This week I had a couple of days off from work, so I decided to try out some new stuff - I love colourful jewellery and there is no one who uses colour more successfully and with more panache than a polymer artist called Alice Stroppel. She has a tutorial for pen and ink drawings on polymer clay, and I got this from her in an attempt something different - I hoped I hadn't bitten off a bit more than I could chew, but felt like I ought to stretch myself a bit at a time, and add another dimension to what I do.  
Anyway, here I was with this tutorial and after a few panic attacks and a lot of procrastination, I made two bracelet blanks - and got on with it.  I say this blithely, as if it was a smooth transition from reading the tutorial to the execution of the piece, but I am a past master at putting things off - it took me four days to get to actually starting up (and I will admit, I was a bit - no, a lot, scared of making a complete idiot of myself) and three days to ink the second bracelet, bit by bit.
 I kept the first bracelet simple, with flowers made of Millefiori canes, and with the leftover cane, made a pendant to match.

The pen and ink bit was kept to a simple colourful stripe - I told you I proceeded gingerly! While these were curing, I made a couple more conventional bangles, which fulfill my love for colour.  Canes are also new to my repertoire, but I think I am just about ready to make some simple ones now - it takes a while to get used to a medium, and I think now is the time to dip my toes into deeper water. As you can see, I have relied on colour and texture with the bracelets below, but they do make a colourful splash.

While proceeding very gingerly with the bracelets, I made some stuff I knew I could turn my hand to, almost as if I needed just to reassure myself of my abilities, in case I fell flat on my face. The picture above was my inspiration for Leaf on the Water, a necklace made with rectangular Peruvian opals and a Maple leaf skeleton pendant. The leaf skeleton has been electroplated with 9 Carat gold, and is a work of art by nature. The soothing blue of the opals seemed to suggest a seascape, and I added a couple of shells and a froth of little beads and crystals to signify the foam on the waves. It turned out to be a piece of jewellery that can be worn by day as well as night.

Another idea I approached with caution is the Flat Wire Twining lesson by Mary Tucker - she makes flat bracelets with what seems like hundreds of pieces of wire in a weave that resembles fabric, and basket weaves that are very realistic. 
I am terrible for trying to run before I can walk, and become disheartened.  I was quite determined this time that I wouldn't let that happen. I made a three dimensional wire pitcher, with 'water' pouring from its spout. Hung on a simple black waxed linen cord, the pitcher looks like it is spilling water down the décolleté. 

Did you know there was a silk industry in England - in Macclesfield, no less - no? I didn't either.

The Silk Museum has organised a Button Exhibition and invited artists to submit buttons to be displayed in a curated exhibit. I have expressed an interest in submitting an entry, and hope it will be accepted. The buttons are required to have a link to the themes of heritage, or metamorphosis, and I have been wracking my brains to come up with an idea - that will be my project for the weekend. Obviously, I will share it on this page first, once the project comes together. I have always loved embellishment - in my opinion, the fillip a pretty button, or a bow, or a bit of edging gives to an outfit can be the making of it. My mother had boxes and boxes of pretty buttons which she carried back to India from the UK and hoarded jealously - my sister and I used to knit our own cardigans and used up a lot of them in our twenties. 
If these buttons are pretty, I might just jazz up some of my suits with them, or, if you like them and want them, let me know, I will be only too happy to let you have them.

This was a song recorded in the mid 60's and was an instant hit, and is the second most re recorded songs in the world, after 'Yesterday' by the Beatles. It was inspired by a real woman.

I used the tutorial from Alice Stroppel again, with the second blank bracelet I prepared earlier, and spent a day creating a pen and ink drawing of The Girl from Ipanema - an hour into the process, I began to enjoy myself and have a lot of fun, and that shows through in the drawing. She has beautiful pale blue hair - I just wish I could colour mine blue too, but I think I am bit long in the tooth for that - and besides, my day job precludes such eccentricities. 
This was a very work intensive project, with the bracelet blank to be made, then drawn upon, and then inked, with the inks needing to be set at each stage, so that they did not smudge. Finally, when I was happy, the bracelet needed covering with a film of protective coating and cured again, so that the inks are preserved during normal wear - I had a lot of fun doing it.

This cuff took a lot of my time, but I didn't mind at all, it was so much fun to make. I have made up a few more blank bracelets in various colours, and will, from time to time, play with inks again.

That's all I had time for this week, folks, catch you next week, same time, same place,
xx

Last week, as I posted, I was turning over the question of what to do with my wire lace peacock - it started life as a pair of Peruvian threadwork pendant/earrings, which I embellished with crystals and put together with some copper wire and yet more crystals to make a peacock - but I didn't quite know what to do with it - I threw the question open to a couple of jewellery makers groups - one in the UK, and the other predominantly with members from the USA - and having got loads of inspiration and ideas, decided on a simple handmade chain incorporating pearly beads and crystals to match the peacock, and to hang it asymmetrically. In folk art, peacocks are often drawn looking backwards at their tails - this may be because they are vain creatures, but the artists use it as a symbol of renewal as the feathers are renewed each year.
I made my peacock look back at its tail feathers too - I loved the curved shape it gave the neck - and it was lovely to be able to bend wire in the direction that it wants to go for once! I titled the piece Scherezade as it seemed to be so 'Arabian Night's Dreams', with its brilliant colours - and I love the haunting music by Nikolai Rimsky - Korsakov. I think the dancer in the ballet below might have worn this piece! The design seemed to flow - all I had was the bare minimum of an idea and my box of crystal beads, and one thing just followed the next till I felt  as if I woke up and the finished article was staring me in the face - maybe I didn't make it after all and it was the elves that visited in the night - however, Santa's grotto, this ain't!

Once this piece was finished, I felt drained - it had absorbed all my creative energies and I turned my thoughts to simpler pieces that give me just as much pleasure. I had a few pendants and pieces of polymer clay I had made earlier, so I set about making them up into items that were wearable.
I like my jewellery to tell a story - as if you haven't guessed by now from reading my blog! I continually research my inspirations on the internet, gathering ideas and stories poetry and music, as the piece comes into being.
I made a water lily, on a lily pad out of polymer clay - hadn't quite decided what to do with it, but realised that by a happy accident,  I had put in a  fold over in the leaf that could be used as a bail. The two wires I had cured into the piece so I could attach it to something then became redundant - so I cut one off, and attached a little lamp worked glass and bead dragonfly to the other, which I coiled into a spring, so that the dragonfly appeared to be hovering over the waterlily - from that idea it was easy to take it further, into creating a lily pond with fish and snails and dandelion heads - I let my imagination run riot - and turned out a pleasant and summery piece with a three dimensional aspect to it.

I have had these tornado beads for ages - I made them up from a tutorial by Lisa Niven Kelly of Beaducation, and I love their organic shape - it struck me - I mut be the only person - or one of a minute number of people - who needs a tutorial to make a messy bead - most people have to learn how to make their jewellery neat and tidy, but I had to do it the other way around! I paired them with some lucite beads and knotted waxed blue cotton for a light and pretty summer necklace. However, mindful that summer is a time for sun tan lotion, perspiration ( ladies glow! - I am told, but lets call a spade a big shovel here) I put wire in at the top, to keep the look pristine for longer! I made earrings to match too. It is a tangled necklace - but I have a secret weapon to keep the threads from turning into a hopeless knot - large safety pins! - placed strategically across the strands will allow transport of the necklace, completely safely, without the nuisance of untangling it each time it is worn - of course you have to remember to put the pins in when you take it off.

I had an abalone shell pendant set in Sterling silver, and I made up a little necklace in complementary colours to go with it - am wearing (test driving) it at the moment, and it feels just right around the neck. Some lovely zebra dyed blue howlite arrived in the mail, and I couldn't wait to use it, it was so pretty - I had a pewter dragonfly clasp that I was keen to use, and as it was meant for two strands, the howlite was put together with opaque blue seed beads, chrysocolla rectangles and silver coloured spacers, with a dangling dragonfly to match - there are earrings to go with this piece as well, on some lovely extra long surgical steel kidney wires - cant wait to see how they will go down.

I want to say a special thank you to those who write on the Caprilicious Jewellery Page on Facebook and leave comments on my website/blog - your encouragement means a lot, thank you very much. Also, those who have come back to buy a second piece from me - I often wonder whether you  liked your jewellery if you don't write back - but when you buy a second piece - I am sure you did! My pieces of jewellery are like my little babies - and I send them out into the world - I can only hope you love them as much as I do - am I being fanciful?? and a bit overly sentimental, bordering on silly?? -almost certainly, but then I am new to this and am not blase' as yet - please forgive my enthusiasm :)

Catch you next week with another instalment of the Caprilicious Blog
xx