Hello all, thanks for stopping by the Caprilicious Blog. The temperature is dropping like a stone outside and soon it will be winter. My poor garden is going to suffer, all frozen and laid bare - but we still have a few flowers in the garden - for a few days more, until the frost kills them off. I have tried my best to prolong the season by making a necklace inspired by the last flower left standing in the garden. Passion PlayThe flowers were made with amethyst and green quartz fragments and the necklace lasted all of ten minutes on my pages - I was so pleased it found a home! The lady who bought it sent me this message - I am so glad she liked it, hope she sends me that picture. The Pearl PrincessA face set in sterling silver from my stash was combined with luxurious peacock coloured Biwa pearls in this piece. The pendant was sold to me as 'Smithsonite' - I thought it was so pretty and different, I bought it and then went on an expedition to research the stone - sometimes I wish I hadn't - it turns an object of beauty into something so prosaic - Smithsonite is Zinc carbonate - ZnCo3 apparently! - nothing to get excited or to write home about - but yet - so different, and so pretty. It was discovered by and named after Smithson in the early 19th century and occurs as a secondary mineral in the weathering or oxidation zone of zinc-bearing ore deposits. I suppose this is as unromantic as a pearl being an object that came from a grain of sand surrounded by oyster spit! Yet, from such humble beginnings, inexplicably comes this beauty. This one lasted on my shelves for about twenty four hours! Smoke on the WaterSpectrolite is black labradorite - According to an Eskimo legend, the Northern Lights were once imprisoned in the rocks along the coast of labrador, and then a wandering Eskimo warrior found them and freed most of the lights with a mighty blow of his spear. Some of the lights were still trapped within the stone however making labradorite - one of my favourite stones. The black ones in this necklace are faceted and graduated, with beautiful flashes of blue grey in their depths, the colour of smoke when light shines through it. I teamed them with an electroplated maple leaf and hung a wire cage containing a red jade teardrop on the pendant bail - and here we have Smoke on the Water................. After being so restrained with my colour choices, I felt the need to splash out a bit. I picked an artisan created pendant from Tibet in my favourite colours of turquoise and coral and matched it with citrine flat beads, coral pillars, and turquoise - a bit more colourful than the last three. Jewel from the EastTivoli LightsA few years ago, we spent time in Copenhagen, at the jazz festival in the Tivoli Gardens. The gardens are lit up at night, and this illumination was the inspiration for what are now known as Tivoli Lights - Mr Ben George from Tustin Ca, had the idea to use up a supply of automotive miniature incandescent lamps he had been selling. He put them inside plastic tubes to create decorative light strings, and The Tivoli Light was born. Tivoli tubes now contain LED lights and have been incorporated into building facades, aisles and steps and one finds them everywhere. My necklace was inspired by the illuminations at the Tivoli Gardens - the Czech glass dagger beads glow with a blue iridescence, reflecting the colours in the picture above. And that's a wrap for the week - hope you enjoyed looking at my pictures - do post me a comment, I'd love to hear from you. Take care now, and have a good week, catch you next week, same time, same place
xx
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Good morning, and how nice it is to have you stop by. How are you today? We have had a mixed bag, weather wise, in Britain (what a cliché - a blog from the UK mentioning the weather in almost the first sentence!), and our collective moods have been up and down with the vagaries of the elusive summer sunshine. I spent the week preparing frantically for the jewellery party at my friend's place at the weekend - cleaning and polishing stuff I tried to chose carefully to match the demographics of the people who are likely to be there. I am determined to put on a decent show - both for Caprilicious, and for my friend, who has bigged me up and invited all her friends - Gerri and I have known each other for ages, having been at school together. These good folk will be driving for up to an hour to get there and will be expecting a decent show for their effort. I will tell you all about it next week, when I have recovered my equilibrium. Just now, I am wandering around the house muttering and shaking my head, looking for stuff the house appears to have eaten - a bit like Gollum and his 'Preciousssssssssssssssss'. These stones landed on my doorstep earlier this week, bought from a vendor in India - 342 carats of carved cabochons in Labradorite and rose quartz, 73 carats of prehnite teardrops, and best of all, 233 carats of a labradorite slab. You might well wonder why I would want to buy a large flat grey stone - enlarge the picture, and you will see a fine tracery of blue, that resembles lightening bolts running through the stone. This is what happened when I tilted the stone so it got some light shining on it from the living room window - the flash of Schiller is unmistakeable. When I tilted it further towards the light, the flash was so brilliant, I almost needed my sun glasses to look into it directly. I have put these stones away, deep in my stash, and will bring them out periodically to look at, and stroke, until one of them speaks up and demands to be used. The large slab will remain with me, until I can be certain it will go to a good home, it is so beautiful, it deserves preferential treatment. Beads Unlimited are a bead company in Brighton. I occasionally submit designs to their website, for their readers gallery, and Jo Porter went along to the Caprilicious website to take a look at my other designs - she loved them so much, she offered to feature me on her Bead Barmy Blog - and here's a screen capture of what she wrote. To read it for yourself, here's the link - http://www.beadbarmy.com/2013/06/hobby-to-business-caprilicious-jewellery/ Thank you Jo, and Beads Unlimited, for your kind words and your little gift of beads and wire. Flutterby from last week was a hit, and sold even before the blog was released on Friday. I had one more cloisonne butterfly and I decided that it too, should be allowed free - and so Flutterby (2) was born. I used amethyst, fluorite and emerald nuggets, so that the two of them wouldn't be identical. Flutterby (2) With my foot still poorly, I gave it a fighting chance by resting it as much as possible - this meant that I could not work with polymer clay, as this meant treks back and forth from the oven to my work room. So I played with my kiln and fired some silver clay, and for the first time, bronze clay as well. Silver is now so expensive, I had to make sure I got it right- here are the pieces I made..... Metal clay is made from powdered metal mixed with water and a substance called "methyl cellulose" to create a clay-like dough. Metal clay handles similar to traditional modeling clays, and when dried is transformed into a solid, metallic object through a firing process. During firing, the methyl cellulose binder is burned away and the metal particles "sinter" into a solid form. The montage below shows some of the story. I managed to make quite a few pieces, and only one of them broke in the heat of the kiln, probably because the imprint of the design was a bit too deep - Oh well, I can live with that. The whole thing was fired for an hour in an oxygen depleted environment, buried in carbon particles in a lidded stainless steel container and left to cool in the kiln overnight. And then, I held my breath as I opened up the container and scrabbled around in the charcoal for the pieces of bronze that I had buried the day before - would they be OK, or would they be rubbish???? It's amazing what a bit of soapy water in the tumbler can do - the stainless steel shot works its way into every crevice and shines and hardens the metal - I love my little tumbler, it makes the metal so pretty - I forgot to put a couple of pieces in the tumbler, and you can see the difference straight away. I couldn't wait to add some pretty gemstones and turn them into danglers. Daffodils Daffodils lining the road to Coombe Abbey ............Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. Wordsworth One cannot imagine an English Country Garden without daffodils - I found this beautiful set of brass stampings on a site in the USA and bought a few of them - this is the second one I have used, with a woven copper frame and loads of Czech glass. I meant to put a beaded necklace on it, but in the end decided to give it a more modern look with a leather thong. A blue chalcedony tear drop finished the piece off with elegance. That's it for this week, thank you for stopping by. Must go and pack the car now and see how many things I can forget! Catch you next week, same time, same place with the story
xx p.s. for those of you who read the Caprilicious blog each week, to the side of the title is a logo that reads 'Follow my blog with Bloglovin' - this will ensure that it lands in your inbox without fail, so you don't need to be connected to Facebook to get it. Alternatively, below this is the Network Blogs link - this will do the same - you can take you pick see you soon xx The sun has got his hat on, hip hip hip hooray!......... and I was finally able to go into the conservatory and use my kiln. I really don't know why we bother in Britain - conservatories are freezing cold in the winter, and roasting hot in the summer - ours is tacked on to one side of the house so we have to walk around the house to get to it. As we are stuck for space, my kiln has ended up there - but, come what may with the weather, I have decided that I am going to use it this year. I made a start this week, and tried out some of the enamels I bought from a lady who retired from the jewellery business. With enamels, none of the colours resemble the raw powdered glass in the jar once they have been fired, and the transparent ones look different when fired onto copper than when put on silver - why must life be so difficult??? - sigh! I have perforce to keep the area tidy - with the kiln running at temperatures of 850C, there is little room for stuff falling over and general clumsiness, which is why I have this picture of my work station - isn't it tidy??? Mike has a jar of copper pennies and I used some of them to enamel onto - it was great fun, and without actually making anything, I achieved a lot. I found out what the various colours looked like and I stuck each penny on the lid of the container, so that I would find it easily again in an attempt to take the guess work out of the exercise. This picture shows how unlike the powder the actual colours look on the pennies - at least I know what colours will be my favourites now. And, I learned that a mixture of vinegar and salt shines up the copper pennies - that old wives tale is definitely true!
Glam Rocks Glam rock was a style of music that came out of Britain in the 70's - sparkle, sequins, purples, reds and gold, outrageous clothes, makeup and hairstyles, particularly platform-soled boots and glitter were associated with this era, with David Bowie, T Rex and Roxy Music being big stars of that genre. I am old enough, of course to have enjoyed their music, and I dedicated this next necklace to it. The clear crackled quartz, and the purple shell pearl nuggets in two strings with the pearls and silver crystals carrying an aspen leaf are most definitely glamorous. I like to contrast purple with green, so I added a green carved jade butterfly and a faceted teardrop, as well as a shimmery Czech pressed glass triangular bead to a squiggle of wire, hung from the bail of the leaf. The Pomegranate Tree I had a friend who had a pomegranate tree growing in her garden - as children, all we had to do was reach up and pluck one for a quick snack. I think on reflection, that the pomegranate is a very overrated fruit - there's an awful lot of pfaffing about to get an ounce of the good stuff. However, it sure looks pretty - both on the tree, and when split open. My mother found these four coral cabochons for me, and I decided to group them together into a pendant for maximum impact, as individually each one was only about a centimeter long. The minute I did this on a piece of paper, I was reminded of the pomegranate tree of my childhood. I clustered the cabochons together, and doodled around them with wire and crystals to try and recreate an organic 'tree effect'. A coral teardrop was added for movement - I love a bit of movement - otherwise the piece looses its dynamic, and is just a lump of metal and a few stones. Have a lovely weekend folks, it is Bank Holiday weekend here in the UK, and traditionally, it always rains on a bank holiday - I shall stay indoors with the cat and play with my beads. However, if the weather is more like it should be at this time of year, some gardening/ barbeque action may be on the cards.
Catch you next week, same time, same place xx Hello readers, I hope you are all enjoying the weather, which is slowly showing signs of getting warmer. It is so nice to be able to shed the heavy winter gear, and wear fewer clothes - can't wait to get to the point where the sandals come out of the cupboard and onto my feet. My mother went on a little tour of South India with her niece, and very kindly brought back some beads for me. I had asked her to look out for a string of Rudraksha beads - more about them later. The ones she sent are about 20mm in diameter, and I was a bit intimidated by their size, I had really wanted them a bit smaller. However, no one puts Caprilicious in a corner, and I decided to rise to the challenge. I made some polymer clay ruffle beads from a tutorial by Christelle Van Lingen, in a blend of red and gold, and put a necklace together with a copper electroplated oak leaf skeleton.
Rudraksha is a large evergreen broad-leaved tree whose seed is traditionally used for prayer beads in Hinduism. The seed is borne by several species of Elaeocarpus. Rudraksha is a Sanskrit compound consisting of the name Rudra ("Shiva") and akṣha ("eyes"). Rudraksha beads are often worn by Indian 'sadhus' or holy men, who are devotees of Shiva. In a complete about turn from the oak leaf necklace, I made a couple of light and pretty summery pieces to go into the English Country Garden collection - a little pendant - Primrose, and a necklace made of all the shiny, pretty floral elements I could find - The Summer Bouquet. The inspiration for this came from a throwaway comment by a presenter on last Sunday's airing of 'The Antiques Roadshow' while valuing a tiara - he mentioned that tiaras were often turned upside down and worn as necklaces in Victorian times - so I made a modern day tiara/ necklace - it is extremely light and pretty, and looks like a wildflower bouquet. Winner - Bead Barmy Readers Gallery Competition April 2013 Linda Jones, a well known and influential jewellery designer, and author, writes a blog for the WireWorkers Guild, which is a forum for people who love wire. She offered to feature me on her blog in May, and sent me a questionnaire. I filled it out, and she emailed me back - she was so complimentary, I have had a job fitting my head through the door and am literally floating around the room. This is a screen capture of her email What can I say - other than thank you, Linda Jones! And here it is http://wireworkersguild.blogspot.co.uk/2013/04/caprilicous-jewellery.html?showComment=1366967638186#c8771846690699081699 When I finally managed to come down to earth , I finished off the last piece I made this week and took these photographs of The Spirit of Ecstasy. The art nouveau wire work surrounding the focal was behind the idea for the name. The Spirit of Ecstasy, also called "Emily", "Silver Lady" or "Flying Lady", was designed by English sculptor Charles Robinson Sykes and carries with it a story about a secret passion between the second Lord Montague of Beaulieu, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902 and his secret love and the model for the emblem, Eleanor Velasco Thornton. Eleanor was John Walter's secretary, and their love was to remain hidden, limited to their circle of friends, for more than a decade. The reason for the secrecy was Eleanor's impoverished social and economic status, which was an obstacle to their love. John-Walter, succumbing to family pressures, married Lady Cecil Victoria Constance, but the secret love affair continued. Spirit of Ecstasy The rough cut black tourmaline gleams gently, and the severity of the black is relieved by the multi-coloured, shiny crystal spacers, and the graceful swoops of the wings of the focal. The polymer clay 'cabochon' is smooth, although its surface appears corrugated, and was made from a tutorial by Sophy Dumoulin of CraftArt Edu. I just love this technique - although time consuming, it is fabulous - and you have to wait till the absolute end, to see if the piece you have made is any good - for someone short on patience, it is a good exercise! The toggle clasp is pretty too, but this time, I put it at the back of the neck, where it should rightfully belong - when I tried to bring it to the front, as I do with a lot of pretty clasps, it fought a major battle with the focal, and lost. I consoled it by explaining that the back of the wearer is visible too, especially if she has her hair short, or swept up - or it could remain a delicious secret between the necklace and the wearer ( must be going doolally tap - I am now talking to a clasp!).
That's as much as I had time for, sweet people, I am exhausted by the repeated expansion and deflation of my head after all the accolades Caprilicious has received this week - and I know I will have to work hard to stay worthy of what has been said. Catch you next week, same time, same place xx Thank you to everyone who voted for my design 'Glacial Fantasy' in the Artbeads Jewelry Design Star Competition. It only went and won!! I am speechless and so, so, so, thrilled. I was informed by email, and they have had my details as well as a couple of other designs from Caprilicious for their website. When I hear more from Artbeads.com about the official announcement, I will let you know. In the meantime, I have another pair of earrings made, to complement Glacial Fantasy - the first two were not deemed 'delicate' enough, and I was politely requested to think again - the customer is always right - right? So.........
I thought Betty was a bit lonely, so I found her a friend - meet Barbara - she is a half bust, but what is especially nice about her is that I can insert an earring so I can get a good picture of the way the earrings dangle from the ear lobe. I had just made this pendant with a red banded agate stone, and I hung it around Barbara's neck - her neck is a bit scrawny, but, hey, anything's possible if allowed a bit of artistic license. The pendant looks huge around Barbara's neck, but that is because she suffers from turkey neck disorder, but one mustn't mock afflicted chickens!
CinnamonI played with polymer clay and alcohol inks and produced these faux red jade pieces from a tutorial by Lynda Moseley of Diva Designs. I love the large 25mm focal beads, with a floral etched pattern and I made a chrysanthemum type flower to be the pendant in this necklace. It is called Cinnamon because of the beautiful burnt sugar colour of the faux jade. The other alternative for a name was Creme Caramel - betraying my sweet tooth and secret gluttony - a Freudian slip, if ever there was one! Three strands of carnelian nuggets, held together at intervals by pewter spacers toned well with the focal pieces - a monochromatic necklace, which is quite rare for me - I don't know how I resisted the impulse to add a bit of green or turquoise blue, but I do like how Cinnamon came together in the end. From Russia With Love I made this necklace a few weeks ago, and I saved three rainbow titanium coated quartz needles to make a pendant and a pair of earrings. When they were made up the three little pieces resembled the Matroshka dolls sold to tourists in Russia - except, of course that I have attempted to match the earrings, as far as possible The quartz was mined near St Petersburg and has an extraordinarily beautiful sheen from the fine coating of titanium vapour wafted over it. I spent most of this week catching up on paper work and other stuff at the day job - sometimes it doesn't pay to have too much time off, everything is just waiting for you when you get back to the grindstone - no rest for the wicked!
I did have time to tidy up my website, move my necklaces around - I have new pages now - Chinese Inspiration, Out of Africa, and Leafy Glade are now added to a Treasury of Statement Necklaces, and all the other bits and bobs are grouped under Mini Statements - I believe that all jewellery makes a statement - it tells you about a woman's inner self and expresses her thoughts, feelings, and mood, sometimes, who she would like to be but finds difficult to express - an alter ego. I know that this is certainly true about me - what about you?? Have you ever thought about what your choice in apparel says about you to the world - a non verbal clue to those who might wish to detect what makes you tick! Have you ever thought what women who don't wear jewellery are saying - I think it may be that they don't want people to get clues to their personality - you have to work just that bit harder to know them and what their raison d'être is. That's all I had time to make this week folks, catch you next week, same time, same place, thanks for stopping by my blog, and once again, thank you for voting for my design in the competition xx This week I had a couple of days off from work, so I decided to try out some new stuff - I love colourful jewellery and there is no one who uses colour more successfully and with more panache than a polymer artist called Alice Stroppel. She has a tutorial for pen and ink drawings on polymer clay, and I got this from her in an attempt something different - I hoped I hadn't bitten off a bit more than I could chew, but felt like I ought to stretch myself a bit at a time, and add another dimension to what I do. Anyway, here I was with this tutorial and after a few panic attacks and a lot of procrastination, I made two bracelet blanks - and got on with it. I say this blithely, as if it was a smooth transition from reading the tutorial to the execution of the piece, but I am a past master at putting things off - it took me four days to get to actually starting up (and I will admit, I was a bit - no, a lot, scared of making a complete idiot of myself) and three days to ink the second bracelet, bit by bit. I kept the first bracelet simple, with flowers made of Millefiori canes, and with the leftover cane, made a pendant to match. The pen and ink bit was kept to a simple colourful stripe - I told you I proceeded gingerly! While these were curing, I made a couple more conventional bangles, which fulfill my love for colour. Canes are also new to my repertoire, but I think I am just about ready to make some simple ones now - it takes a while to get used to a medium, and I think now is the time to dip my toes into deeper water. As you can see, I have relied on colour and texture with the bracelets below, but they do make a colourful splash. Leaf on the WaterWhile proceeding very gingerly with the bracelets, I made some stuff I knew I could turn my hand to, almost as if I needed just to reassure myself of my abilities, in case I fell flat on my face. The picture above was my inspiration for Leaf on the Water, a necklace made with rectangular Peruvian opals and a Maple leaf skeleton pendant. The leaf skeleton has been electroplated with 9 Carat gold, and is a work of art by nature. The soothing blue of the opals seemed to suggest a seascape, and I added a couple of shells and a froth of little beads and crystals to signify the foam on the waves. It turned out to be a piece of jewellery that can be worn by day as well as night. Another idea I approached with caution is the Flat Wire Twining lesson by Mary Tucker - she makes flat bracelets with what seems like hundreds of pieces of wire in a weave that resembles fabric, and basket weaves that are very realistic. I am terrible for trying to run before I can walk, and become disheartened. I was quite determined this time that I wouldn't let that happen. I made a three dimensional wire pitcher, with 'water' pouring from its spout. Hung on a simple black waxed linen cord, the pitcher looks like it is spilling water down the décolleté. The Lotus Eaters While in my craft room( sounds less swanky and up myself than 'studio' don't you think?), I made a few faux ivory flowers. When I finished sanding and buffing the flowers, I teamed them with turquoise beads into a little bracelet - my muse must be on a bracelet making jag , there are that many rolling off my production line, these days. I am a mere vassal, following where Ms Muse leads! The Button ProjectDid you know there was a silk industry in England - in Macclesfield, no less - no? I didn't either. Annabel Wills, Silk Museum curator says: “Macclesfield was the heart of the UK’s historic silk industry, and silk-related businesses are still active in the town. Handmade silk buttons were where it all began: from a cottage-based enterprise, it grew into a flourishing silk industry and helped make the town what it is today. This exhibition will celebrate that history and allow contemporary artists to exhibit and sell their beautiful buttons.” The Silk Museum has organised a Button Exhibition and invited artists to submit buttons to be displayed in a curated exhibit. I have expressed an interest in submitting an entry, and hope it will be accepted. The buttons are required to have a link to the themes of heritage, or metamorphosis, and I have been wracking my brains to come up with an idea - that will be my project for the weekend. Obviously, I will share it on this page first, once the project comes together. I have always loved embellishment - in my opinion, the fillip a pretty button, or a bow, or a bit of edging gives to an outfit can be the making of it. My mother had boxes and boxes of pretty buttons which she carried back to India from the UK and hoarded jealously - my sister and I used to knit our own cardigans and used up a lot of them in our twenties. If these buttons are pretty, I might just jazz up some of my suits with them, or, if you like them and want them, let me know, I will be only too happy to let you have them. The Girl from IpanemaThis was a song recorded in the mid 60's and was an instant hit, and is the second most re recorded songs in the world, after 'Yesterday' by the Beatles. It was inspired by a real woman. .......Heloísa Eneida Menezes Paes Pinto (now Helô Pinheiro), a nineteen-year-old girl living on Montenegro Street in the fashionable Ipanema district in Rio de Janeiro, Brazil.[5] Daily, she would stroll past the popular Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers watched the girl pass by the bar, and it is easy to imagine why they noticed her—Helô was a 173-cm (five-foot eight-inch) brunette, and she attracted the attention of many of the bar patrons. Since the song became popular, she has become a celebrity. http://en.wikipedia.org/wiki/The_Girl_from_Ipanema
I used the tutorial from Alice Stroppel again, with the second blank bracelet I prepared earlier, and spent a day creating a pen and ink drawing of The Girl from Ipanema - an hour into the process, I began to enjoy myself and have a lot of fun, and that shows through in the drawing. She has beautiful pale blue hair - I just wish I could colour mine blue too, but I think I am bit long in the tooth for that - and besides, my day job precludes such eccentricities. This was a very work intensive project, with the bracelet blank to be made, then drawn upon, and then inked, with the inks needing to be set at each stage, so that they did not smudge. Finally, when I was happy, the bracelet needed covering with a film of protective coating and cured again, so that the inks are preserved during normal wear - I had a lot of fun doing it. This cuff took a lot of my time, but I didn't mind at all, it was so much fun to make. I have made up a few more blank bracelets in various colours, and will, from time to time, play with inks again.
That's all I had time for this week, folks, catch you next week, same time, same place, xx What's in a name? that which we call a rose People have often asked me how and why I name my jewellery, and occasionally, when short of inspiration, I have berated myself for starting this, my very own little tradition. However, mid moan, even I have to agree that it is better to have a query about a piece with a name - than have someone ask me -' how much is SC24590? '. I have now been doing this consistently for an year, and have now got quite used to it. It gives a piece a character - sometimes, I design the piece to look like a concept I have dreamed up - and sometimes, the piece is made, and then I look at it and a name comes to me. This usually happens fairly seamlessly - and the few times I have been unable to find a name for it, I have realised it was because I was not happy with the piece for one reason or another, and have taken it apart. Ergo, if I cannot name it, it will not be allowed to exist ( insert a throat slitting movement of the right hand here). I love tutorials - freebies are nice, but when folk take a load of time to photograph every little step, and make a living out of teaching all they know, I am happy to support them. Most times the tutorials work out and make life so much easier - who want's to waste time reinventing the wheel?? CraftArt EDU is a website that has all sorts of tutorials, and I indulge in them on and off - one such was a tutorial by Sophy Dumoulin for hollow polymer clay fossil beads. I spent an enjoyable evening making four beads - when finished they looked like dragon eggs - I imagined incubating them in a warm place only to find a baby dragon tapping it's way out of the eggshell - that's how the name Dragonseed was born. My buffing wheel truly came into its own and the beads have a lovely soft sheen. I was dying to make them up into something, but had to wait - I had some very dear friends visiting us over the weekend to help celebrate our wedding anniversary. A couple of weeks ago, I mentioned the painting I bought for my (most definitely) better half, from Kalyani Ganapathy. It came back in a lovely shiny black frame and I am pleased to say that Mike loved it. We are running short of wall space, but we found a little niche for it - I have a little nook with a little pressed glass plate from Iceland which resembles a geyser, an antique Victorian plate, a silk rose and a metal frog with an emergency cigarette in its mouth on a plinth made of a single piece of oak - an eclectic collection of whimsical objects - and my pomegranate fish fitted in there as if they were painted for that little corner. Have a look at Kalyani's Facebook page - https://www.facebook.com/kalyaniganapathysart?fref=ts It is filled with grown up whimsy, and the colours are so fabulous, they send my right brain spinning with delight, my heart aching with lust to acquire more and my fingers itching to get to my credit card! My mother, who still takes painting lessons at 85, was a bit peeved that I paid for a painting - she probably reckons ' why pay for something when she could do it at home with a smaaallll aubergine' .... a classic line from Goodness Gracious Me, one of my favourite TV series. This particular sketch is a parody of Indian mothers, every one, bless them - but my answer to that is there's aubergines, and there's AUBERGINES - and this one is an AUBERGINE!! Thank you, Kalyani Ganapathy! DragonseedI decided I would wrap the 'fossils' in wire, rather than drill holes into them and hang them as pendants ( I think I am still secretly afraid of the Dremel - but I'm not telling anyone, including me). I wrapped them in copper wire and enjoyed making the curlicues and spirals I learned from Rachel Murgatroyd at In The Studio, many moons ago - the pendants are large at 3.5 to 4.5" long, but light and pretty, and, most definitely different! TanitaThis must be the week of the dragon for Caprilicious - I found this wonderful black Hetian Jade Chinese pendant in the shape of a dragon - black jade is actually a very dark green, and comes from the depths of the earth where lava has solidified with mineral inclusions such as carbon and iron. Hetian jade is best known as 'mutton fat jade' when it is a creamy white, and can be very expensive. The black form, though less expensive, is still very beautiful, and I found this pendant in my quest for unusual shapes and colours. I teamed this pendant with green aventurine and faceted onyx beads in a two strand necklace. The name Tanita derives from Semitic roots meaning "serpent lady" - the ultimate serpent being the dragon, of course. This was also the name of the Phoenician goddess of love, fertility, the moon and the stars. My friend's daughter whom I have known since she was knee high to a grasshopper (Omigod, I am old enough to say that - and for it to be true!) fell in love with a pair of earrings made with the wings of the Thai Jewel Beetle (or Sternocera aequisignata, when it's at home). Both my friend and I thought she might have been squeamish about the fact that the jewellery was made out of insect wings, but, no, to my surprise she even asked for a necklace to be made to go with it! The wings are weightless and rustle pleasantly in a beetlish (!) manner, and I came up with a simple but effective design for a single layer of wings around her neck. As her hair has been coloured green recently - it should look perfect on her - I hope she will send me a picture when she wears it. That's all for this week folks, thanks for stopping by - catch you next week, same time, same place,
Have a good weekend, xx Hello all, hope you are having a better time of it than us in the UK - it is freezing outside with plenty of snow on the ground, ice underneath and more blizzard conditions predicted. The supermarket shelves were empty as Britain prepared to hunker down and stay warm in siege conditions - fortunately, I was off during the worst of the bad weather, and stayed home to play with my beads and wire and clay - what more could a girl ask for?? This is our little effort to keep the fauna outside fed ..... and this is Frosty the snowman's table - look at the undisturbed cake of snow on it - all in one morning!! - The pictures are grainy because the snow was still falling - it was cold enough for icicles to form on the edge of the car door. I received a package in the post with some weather appropriate items - I had collected some leaves and had their skeletons electroplated and made into pendants - I found a fabulous company in Scotland who will electroplate anything - even a human being if they stand still long enough! They do a good line in plating babies' first bootees and suchlike items. They made these most amazing pendants for me, and I shall be making them up into jewellery in the coming weeks. The leaves were all picked up during walks in and around the grounds of Coombe Abbey in Coventry - I just love that ex Cistercian monastery (who said there's no money in religion??), and the hotel now attached to it. Each leaf is only tiny - about one or two inches long - I wasn't sure how it would look and this was a trial run - I think they did a fabulous job, don't you?? Next time, I shall get a mix of tiny and larger leaves so I can make earrings as well. I shall call this series 'The Leafy Glade' - just so they can be found easily on the website, and on the Facebook page. I made my first piece of the Leafy Glade series with a silver birch leaf and fluorite cubes in grades of colour - the deepest purple to a pale sea green, with lucite Miracle beads in between - these beads are coated on the inside with a special substance, and this seems to make them glow in artificial light - amazing stuff! Various crystals and garnets were wired to the bail, to provide some movement to the piece. Snowdrops Tiny, 0.5" long bead caps were fashioned out of wire - and turned three dimensional by bending the petals outwards - hung on extra long stainless steel kidney wires - these are an hypoallergenic alternative to silver, and Hey Presto! Snowdrops! They are pretty, though I say so myself - I would wear them, except my ear lobes cannot take even the slightest weight and tear ever so easily - how I long to wear the chandeliers I make - but instead, just have to look at other people in them and drool over the loveliness of it. The snow meant that we were voluntarily housebound for four days - well, the weather was so awful, we just stayed in and kept warm. That meant I could hit the pasta machine and play - with clay. I made some 'potato chip' spacer beads - these look like what it says on the tin - potato chips - or for those in the UK - crisps, especially since I made them in a dull gold colour. Just to make it a bit more complicated, I imprinted a stamp on them (and practised what is known as 'Mica Shift' in the polymer clay world), and then figured out how to shine them to a glassy finish without using varnish - I love this medium - so many challenges. I was quite pleased with them when I finished, and put them into a necklace with some roughly faceted black tourmaline. Apparently, ruffles are the way couture is going in spring ( and now I am a Fashionista?? - is there no end to my madness?? - no, don't answer that!!) and this necklace fits the bill - the polymer clay 'chips' look just like golden ruffles. Kyanite is such a beautiful, ethereal blue, almost pearly - when put into silver tone jewellery, it has a cold, almost icy effect. I thought I'd try it out with the warmer tones of a copper maple leaf. As I put the necklace together, I was transported back in time, walking in the grounds of the Abbey, picking and discarding leaves to bring back home to dip in chemicals to bring out their skeletons - and I remembered the bee that had been buzzing around on that sunny morning - almost the last bee of that year, so I decided to add it to the necklace - a wire bee, of course, with gauzy copper wings, that I eventually attached to the bail of the pendant, and threw in a few pressed glass flowers for good measure - a bit of whimsy - and of course I couldn't resist the pun - the necklace is called BEE HAPPY - sorry! Bee Happy That's me for this week, catch you later, same time, same place
xx Happy New Year to all of you, my readers. Now that we have survived the end of the world, we'd better make a good fist of it - so, onward and upwards we go! One of my presents from Santa was a book about Salvador Dali - I love the wackiness of the man - he even created some pieces of jewellery - he treated them as mini sculptures, which of course is what they are - and I thought I'd share a few pictures of my latest inspiration with you. Mine of course, was made out of wire, an aventurine bead for the green iris and a couple of crystals. It is called JEALOUSY- the green eye lending itself readily to the title - and of course, the crystal tear drop -there are plenty of tears associated with that particular emotion! It is to be worn as a pendant, although it can easily be converted into a pin. I didn't think anyone would want to wear it on an eye patch, that might just be going a little, teeny weeny bit too far! The pendant is made out of two long pieces of wire, bound by another extra long, slender wire. Fun to make, although extremely fiddly, all those wires wanting to go every which way but where you want them to! I picked up a two foot length of copper enamelled non tarnish wire and made a Chinese PIPA knot which I embellished with beads - it was so pretty, I made another and paired them into earrings. I love Chinese knots, but they are very difficult to put together - sometimes the instructions sound like they are in double Dutch. I would love to find someone who could teach me on a one to one basis, but in the meantime, these are what I can do .............. I read up on the history of knot making in China, essentially a folk art. When I was there, every gift, every wine bottle, came with a tag made of knotted cord. Wire of course is another entity altogether - it stays put when bent into a shape - but if bent into the wrong shape - OMG!- near impossible to tidy up invisibly, so..... practice, practice, practice is the key. ..........endless and repetitive pattern evokes one of the fundamental truths of Buddhism and the cyclical nature of all existence. In essence, knot work serves to create an atmosphere of well-being, good luck and health, longevity and harmony. As gifts, they are emotional, sentimental, and are often keepsakes between lovers and friends. http://www.co.middlesex.nj.us/culturalheritage/chineseknotting/history.html WaresaWaresa, or to give her her full name - Mbaba Mwana Waresa is the Zulu goddess of rain, rainbows, and is credited with the invention of the fermentation process and therefore, beer!! (probably a cooking experiment gone wrong or a long forgotten drink taken out of the cupboard and served to her menfolk inadvertently) - my kinda Goddess!! This pendant, also a wire knot, was affixed to a copper frame which was embellished with tangled fine black wire and silver lined seed beads to resemble raindrops. A beautiful lapis lazuli faceted oval sits in the middle of all of this. I hung it on a leather thong, embellished with copper wire curls at each end. This is a large but light piece, and can easily be worn with jeans and a jacket during the day, or on bare skin, at night. For some reason, I seem to have gone all tribal on me - but I just go where my beautiful muse takes me - I'm easily led! AphroditeAfter the holidays, I received a little parcel with a little rectangular piece of labradorite in it - the colour of the piece captivated me, and it went straight into this pendant. The stone is surrounded by ruby quartz beads, and copper wire lace, both the pendant and the lace resemble the sea foam - Aphrodite, of course was the Greek goddess of love, who was born out of the sea foam -and she was known to be a beauty by all that looked on her. More EarringsThis was meant to be a 'take a break, have a Kit Kat' period - but I am absolutely bonkersly obsessed - wire, beads and tools attach themselves to my ankles as I walk by, begging to be joined together in holy matrimony - hence all the little bits of jewellery that are on these last few blogs - only to keep the whine of the beads quiet. Now, I am left with a little pile of pendants and earrings that have been photographed and set aside, and will have to find a place to put them away before they get stomped on by a galumphing husband or eaten by a hungry cat! These are a few earrings I made - as you can see, I made simple dangles on frames I bought earlier, and then the wire wanted in on the act, so I had to wrap some more crystals around the edges - pretty, though..... So, this is what I made in my 'rest' period - I have been itching to get my hands on some of the beautiful gemstone beads I bought, and Nepalese pendants - I have at least six of those, and learn a new modern style of wire work from a lady called Lilian Chen and... and.... and... - there will not be enough hours in the day for all that I want to do, and all I have to do at the day job - it certainly promises to be a lot of fun. Do stay with me through the year, wont you, and I will do my best to entertain you.
See you same time, same place, next week xx Christmas is here folks - by the time I write next week, the goose will be well digested and we will be looking forward to the New Year! Here's wishing all of you a Joyous and very merry Christmas and a wonderful New Year. Melusine, the lady dragonMelusine was a fresh water sprite in sacred springs and waters around Luxembourg. This tale, from medieval times, told by ladies when they sat spinning at their looms claims her as an ancestress of the rulers of Luxembourg, who magically made the castle of Bock appear the morning after her wedding. On her terms of marriage, she required one day of absolute privacy each week (only one???). Unfortunately, her husband could not resist temptation, and spied on her in her bath - she was discovered to be a mermaid! When he let out a surprised shout, her bath immediately sank into the solid rock, carrying her with it. Melusine surfaces briefly every seven years as a beautiful woman or as a dragon, holding a small golden key in her mouth and legend would have it that whoever takes the key from her will set her free and may claim her as his bride! I used her as inspiration for the necklace that bears her name, of beautifully marked, glamorous, tactile dragons vein agate rondelles. The addition of sparkly crystals as spacers made the sheen of the gemstones even more prominent - I love this necklace. RemyThis one is yet another 'wear three ways' offering from Caprilicious - the abalone clasps I have in my stash have green, purple and a golden yellow colour to them, and I have already made necklaces in green and purple - this is the golden yellow one - the colour resembles fine cognac, when poured into a crystal brandy balloon - all warmed up and ready to slip down your throat like honey. More Arabian Nights DreamsI hate the thought of being a one trick pony - stringing beads onto a pretty clasp is a lovely way to get instant results, but I'd get a bit bored if I did that all week - so, I alternate making up necklaces, wire work, claying (clay - polymer and precious metal) and now enamel. I don't mind admitting, I am not enjoying the enamelling quite so much, especially after my last debacle! Mike laughs at me - he says I think I should have been born with a perfect skill set - I don't enjoy the learning curve - maybe he is right. Next year, I shall set aside one weekend every month to play with enamels - till I get it right. Just now, it's a bit of a sore point. So, I went on to play with wire - a couple of weeks ago, I set out to make a pendant in the shape of a lotus - it took me a while, and some very sore fingertips, but I cracked it. The pendant ended up extremely colourful, with the addition of loads of coloured alexandrite, apatite, jade beads, and onyx danglers, and instead of just leaving the pendant as a stand alone piece, I hung it on a necklace made of tektite - meteoric glass, from Australia, and freshwater pearls. I particularly like the tactility of the tektite - and of course the rough, sparkly centre of the druzy cabochon. It's All Coming up RosesI have a fairly sizeable collection of rose quartz in various shapes and shades of pink, and decided to use some of it - pale pink is a very subtle shade and difficult to design with unless the wearer is a Barbie doll. It is extremely easy to design a piece for myself, but as I am not a Barbie, I needed to think outside the box to come up with these two designs. Now that they are made up, I think the chunkier one would be what I would instinctively pick in a shop, if I had to buy pink - the addition of the bright colours in the spacers would appeal to me. I made the spacers in both necklaces myself out of wire and some fire polished beads. I do like Rosy Posy as well - it will be interesting to see which one gets picked up first, and by whom - watch this space.................... I spend as much time looking for fancy clasps, as I do beads and gemstones, as I think that often a clasp elevates a piece of jewellery from the ordinary to something special. The other side of that coin is that I design my jewellery with the clasp as an additional focal point - and I think you would agree that the butterfly in this necklace deserves to be seen, sitting sweetly on the shoulder of the wearer. Last Tango in ParisIn a complete departure from the 'pinkness' of the last two pieces, I made use of some cinnabar beads I happened to have lying around - I meant to make one necklace with red and black elements, but in the end, two of them emerged - can't think how that happened. The combination of red and black is so aggressively sensual, that it brought to mind a Tango - The Last Tango in Paris, Bertolucci's beautiful film with the fabulous Marlon Brando. Cinnabar beads are made of a soft wood that takes a heat impression, so the beads have some very detailed design work imprinted on them. I added lava rocks and a couple of large bean shaped crystal beads, to add interest. Flavia Cacace and Vincent Simone are Tango dancers par excellence and we were lucky enough to watch them live in a show down in London last year - I have a little clip for you here that illustrates the power of red and black when put together - sizzzzzle....... Every day this week, a bit at a time, I wrapped a pyrite chunky fan shaped nugget with antique brown wire, added gemstone beads, dangles and embellishments till it begged me to stop - no more, please, it cried - I was surprised, as I had planned many more additions and curlicues and beads, and..... and..... and.... But, I heard the piteous cries of the pendant, and let it go - last seen, it was on a simple memory wire choker, legging it in the direction of my storage box - I wouldn't admit this to anyone but you - in the end, it seemed like it was right to stop me from over egging the pudding. I thought I would take a short break over the next couple of weeks, and chill out over Christmas - at least that was the plan, but I found that my fingers developed a mind of their own - pliers and snips seemed to attach themselves mysteriously to me! No matter how much I try, I can't seem to get away from them - I tell you, it is an addiction!! So, I gave in and decided to make up some earrings, to replace the ones I sold at Caprilicious' birthday bash - I shall take my time photographing them and uploading them onto the page - perhaps as one lot in January. By request from some of my favourite customers, I have put on a Boxing Day Sale for a week - please have a browse and message me with the name of any piece you like and I will invoice you with the discounted price.
Have a fabulous Christmas, catch you next week, same time, same place xx |
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