Thank you to everyone who voted for my design 'Glacial Fantasy' in the Artbeads Jewelry Design Star Competition. It only went and won!! I am speechless and so, so, so, thrilled. I was informed by email, and they have had my details as well as a couple of other designs from Caprilicious for their website. When I hear more from Artbeads.com about the official announcement, I will let you know. In the meantime, I have another pair of earrings made, to complement Glacial Fantasy - the first two were not deemed 'delicate' enough, and I was politely requested to think again - the customer is always right - right? So.........
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These were made with wire crochet and crystal beads, and the pictures sent on for approval - I hope she likes them, or, its back to the drawing board for me. They look pretty delicate to my eyes, but I am not the one going to be wearing them, so I shall just have to wait and see. I have no problems doing them over and over until I get it right - I just see it as another challenge.
I thought Betty was a bit lonely, so I found her a friend - meet Barbara - she is a half bust, but what is especially nice about her is that I can insert an earring so I can get a good picture of the way the earrings dangle from the ear lobe. I had just made this pendant with a red banded agate stone, and I hung it around Barbara's neck - her neck is a bit scrawny, but, hey, anything's possible if allowed a bit of artistic license. The pendant looks huge around Barbara's neck, but that is because she suffers from turkey neck disorder, but one mustn't mock afflicted chickens!
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'Grace', the pendant in question is made of banded red agate - a beautiful waxy, translucent, rectangular stone. About six feet of wire went into the swirly wraps, and a few more feet of fine wire for the web like weave. I had to add a bit of movement, and a shiny Aurora Borealis coated crystal from my stash was just the ticket.
I played with polymer clay and alcohol inks and produced these faux red jade pieces from a tutorial by Lynda Moseley of Diva Designs. I love the large 25mm focal beads, with a floral etched pattern and I made a chrysanthemum type flower to be the pendant in this necklace. It is called Cinnamon because of the beautiful burnt sugar colour of the faux jade. The other alternative for a name was Creme Caramel - betraying my sweet tooth and secret gluttony - a Freudian slip, if ever there was one! Three strands of carnelian nuggets, held together at intervals by pewter spacers toned well with the focal pieces - a monochromatic necklace, which is quite rare for me - I don't know how I resisted the impulse to add a bit of green or turquoise blue, but I do like how Cinnamon came together in the end.
From Russia With Love
I made this necklace a few weeks ago, and I saved three rainbow titanium coated quartz needles to make a pendant and a pair of earrings. When they were made up the three little pieces resembled the Matroshka dolls sold to tourists in Russia - except, of course that I have attempted to match the earrings, as far as possible The quartz was mined near St Petersburg and has an extraordinarily beautiful sheen from the fine coating of titanium vapour wafted over it.
I spent most of this week catching up on paper work and other stuff at the day job - sometimes it doesn't pay to have too much time off, everything is just waiting for you when you get back to the grindstone - no rest for the wicked!
I did have time to tidy up my website, move my necklaces around - I have new pages now - Chinese Inspiration, Out of Africa, and Leafy Glade are now added to a Treasury of Statement Necklaces, and all the other bits and bobs are grouped under Mini Statements - I believe that all jewellery makes a statement - it tells you about a woman's inner self and expresses her thoughts, feelings, and mood, sometimes, who she would like to be but finds difficult to express - an alter ego. I know that this is certainly true about me - what about you?? Have you ever thought about what your choice in apparel says about you to the world - a non verbal clue to those who might wish to detect what makes you tick! Have you ever thought what women who don't wear jewellery are saying - I think it may be that they don't want people to get clues to their personality - you have to work just that bit harder to know them and what their raison d'être is.
That's all I had time to make this week folks, catch you next week, same time, same place, thanks for stopping by my blog, and once again, thank you for voting for my design in the competition
This week I had a couple of days off from work, so I decided to try out some new stuff - I love colourful jewellery and there is no one who uses colour more successfully and with more panache than a polymer artist called Alice Stroppel. She has a tutorial for pen and ink drawings on polymer clay, and I got this from her in an attempt something different - I hoped I hadn't bitten off a bit more than I could chew, but felt like I ought to stretch myself a bit at a time, and add another dimension to what I do.
Anyway, here I was with this tutorial and after a few panic attacks and a lot of procrastination, I made two bracelet blanks - and got on with it. I say this blithely, as if it was a smooth transition from reading the tutorial to the execution of the piece, but I am a past master at putting things off - it took me four days to get to actually starting up (and I will admit, I was a bit - no, a lot, scared of making a complete idiot of myself) and three days to ink the second bracelet, bit by bit.
I kept the first bracelet simple, with flowers made of Millefiori canes, and with the leftover cane, made a pendant to match.
The pen and ink bit was kept to a simple colourful stripe - I told you I proceeded gingerly! While these were curing, I made a couple more conventional bangles, which fulfill my love for colour. Canes are also new to my repertoire, but I think I am just about ready to make some simple ones now - it takes a while to get used to a medium, and I think now is the time to dip my toes into deeper water. As you can see, I have relied on colour and texture with the bracelets below, but they do make a colourful splash.
Leaf on the Water
While proceeding very gingerly with the bracelets, I made some stuff I knew I could turn my hand to, almost as if I needed just to reassure myself of my abilities, in case I fell flat on my face. The picture above was my inspiration for Leaf on the Water, a necklace made with rectangular Peruvian opals and a Maple leaf skeleton pendant. The leaf skeleton has been electroplated with 9 Carat gold, and is a work of art by nature. The soothing blue of the opals seemed to suggest a seascape, and I added a couple of shells and a froth of little beads and crystals to signify the foam on the waves. It turned out to be a piece of jewellery that can be worn by day as well as night.
Another idea I approached with caution is the Flat Wire Twining lesson by Mary Tucker - she makes flat bracelets with what seems like hundreds of pieces of wire in a weave that resembles fabric, and basket weaves that are very realistic.
I am terrible for trying to run before I can walk, and become disheartened. I was quite determined this time that I wouldn't let that happen. I made a three dimensional wire pitcher, with 'water' pouring from its spout. Hung on a simple black waxed linen cord, the pitcher looks like it is spilling water down the décolleté.
The Lotus Eaters
While in my craft room( sounds less swanky and up myself than 'studio' don't you think?), I made a few faux ivory flowers. When I finished sanding and buffing the flowers, I teamed them with turquoise beads into a little bracelet - my muse must be on a bracelet making jag , there are that many rolling off my production line, these days. I am a mere vassal, following where Ms Muse leads!
The Button Project
Did you know there was a silk industry in England - in Macclesfield, no less - no? I didn't either.
Annabel Wills, Silk Museum curator says: “Macclesfield was the heart of the UK’s historic silk industry, and silk-related businesses are still active in the town. Handmade silk buttons were where it all began: from a cottage-based enterprise, it grew into a flourishing silk industry and helped make the town what it is today. This exhibition will celebrate that history and allow contemporary artists to exhibit and sell their beautiful buttons.”
The Silk Museum has organised a Button Exhibition and invited artists to submit buttons to be displayed in a curated exhibit. I have expressed an interest in submitting an entry, and hope it will be accepted. The buttons are required to have a link to the themes of heritage, or metamorphosis, and I have been wracking my brains to come up with an idea - that will be my project for the weekend. Obviously, I will share it on this page first, once the project comes together. I have always loved embellishment - in my opinion, the fillip a pretty button, or a bow, or a bit of edging gives to an outfit can be the making of it. My mother had boxes and boxes of pretty buttons which she carried back to India from the UK and hoarded jealously - my sister and I used to knit our own cardigans and used up a lot of them in our twenties.
If these buttons are pretty, I might just jazz up some of my suits with them, or, if you like them and want them, let me know, I will be only too happy to let you have them.
The Girl from Ipanema
This was a song recorded in the mid 60's and was an instant hit, and is the second most re recorded songs in the world, after 'Yesterday' by the Beatles. It was inspired by a real woman.
.......Heloísa Eneida Menezes Paes Pinto (now Helô Pinheiro), a nineteen-year-old girl living on Montenegro Street in the fashionable Ipanema district in Rio de Janeiro, Brazil. Daily, she would stroll past the popular Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers watched the girl pass by the bar, and it is easy to imagine why they noticed her—Helô was a 173-cm (five-foot eight-inch) brunette, and she attracted the attention of many of the bar patrons. Since the song became popular, she has become a celebrity. http://en.wikipedia.org/wiki/The_Girl_from_Ipanema
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This is one of the very first versions with English lyrics, sung by Astrud Gilberto, who was married to João Gilberto, the Brazilian singer who first made the song famous.
I used the tutorial from Alice Stroppel again, with the second blank bracelet I prepared earlier, and spent a day creating a pen and ink drawing of The Girl from Ipanema - an hour into the process, I began to enjoy myself and have a lot of fun, and that shows through in the drawing. She has beautiful pale blue hair - I just wish I could colour mine blue too, but I think I am bit long in the tooth for that - and besides, my day job precludes such eccentricities.
This was a very work intensive project, with the bracelet blank to be made, then drawn upon, and then inked, with the inks needing to be set at each stage, so that they did not smudge. Finally, when I was happy, the bracelet needed covering with a film of protective coating and cured again, so that the inks are preserved during normal wear - I had a lot of fun doing it.
Tall and Tanned and Young and Lovely
This cuff took a lot of my time, but I didn't mind at all, it was so much fun to make. I have made up a few more blank bracelets in various colours, and will, from time to time, play with inks again.
That's all I had time for this week, folks, catch you next week, same time, same place,
Good day everyone, I trust you had a good week. I have been very rested, as I took some time off the day job, and found I had no pressing matters to attend to, so could chill, and make as many pieces of jewellery as I like, with little or no interruption.
This week, I tried out a new technique - chainmaille.
Chainmaille is the practice of linking rings to create interesting patterns, or more traditionally "sheets" of flexible metal for the purpose of armor or decoration. The name comes from the French word maille, derived from the Latin macula, which means a 'mesh of net'. The basic weaves use jump rings, which are open rings not intended to be soldered. For decorative use, the supportive structure of the weaves is enough to ensure the rings don't pull open.
I bought a rhodochrosite carved pendant a while ago - rhodochrosite is a reddish pink stone - the pink color of rhodochrosite is caused by the element manganese and it is formed when manganese is dissolved by ground water and combines with a carbonate material, then drips off the ceiling of caves and crevices deep underground. It is commonly found in the form of stalactites and stalagmites in the caves of Argentina. The Incas, who called it Inca Rose, believed that rhodochrosite is the blood of their former kings and queens that was turned to stone.
I am by no stretch of imagination a 'pink lady' - but I had to have the pendant - the carving called out to me - 'buy me Neena, buy me' it implored. I searched for a suitable way to tone down the pinkness - I bought Morganite - too pink, tektite - too black, rose quartz - even more 'too pink', and finally, after my bead stash was swollen with unsuitable (!) elements, I found frosted red agate - orangey pink/ red beads, smudged with inky black, and frosted over like the bloom on a grape - lovely!
The Mermaid's Song
This necklace just grrrrrew - couldnt stop it - I made a seahorse, a couple of starfish, and a 'fisherman's net' around the mermaid with fish and other shells caught up in it - and then thought I would try the chainmaille techniques out here to link the beads together - well, easier said than done - it is ever such a fiddly technique, and certainly not suited to sitting in front of the telly with a tray in your lap. But, I persevered and in the end, I am glad I did.
Love knots are very basic chain maille links, with three rings linked together, rather like a Russian wedding ring, and the individual bead links leading off the centre of the knot. All was well till I decided I didn't like the placement of one or two of the elements - it has to be just so for me - and for you - and everything needed to be taken apart and redone - but in the end, I liked the effect - a little more ornate than using just the one ring between elements, I may try this again, and who knows, one day, I might surprise myself with a bracelet made of chainmaille links (don't hold your breath, Neena!).
Diamond White is a necklace made of clear quartz needles with pewter coloured vintage focal beads from another necklace I cannibalised. It is also a cider with a hight alcohol content (12.5%) here in the UK and it had a certain following amongst my friends when I was young. I decided that I would use the name of an old favourite for this rather nice necklace. One of my friends said it made her think of winter - but hey, our non summer is almost over - and we have to face a bleak winter - what better way than to wear nice jewellery - wearing pretty stuff puts a smile on my face, anyway.
Here Comes The Sun
Confused?? - the weather here certainly is - one day it is hot and sunny, and the next it is raining cats and dogs and freezing cold - my jewellery efforts reflect that seesaw - so on this particular day, after a swim and a barbeque meal (no clearing up - yippee!), I sat down with a reel of copper wire and some peridot beads and made this.....
I love the green of peridot - wish it wasn't quite so expensive - but in common with amethysts and aquamarine, it is too expensive to buy in large amounts. Peridot is one of the few gemstones that occur in only one color, an olive green. The intensity and tint of the green comes from the iron in the crystal structure. It is also called Olivine - due to its colour, and is classed as a precious gem. I got the faceted teardrops on a visit to Capri, where they seem to have large deposits of the gemstone, and I used two of them in these copper wire earrings.
And while the barbeque was sizzling and Mike was slaving away over it, I put the polymer clay flowers I made a few weeks ago onto brooch backs and popped them in the oven to cure.
The Paisley pattern has been around for simply ages - its origins are claimed by the peoples of both India and Persia, but its Western name derives from the Scottish town of Paisley. In India, it is a common design, and thought to be a stylised mango. It was popularised in the Western world by the East India Company, and adopted by Liberty into the 'Liberty Print'. I am very familiar with this design, as it is very common in the gold thread work in South India, where I am from, originally, so I decided to make a paisley 'mango' in silver, with some delicious multicoloured tourmaline I acquired earlier, and add a fine silver daisy made from Precious Metal Clay in my kiln. I used wire netting to fill out the paisley shape with tourmaline beads, and hung it from the daisy on a silver chain - sweet!
The Wings of Love
A Hungarian jewellery maker I once bought a bracelet from posted a piece of embroidered jewellery she created around a beetle's wing - I was startled and thought then that she was joking, but not so - the naturally beautiful elytra (wings) of the Green Jewel beetle (Sternocera aequisignata) shift in color from green to hints of blue at the edges, and the surface is shiny and iridescent, giving the effect of sunlight on an oil-slick. The beetles have a short life span of 3-4 days, and when they die, they loose their wings, which are then collected up for use in various objects, and jewellery. No beetles are harmed in the making of this jewellery (phew!).
A bit more research revealed that beetle wings have been used for centuries by Indian civilizations, cut into tiny spangle shapes and sequins to adorn a range of objects, their reflective properties admired as a means to ward off evil spirits. The beetles, in beautiful colours are like living jewels, and in Victorian England it was the height of cool to have live jewel beetles tethered by tiny gold chains to your décolletage! The beetles were caged and fed, and covered with gemstones, if they weren't colourful enough, and taken on regular outings pinned to the lady's chest!
I set out looking for these wings, and found a vendor in Thailand, where these beetles are found, and am now the proud owner of a large number of these wings, this means that I will need to think up plenty of designs to use all of them, but I have no doubt that they will be liked - anyone who likes shiny, pretty things, is bound to like these. I made some earrings, just to get the feel of this new acquisition - but I just know that they will fly out of my hands real quick! I did worry a little about the word 'beetle' which does not conjure up the nicest image - but hey, if the Victorians could wear real live beetles, why shouldn't we wear the wings, beautiful as they are - just takes a bit of getting used to - and we do wear leather from dead animals all the time, don't we??
A bit more about those Victorians - they loved insect jewellery - apparently. For example, Caddisfly larvae glue together tiny stones, grains of sand, and bits of litter to form cases that camouflage and protect them from their natural enemies. When gold nuggets, shells, or semiprecious stones, were added to their cages, they incorporated these into their protective cases, which was later harvested and made into earrings, necklaces, tie tacks, and pins. Amber jewellery - or fossilised insect jewellery was also very popular, and remains so today.
A Victorian Living Jewel pin - University of Colorado Museum of Natural History
Aren't the colours just fabulous??
Though light, the wings are quite robust. I accidentally stood on one and it didn't break (and I am no featherweight)! I will of course provide stoppers, as the earrings are very light - but the converse of that is that they can be made long as you like, without fearing for your earlobes! They make a pleasant swishing sound when they knock against each other - a sort of rustle - brings to mind long silk gowns - which is just the right mental image for these beautiful jewel coloured earrings.
The Flemish artist Jan Fabre created the ‘Heaven of Delight’ using 1.6 million of these wings! Fabre and his team of thirty people took 4 months to glue all of the beetle shells to the ceiling and a chandelier in the Heaven of Delight Hall of Mirrors, of the Royal Palace in Brussels. I would have associated the colours and the name with a more exotic place than Brussels, but Fabre really loved these beetle wings and used them extensively in a lot of his art.
The living jewel!
The ceiling in the Hall of Mirrors by Jan Fabre
A closer look at the ceiling
He sure loved his beetles!
I hope you have enjoyed the tale of the beetles - I really got stuck into my research about them, and found so much to talk about. The wings are truly beautiful, and I am surprised that they are not more commonly used in jewellery. I must mention Agi Kiss from Moonsafari Beads who set me off on this journey - you can see her piece here - http://www.etsy.com/shop/MoonsafariBeads
That's all for now folks. Catch you later
I was at work in the day job all last weekend - and this time the Gods weren't smiling on me - it was literally the weekend from hell! I was in and out of the hospital, picking up pieces that had been dropped by others, soothing ruffled feathers - and whatever could go wrong..... did.
So I came home each day and pulled out my beads and clay and soothed myself calm - it was so nice to be able to do that - and I think the people around me benifited from that! A three day weekend can be so tedious, when everything is unravelling around you.
Shiny pretty things - to appeal to the magpie in every woman
I took delivery of a bunch of crystals from someone who was closing down a bead shop - so while I sat watching the telly with Mike, I put together some pretty chandelier earrings - I felt the need to dive straight into the crystals - I usually hoard pretty things for some crazy reason, but it would be madness to hoard half a kilogram of mixed crystals. I poured them through my fingers, sorting them into little piles and picking the ones I wanted to use - like a wide eyed AliBaba in the cave of treasures - and these are the chandeliers I made with this multicolour medley of crystal beads.
Love's Sweet Scent
This piece evolved out of my disastrous weekend - I mixed myself some pretty buttery yellow clay to make flowers from - had just about had enough of various shades of pink - someone recently said that yellow is a difficult colour to create with, and apparently, some people wont wear yellow as it causes their skin to look sallow. I thought, maybe it could be used as an accent - to brighten up a piece of jewellery - a little bit of it can't hurt - and it is so pretty after all. A floral theme seemed to evolve - I made peony type flowers - which will go into a brooches, I think, and a bunch of jasmine flowers and buds - these are the little plump jasmine that have the most delicious scent - ladies in India might wear just the one in their hair and you can smell it from a mile off, if you have a halfway decent sense of smell. They are usually a creamy white, but I claimed artistic licence and made them in the yellow of the winter flowering jasmine found in more temperate climes - they are still pretty recognisable though..... I think!
Fat budded Jasminum multiflorum
Winter flowering Jasminum nudiflorum
My mother has a bush in her garden which yields loads of flowers - enough to use as offerings during her prayers, and for the ladies of the house to wear in their hair should the mood take them. I remember my dad bringing home little packets of jasmine garlands, all ready for pinning into mum's hair - and she always shared them with her daughters - I wonder if it was a secret message between them!
Anyway, mindful of the edict that too much yellow would not be appreciated, I wove my jasmine into a little corsage, and teamed it with turquoise coins, pearly beads and dark blue sunstone in a statement collar - I love making those. I am sure, come winter, when the only flowers we can find easily are in the supermarket, they will gladden the heart.
These jasmine are evocative of my childhood, and the bush growing outside my bedroom window, and I called it Love's Sweet Scent. The jasmine has been set low enough so it won't jab the wearer in the neck - I just love this necklace.
I also made some silver components in my kiln - more flowers!- I need to decide just what to do with them, so will just post a little sneak peek into what is to come. The polymer clay peony has very thin petals, to try and resemble the flower as closely as possible - it may be too fragile on a piece of jewellery that may be knocked about during regular wear, and will have to go into a brooch, though I originally inteded to use it on the wrist in a wide bracelet - like a prom corsage.
Fine silver components, hot from the kiln
Jhumkas - Indian style in Wire and Crystal
I made some beadcaps using wire and crystal - when my friend Suj saw one of them, she said - Oh you can make Jhumkas out of them - Jhumkas are bell shaped danglers, and almost every Indian woman has a pair of these. They used to be simple, in gold and pearls, but have now become so fanciful, they are almost unrecognisable. I made mine in copper wire with some of my crystal bead stash in a colour combination of green and gold - very dressy. As these are all lightweight beads, the resultant piece is pretty and ornamental, yet light and easy to wear.
The beadcaps on the Shangri La Pendant
One of the pairs I own
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There is a famous Bollywood 60's song where the heroine is lamenting the loss of one of her earrings in the market in Bareilly, while cavorting
( isn't that a nice word - conjures up some wickedly interesting images - in my mind, anyway) - probably around a flowering bush with her boyfriend - ah, those were innocent times. Every time they went around the bush and came out the other side, the heroine wore a new outfit - so what was she doing behind that bush with her boyfriend - I never thought to enquire! Anyway, I provide rubber stoppers on all my earrings, so, the wearer of these can cavort away sans anxiety!
My little piece of Caprilicious silver this week is a tiny fine silver bud, about an inch long, made in the kiln, antiqued and polished, with a tiny red Cubic Zirconium emdedded into it. It comes with it's own chain, and is perfect for someone who likes her jewellery a bit smaller - as you all know, a lot of my stuff is 'in your face' and cannot be overlooked when worn - maybe because I was once innately shy, (although I have grown out of it now) but there was another side to me that was a bit 'song and dance', and didn't know quite how to reflect that, so preferred my apparel to do it for me. I could not buy chain store stuff if someone paid me.
Most of my designs are made with me in mind - if you don't want it, I should be happy to wear it myself - so, the corollary to this is, if you like the stuff I make, we must be kindred souls - Soul Sisters, even!
That's all for my week this time around - see you same time, same place next week
The Denise Cuff Bracelet
I finally finished the floral cuff bracelet for my friend Denise - and I named it in her honour. Last week it was almost done except for a touch of varnish, and I thought the leaves were a bit bright, so I dulled them a bit before varnishing the cuff.
Denise visits us in late August, and I will ask her to carry a gift for a friend who lives in 'Vegas. She took one look at the Enchanted Garden collar, and asked if I could make her a headband - I thought long and hard, before I made it - a clay lining to the headband would make it too heavy to wear - instant headache! I prefer to keep my friends, so decided to make some roses with the wire cured into them, and wrap them onto a headband with beads and leaves, almost like a tiara. I named it after Anna Karenina, the ultimate romantic tragedy heroine.
The Anna Headband
She looks like she might wear my headband!
I'm not sure who this actress is, but I'd make her a headband any day of the week - isn't she romantic looking? This picture is from an advertisement for the movie.
Rather than make beads, I preferred to make the individual roses around a long stem of wire each, and cure them upright, so the wafer thin petals didn't bend or fold when cured in the heat of the oven.
I took this picture on a glass dummy Mike brought back from a junk shop many years ago - it sits in a corner wearing a Chinese silk cap with a queue attached to it and a spare pair of my glasses on its nose. I wasn't allowed to use this picture on my website or Facebook page - Mike said it looked too weird (did he mean wired ??) and might put people off - wonder what he meant!!!!! I think it's quite funny, actually.
Begin the Beguine - brings back a night of tropical splendour....
I am very proud of this piece - it evolved from a butterfly I made when making some faux ivory pieces - I coloured it with alcohol ink, and put it away. Something made me bring it out again, and I made some more butterflies, and my favourite - a dragonfly to go with it. I made this necklace with some jewel coloured quartz nuggets and crystals, and it is so tropical and summery, I just had to call it Begin the Beguine.
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I love the Louis Armstrong version, but couldn't find it, so have found a French version by a woman who is fast becoming a favourite of mine - Laura Fygi - what a beautiful voice - this is music to make love to, ladies (and gentlemen)!
These are a pair of beautifully cut, matched cushion cut citrines, and they have an asterisk shape cut into the back to allow even more light through. They were wrapped in square sterling silver wire which was then fashioned into heart shapes. They are very light and pretty, and I have had to provide rubber ear stoppers to prevent accidental loss - we all know how painful it is to lose a favourite earring, I won't let that happen to any of my patrons!
Begin the Beguine wrung me out - all those intricate butterflies, each one different from the other, and then putting them together so it would look like they were all fluttering around the necklace - but it was worth it for the message I received from the lady who bought it - she loved it, and I am so happy it went to a good home.
I also had a phone call from India, from the lady who bought Meluhan Sunset - a piece conceived by her imagination, translated into a piece of jewellery by me. It was taken to India by my mother and then couriered to New Delhi, to her office, where it sat, waiting for her to pick it up. Of course, she didnt't go to her office for one reason and another that week, and mum and I sat on pins, praying that it wasn't lost.
Anyway, she has it in her hot little hands now, and said she was drooling all over it, she loved it so much - it was fantastic to hear from her, and the relief that she had it, and loved it, was almost palpable.
I made this Dove of Peace brooch a while ago - it is a wire dove, attached to a vintage brooch. It has a twig and a leaf in its 'beak'. It languished quietly on my website for a while, until it was rescued by a discerning lady, who posted a picture of her wearing it on Facebook - suddenly it had so many 'fans', and an order for another followed - so thank you Debbie!
I made the brooch myself this time with polymer clay and attached a wire dove to it. I am enjoying these little brooches - polymer clay is such a fantastic medium to play with. I concealed the wire holding the dove deep inside the brooch, and it is such a pleasure when the engineering of a piece works just so!
Last week, The Bollywood pendant was snapped up almost as I posted this blog, and an old school mate from Melbourne asked if I could make her another, with a pair of earrings to match. She is a wedding gown designer and makes evening wear as well, she says they will match the new gown that she will wear to a Fashion Award affair. Check out her designs on Facebook - Arlene D'Monte Designs and at Brides on Main http://www.bridesonmain.com.au/collection/collection.html
Here are the pieces I made for her.....
My designs on a red carpet - would you credit that??? - Hollywood next, I suppose!
That's all for this post, see you again next week, have a good weekend
Last week I wrote about the naiad. This week is the turn of the siren - In the story of Odysseus, the sirens lured sailors to their death with a bewitching song. These beautiful women were formerly handmaidens of the goddess Persephone and they were sometimes depicted with the bodies of birds. When Odysseus passed by, he had himself tightly bound to the mast, and had his sailors block their ears with wax - this caused the Sirens so much distress - they couldn't believe that they had lost their appeal - that they threw themselves into the sea and drowned. Maybe that's where Bollywood got the idea that 'vamps' always came to a sticky end - in reality, bad girls have more fun! Or as Mae West famously said -Good girls go to heaven, bad girls go everywhere.
I had this exquisite ox bone 'Goddess' face and I made a Siren with it - with a serene face, 'blonde' flowing locks of hair, surrounded by the sea, made of wire and crystals, in a 3 dimensional story board. It took me simply ages to weave the hair, but I was pleased with the final result. I finished it with a gold silk Kumihimo braid and extender chain that I made myself and embellished with wire spirals.
Goddess ox bone face
Gold silk Kumihimo braid
The Ice queen's necklace
When in Reykjavik, we went to the mythological museum - and here I found this wonderful tale - Freya, the Nordic Ice Queen was a warrior goddess of sensual love. Her husband was the Norse God Od.
Freya was a spectacular beauty known for her appreciation of romantic music and stunning floral arrangements. That was her softer side; she was also known as the goddess of war and death. She was the original blonde bombshell and with her blue eyes, she was irresistible. She also owned a magical necklace called 'Brisling' that made her fascinating and alluring to all men who laid eyes on her. I found some Kyanite shards that looked to me like slivers of ice and I combined them with blue agate nuggets, sea sediment jasper and Biwa and freshwater pearls, along with metres of wire to resemble the iciness of Freya's kingdom to make a necklace worthy of an Ice queen.
Kyanite is a sedimentary rock laden with aluminium in an elongated crystalline structure, which is mined alongside quartz amongst other such substances. Its name derives from the Greek word for blue, but it can occasionally be green, and when it contains manganese, orange. It has special significance in metaphysical circles, as it thought to clear the body's communication channels and is an aid to meditation when worn close to the throat.
I love it for its unusual appearance and ethereal, icy qualities - although relatively expensive, I think it is worth it as it is so pretty.
The Ice Queen
The colours that inspired the necklace
My version of Brisling
My work with copper clay is still disappointing - I found out that it needs to be put into the kiln when it is at 930 degrees C hot - quite a terrifying thought! To do this, I have to wear Asbestos gloves, a pair of goggles to protect my eyes from the glare of a red hot kiln, put the copper pieces in a stainless steel pan filled with activated carbon, and lift it into the kiln on the end of what looks like a pitchfork, but has two tines, to fit under the lip of the stainless steel container - Oh dear, what a palaver! - but, I am not one to give up, and crack it I will.
To cheer myself up after a terrible week, and two experiments that went wrong in my kiln, I decided to go back to something I knew and could manage more easily - polymer clay. I have recently made contact with a lady called Jinny Holt - and her artwork is stunning - she is a wizard with the polymer clay, and her work is inspirational.
I dug out a picture of the Fuxing Gardens in Shanghai, from a visit in 2004 - I use that as my 'enchanted place' when I practice self hypnosis and want a calming image in my mind. The gardens in China are always full of plants in full bloom - and I realised why this was - all the plants are grown in huge hothouses in pots, and when they are at their best, they are wheeled out, and the older ones taken away - there's always a few gardeners with their wheel barrows moving plants about the place! The blooms are so beautiful, that after the initial shock of seeing the pots, one forgets all about it and concentrates the mind on the flowers.
This necklace is called the Enchanted Garden - it took me a while to make as each flower had to be shaped, and then attached to a pre made collar with liquid polymer clay, cured again, and then finished off. The piece has soothing colours - and I think it is pretty neat. A serene little face peeps out between the flowers.
Fuxing Gardens Shanghai
"Hope is a walk through a flowering meadow. One does not require that it lead anywhere." - Robert Brault on http://www.robertbrault.com
I follow Roberts blog - he is a writer in the US, and his writings and musings chime with me.
I also found this quote from the Washington Post- it isnt attributed to anyone specifically, but it sounds a lot like something Woody Allen might say -
'Why do people give each other flowers? To celebrate important occasions, they're killing living creatures????
Why restrict it to plants? " Sweetheart, let's make up, have this deceased squirrel" !!!
Anyway, if you were offered a necklace of flowers, you wouldnt need to kill a 'living creature' would you - perhaps a hint in the right ear??
The Enchanted Garden Collar
Silver lined seed bead accents between the flowers
Summer Loving - happened so fast!
I bought some marabou feathers, and in the haste to clear up the 'crafty' mess in the house threw them away by accident - in my defence, they weighed nothing and the packet seemed empty - I had to go on a rummage to find them, so used a few, before they got lost again. I taught myself to make a Viking knit chain, and used this to hold the polymer clay flowers and feathers. Viking knit is an ancient art - and involves weaving wire around a dowel to produce a hollow knitted wire tube - first described in Scandinavia, but also called a Trichinoply chain - I wondered whether it had some origins in India - but on researching it further, it would appear that it is entirely Scandinavian and the 'Trich' in Trichinopoly here refers to a hair like weave or knit and not a place in South India!
I wanted to have the feathers stand upright, rather than wired and pointing downward and with the help of polymer clay, that most wonderful medium, I was able to engineer that effect without having to glue the feathers in place - it always worries me that glue might come away that I try to use it as little as possible.
Little buds to one side
Summer loving had me a blast
Summer loving happened so fast
I met a girl crazy for me
Met a boy cute as can be
Summer days driftin' away,
to uh-oh those summer nights...
I have had a lovely week off from the day job, which I filled quite productively with my little production line. Back on Monday, nose to the grindstone, with a bit of time off to make some pretty things.
Enjoy your week and do come back next week for another instalment - see you then!!