a bit at a time, and add another dimension to what I do.
Anyway, here I was with this tutorial and after a few panic attacks and a lot of procrastination, I made two bracelet blanks - and got on with it. I say this blithely, as if it was a smooth transition from reading the tutorial to the execution of the piece, but I am a past master at putting things off - it took me four days to get to actually starting up (and I will admit, I was a bit - no, a lot, scared of making a complete idiot of myself) and three days to ink the second bracelet, bit by bit.
I kept the first bracelet simple, with flowers made of Millefiori canes, and with the leftover cane, made a pendant to match.
The pen and ink bit was kept to a simple colourful stripe - I told you I proceeded gingerly! While these were curing, I made a couple more conventional bangles, which fulfill my love for colour. Canes are also new to my repertoire, but I think I am just about ready to make some simple ones now - it takes a while to get used to a medium, and I think now is the time to dip my toes into deeper water. As you can see, I have relied on colour and texture with the bracelets below, but they do make a colourful splash.
Leaf on the Water
While proceeding very gingerly with the bracelets, I made some stuff I knew I could turn my hand to, almost as if I needed just to reassure myself of my abilities, in case I fell flat on my face. The picture above was my inspiration for Leaf on the Water, a necklace made with rectangular Peruvian opals and a Maple leaf skeleton pendant. The leaf skeleton has been electroplated with 9 Carat gold, and is a work of art by nature. The soothing blue of the opals seemed to suggest a seascape, and I added a couple of shells and a froth of little beads and crystals to signify the foam on the waves. It turned out to be a piece of jewellery that can be worn by day as well as night.
Another idea I approached with caution is the Flat Wire Twining lesson by Mary Tucker - she makes flat bracelets with what seems like hundreds of pieces of wire in a weave that resembles fabric, and basket weaves that are very realistic.
I am terrible for trying to run before I can walk, and become disheartened. I was quite determined this time that I wouldn't let that happen. I made a three dimensional wire pitcher, with 'water' pouring from its spout. Hung on a simple black waxed linen cord, the pitcher looks like it is spilling water down the décolleté.
The Lotus Eaters
While in my craft room( sounds less swanky and up myself than 'studio' don't you think?), I made a few faux ivory flowers. When I finished sanding and buffing the flowers, I teamed them with turquoise beads into a little bracelet - my muse must be on a bracelet making jag , there are that many rolling off my production line, these days. I am a mere vassal, following where Ms Muse leads!
The Button Project
Did you know there was a silk industry in England - in Macclesfield, no less - no? I didn't either.
Annabel Wills, Silk Museum curator says: “Macclesfield was the heart of the UK’s historic silk industry, and silk-related businesses are still active in the town. Handmade silk buttons were where it all began: from a cottage-based enterprise, it grew into a flourishing silk industry and helped make the town what it is today. This exhibition will celebrate that history and allow contemporary artists to exhibit and sell their beautiful buttons.”
The Silk Museum has organised a Button Exhibition and invited artists to submit buttons to be displayed in a curated exhibit. I have expressed an interest in submitting an entry, and hope it will be accepted. The buttons are required to have a link to the themes of heritage, or metamorphosis, and I have been wracking my brains to come up with an idea - that will be my project for the weekend. Obviously, I will share it on this page first, once the project comes together. I have always loved embellishment - in my opinion, the fillip a pretty button, or a bow, or a bit of edging gives to an outfit can be the making of it. My mother had boxes and boxes of pretty buttons which she carried back to India from the UK and hoarded jealously - my sister and I used to knit our own cardigans and used up a lot of them in our twenties.
If these buttons are pretty, I might just jazz up some of my suits with them, or, if you like them and want them, let me know, I will be only too happy to let you have them.
The Girl from Ipanema
This was a song recorded in the mid 60's and was an instant hit, and is the second most re recorded songs in the world, after 'Yesterday' by the Beatles. It was inspired by a real woman.
.......Heloísa Eneida Menezes Paes Pinto (now Helô Pinheiro), a nineteen-year-old girl living on Montenegro Street in the fashionable Ipanema district in Rio de Janeiro, Brazil. Daily, she would stroll past the popular Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers watched the girl pass by the bar, and it is easy to imagine why they noticed her—Helô was a 173-cm (five-foot eight-inch) brunette, and she attracted the attention of many of the bar patrons. Since the song became popular, she has become a celebrity. http://en.wikipedia.org/wiki/The_Girl_from_Ipanema
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This is one of the very first versions with English lyrics, sung by Astrud Gilberto, who was married to João Gilberto, the Brazilian singer who first made the song famous.
I used the tutorial from Alice Stroppel again, with the second blank bracelet I prepared earlier, and spent a day creating a pen and ink drawing of The Girl from Ipanema - an hour into the process, I began to enjoy myself and have a lot of fun, and that shows through in the drawing. She has beautiful pale blue hair - I just wish I could colour mine blue too, but I think I am bit long in the tooth for that - and besides, my day job precludes such eccentricities.
This was a very work intensive project, with the bracelet blank to be made, then drawn upon, and then inked, with the inks needing to be set at each stage, so that they did not smudge. Finally, when I was happy, the bracelet needed covering with a film of protective coating and cured again, so that the inks are preserved during normal wear - I had a lot of fun doing it.
Tall and Tanned and Young and Lovely
This cuff took a lot of my time, but I didn't mind at all, it was so much fun to make. I have made up a few more blank bracelets in various colours, and will, from time to time, play with inks again.
That's all I had time for this week, folks, catch you next week, same time, same place,
My poor (much) better half has been reduced to scrabbling around in skips on behalf of Caprilicious. I charged him with finding a box to house Buffy so that I could take him off the shelf where he currently lived - I watched a video by Melanie Muir which showed how a casing could be made for a buffer out of a cardboard box, which collected all the fine dust, and caught the beads if they flew out of your hands. This is what Mike found for me, along with a second hand computer desk on wheels, to put it on. Buffy is quite happy in his new home, and easily accessible - I had a lot of trouble trying to reach into the shelf where he lived earlier on and almost put my back out . I was so happy, I spent the weekend playing with clay, and shone everything to a glassy finish - including the stuff that could have done with being a bit rough and ready. There is room for a dust mask on top of the box, so I can avoid breathing in particles of clay, and a towel can be attached to the back of the box, to catch the beads when they get flung away from me - Buffy has a short temper - all I need to do is glance at him wrong, he grabs stuff out of my hands and flings them as far away as he can - and sometimes right at me!
JuJu refers to talismans used in sorcery by Shamans - I had this design in my mind's eye, inspired by a picture from Africa Adorned, and made some faux bone talismans - the real ones have 'eyes' carved into them to protect against the evil eye, and I reproduced these talismans as faithfully as possible. I then strung thirteen strands of seed beads - I am told they have to be an odd number, and hung the talismans on them with individual seed bead bails. I wore it to work, and had quite a few compliments from people in my clinic - something tells me that this necklace wont last too long on my shelf.
Paul Newman did all his own stunts on the bicycle in this song - imagine, all that and a trick cyclist too......
One of my favourite movies, with one of my favourite actors.
Raindrops keep falling on my head
And just like the guy whose feet are too big for his bed
Nothin' seems to fit
Those raindrops are falling on my head, they keep falling
So I just did me some talkin' to the sun
And I said I didn't like the way he got things done
Sleepin' on the job
Those raindrops are falling on my head, they keep falling
I made this necklace with tiny faceted apatite, which is an icy blue, flat rondelles of flashy labradorite, and the tiniest of seed pearls. It was a bit difficult to make as the holes in the beads and in the leaf are tiny - I had to wear magnifying loupes to find them - and even so, the beading wire wouldn't fit through some of them. I wanted to come out of my comfort zone and make something sweet and simple - I seem to make bold and bright quite easily - this was a challenge to make, and I hope you like it. I decorated the leaf - I think it is an aspen leaf - with tiny apatite beads which look like raindrops, and to add a bit of movement - there has to be movement in any necklace from Caprilicious - I wired a tiny pressed glass Czech leaf to one side, satisfying my requirement of asymmetry. The necklace is very pretty, and a complete departure from usual, yet retaining the design elements I am so fond of.
An Orisha (also spelled Orisa or Orixa) is a spirit or deity that reflects one of the manifestations of God in the Yoruba spiritual or religious system. Wikipedia
I made some large hollow beads from polymer clay to resemble spindle whorls from Mali - spindle whorls were used to spin thread, and were made of clay and stone. I strung them with blue dyed howlite and a hollow gold coloured polymer clay bead. The necklace is very light - this has to do with these beads being hollow - it always surprises me how much a small amount of clay weighs when strung around the neck. The clay beads were constructed to be very light weight, in muted tones so this necklace is not as colourful as some of my regular offerings, nevertheless, it is pretty - dif'rent strokes for dif'rent folks.
I made a few more pieces with faux ivory and mounted them on colourful pendants, using embedded wire as both bail and decoration, using an idea from a tutorial by Barbara McGuire. The pendants are show pieces in themselves, so I hung them simply on black organza ribbon, rather than add any further embellishments. One of them has a 'signature' in Chinese lettering - this idea was born after I read that there was a large Chinese presence in Africa from the 18th century onwards - they were brought in as indentured labour by Europeans, and their descendants still live on in Africa to this day. One of juniors at work tells me they are so well integrated that they speak the language, and join in African society - however, whether they inter-marry is another question. The green of the pendant reminded me of jade, so prized by Chinese people everywhere.
That's as much as I have had time for this week - thanks for stopping by and I hope you've enjoyed my ramblings. Till next week then, 'bye.....
New - from the Out of Africa Collection
I have never been to sub Saharan Africa, but have increasingly been seduced by the beautiful imagery from that continent.
This recently came to a head when I bought a copy of the eye wateringly expensive book 'Africa Adorned' by Angela Fisher - with page after page of colour and vivacity leaping out of it. It brings to mind the jewellery and colours in the desert lands of Northern India - the women wear large jewellery and head dresses, and bright colours, almost as if to combat the drab brown of the sand and scrub land surrounding them. Tribal sophistication is bold and dramatic, calling forth of the fierce nature of our human spirit to overcome all obstacles. That's what jewellery was originally worn for in ancient cultures ....to remind the wearer of her strength and purpose. Jewellery never was just about baubles and beads. It had purpose. And power. And beauty.
Clothes and accessories should be as bright as you are comfortable with - if you want to be noticed - the key however, is to be comfortable.
Sweet little gemstones on tiny chains are lovely, in their own way - but the statement they make is completely different from what the Caprilicious Tribal woman is all about. I have some of these 'little sweeties' in my own little collection, mainly bought for me by my mother, who is into pastel colours and whites - get the picture? - but as I grew older, I realised I had to find my own style, and dress to project the image I have of myself in my minds eye - and that image is bright colours and stand out jewellery (sorry, mum).
I am a strong believer in that old adage (or have I just made it up?) - you are what you wear - ergo, if you dress well and feel confident, you walk tall and are undaunted by the curve balls that are thrown at you during the course of the day.
I set up a new section on my website and Facebook page - Out of Africa - the intention is to make urban - contemporary pieces influenced by tribal jewellery to sit on those pages - and hopefully on you. This section is all about big, bold and eclectic mixing to complement the romantic patchwork of chunky knits, flowing attire and a bohemian Lagenlook. I am keen to make these at affordable prices so that all my readers are inspired to try them out - I am sure they will go down well. Tribal style is more about attitude than a place. So whenever you want to show off your fun and free-spirited side, tribal jewellery is the way to do it. This collection will be full of vibrant pieces to add a whimsical and artistic touch to anyone's wardrobe
I have been gearing up to this for a while now - I made some chevron beads, faux bone and this week, faux amber which will fit in with this, my new venture. The necklaces are meant to be bright, bold and in your face, some more so than the others - to the ladies who model themselves along the lines of heroines from the novels of Jane Austen, I say - perhaps you might want to look at my other pages.
As you can see, the beads gleam in the light - no varnish was involved - each bead was buffed with my trusty bench buffer, 'Buffy' - I would never have imagined that I could love a rotary, fast moving tool so, I am usually girlishly afraid of them - but, I couldn't do without my darling Buffy now. Mike's task this week is to find me a little table and a box to house Buffy so that the dust is contained, a la Melanie Muir, not to mention catching the beads that sometimes ping around the room like bullets - Oh, that Buffy - he likes to keep me fit, diving after those beads!
I made a Hamsa pendant out of wire and hung it on a necklace made using a few Chevron beads, a couple of faux amber beads, with glass millefiori beads and real carved bone beads, reminiscent of Berber jewellery from Morocco. The Hamsa is a stylised hand - if you want to read about it, here's a link to a post I wrote earlier - http://www.capriliciousjewellery.com/3/post/2012/11/where-i-keep-calm-and-play-with-wire.html
It is called Flower Power because of the Millefiori beads - which is Italian for a thousand flowers - and also because Marrakesh was on the hippie trail in the seventy's and eighties. It is bright and colourful and is bound to brighten up your day - who says the desert in the only place where one needs cheering up - look outside - the rain and slush and snow is just as dreary.
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Mike took this pic - clearly I need a better photographer, urgently
Is that a Gauntlet (or are you just happy to see me)??
I have been issued with a challenge by one of my customers - if you can help, do feel free to drop me a line. I am required to take the beads from the first picture below and turn them into a piece that will evoke the feeling of being in the second picture - which is a frozen river in Ladakh.
Her last challenge was to request a necklace evoking a stark cold mountain scape, snow capped, with sunlight hitting the mountain tops. I created Meluhan Dreams for her with wire, crystals and druzy - she sent me this picture, and is clearly delighted with it. She even phoned me all the way from Delhi to say how happy she was and to have a chat with me about Caprilicious - I was so thrilled. I have to make sure I rise to this challenge as well.
I have a couple of months to decide how I am going to work this miracle!
From The Vineyard
I found this string of almost perfect amethyst nugget beads while sorting out my bead box - each one looked like a grape - the gems in this string are almost edible. Teamed with some peridot beads and the tiniest freshwater seed pearls, they went into this necklace with a gold plated birch leaf. I hung a bunch of crystals, pearls and amethyst on the front of the bail to resemble grapes. I know it should have been a vine leaf, but this is England and vineyards are not so plentiful out here - so please indulge my poor muse here.
A lentil bead, made with polymer clay
I love the idea of making my own beads and components, and fashioning my pieces from all the images floating around in my head - mixing polymer clay with gemstones and crystals - Mixed media jewellery is the way forward, I am convinced of this. I made Aloha with this bead, and a string of sea sediment Jasper. It was named by Mike, who said it has a Polynesian feel to it - who am I to argue??
Om is a mystical Sanskrit sound of Hindu origin, sacred and important in various religions such as Hinduism, Buddhism and Jainism. It occurs at the beginning of every prayer or invocation and can be used repetitiously in a mantra for meditation. I acquired this conch shell pendant, inlaid with a turquoise Om - It sat in my collection for a while, until, the beads that go into this necklace fell out of a box into my hands - if I believed in mystical stuff, I would say that was really weird!
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I love this clip - it is of Diana Vishneva dancing to Deva Premal's 'Moola Mantra' - the forms she makes with the simplest movement and accessories are astonishing and beautiful - rather like the courtship display of a bird. I loved it so much, I bought the CD - but alas, neither do I look like Diana, nor can I dance like her - the best I can do is a booby bird's dance.
That's a wrap for this weeks jewellery folks, have a fab week and I will catch up with you, same time, same place, next week,
I have been a doctor for thirty years now - so what is it that draws me to creating jewellery and all the other things I do around Caprilicious? - photography, writing blurbs, posting on Facebook, setting up and modifying my website regularly, writing this blog, marketing, sales, packaging and posting, trawling the internet for unusual elements and beads, entering into bidding wars with unseen enemies for beads I crave, learning new techniques on line, taking classes - and all this while keeping a stringent eye on the day job! I am a long way from retirement (it seems like a long way just now) and there is no room for error - I have to keep up with the advances in medicine as they occur, and the job itself is pretty stressful.
A good friend of mine asked me the question, and this set me thinking - what have I gained from all this activity - am I just a busy fool?
Art enables us to find ourselves and lose ourselves at the same time ...
Thomas Merton 1915 -1968
Trappist monk, poet, activist and student of comparative religion
For 'art' insert jewellery making in my particular case! I have found friends in quarters I would never have thought to look, met some really interesting people, and of course, the people who buy from me are the tops! After all, Caprilicious is my alter ego - every piece in it speaks to, and of, me - as a corollary to this - anyone who likes my jewellery is a kindred spirit!
OK, enough of this introspection, let me show you what I made this week. And so, without further ado......
Roya was made with snow white jasper lozenges with inky blue agate nuggets and blue - black crystals. A few silver tone spacers and four Shiva eye beads add a pop of colour to an otherwise sober piece. The Shiva eye is the operculum or lid of the sea snail, and has recently become very fashionable. It is usually circular and fits snugly, sealing the entrance to the shell. These beads are filled with an orange resin, giving them their colour - if not for this, Shiva Eye beads are usually white.
ROYA is an Arabic name, meaning vision. This ties in with the Shiva Eye - according to mythology, Shiva and Parvati, his wife, were having a bit of a romp in the Himalayas, where they lived. Parvati came up from behind, and shut both his eyes with her hands, and the world went dark for a few seconds. Shiva, who had a really bad temper (and by all accounts, no sense of humour) opened a third eye in the centre of his forehead. He would rather be disfigured for life, than be blind for a few seconds??? - I don't know! someone should have sent him directions to the nearest sense-of-humour shop in Nepal!
My mother suggested that it might have been because he wanted to keep an eye on his mortal subjects at all times - who knows?? In his place, I would have added a fourth eye for good measure, this time in the back of my head, just to keep a watch for those naughty people behind my back - lack of foresight (or is it hind??) I call it!
Wake up, Titania
I spent an enjoyable day with polymer clay and wire, fashioning what looked like the seed pods of the 'Honesty' flower, a project from a book by Rie Nagumo. Translucent clay is difficult to work with as it becomes brittle very quickly, and I had to coax it and speak to it sweetly ( threats and the swear words flying around weren't working on the darn thing) to stay attached to the wire frames until the curing process was complete. I made quite a few, and only managed to lose six.
Honesty seed pods
I called this the 'Hell on Wings' project - I enjoyed it really - masochistically!
Titania Meets Oberon - Kay Konrad
These are paintings by Kay Konrad, a German painter who painted these beautiful imaginary scenarios from A Midsummer Night's Dream. The one above is called Titania meets Oberon and the one below is Träufelnd Oberon, Titania Asleep. As the mood of my necklace was evocative of these paintings, I requested permission from him to reproduce them on these pages. Have a look at his art on http://www.kaykonrad.de . I think his paintings are so dreamy and fairy like. I sent him a link to Caprilicious and he said my jewellery was beautiful - what a nice man - I am anybody's for a compliment!
Träufelnd Oberon, Titania asleep by Kay Konrad
In the painting above, Oberon is just about to drug Titania in her sleep with fairy dust so that when she wakes up she falls in love with the first person she sees. A lot of people have had that problem, even without the (non) help of Oberon's magic - or there wouldn't be so many divorces in the world - so I called my necklace Wake up, Titania, in an effort to save her from falling for a wrong 'un. Seed beads and coiled segments were wired onto fairly stiff copper - I wanted the necklace to be robust, and not become misshapen too easily. The seed beads I chose were a pinky - purple to go with the mood of the paintings, but the copper wire inside the glass shines through, and only the more strongly tinted beads show up pink.
My poor Muse was exhausted after this effort, so I gave her a rest, and entertained myself by exercising my right brain - reading a fabulous book called Wire in Design by Barbara Mc Guire. It is a compendium of a whole load of wire artisans' work - I then Googled each artisan in the book and drooled all over their stuff, until I could coax my muse back through the door, all rejuvenated after a couple of days off.
Eva Cassidy was a hugely talented American jazz vocalist who died tragically of a melanoma at the age of thirty three. Terry Wogan introduced her to the UK listener by playing her music on his show on Radio 2, well after she died, and her album went to the top of the charts in the UK and Europe. This necklace is a tribute to her amazing arrangements and vocals - the silver electroplated maple leaf, with the pewter leaf spacers interspersed with faceted onyx olive shaped beads is called Falling Leaves. The maple leaf has a few onyx beads on a little chain dangling in front of it to provide extra movement to the piece, without detracting from, or obscuring the beauty of the leaf skeleton.
That's all the Muse and I had time for this week, have a nice weekend, and we'll catch up with you next week, same time, same place