Welcome, readers, to the Friday Caprilicious Blog, where I diarise my romance with statement jewellery. To me, it is not enough to make jewellery - that would make me merely a technician - I want to design, make as many of the components as I can myself, weave a story around the finished piece, and produce a degree of romance, which engulfs the wearer of jewellery by Caprilicious. I know that some people conceptualise their jewellery and send their drawings away to artisans to have them made up - but oh no, that's not for me, I like to do all the making myself.
Romance is at the essence of every piece of my jewellery, be it from me falling in love with the stone or beads, and telling you a tale to make you love it enough to want it, or even each time you pick it up out of the box with a smile on your face and wear it to embellish your beautiful self.
Rose tinted spectacles?? Yes, my muse has them on this week - I have been reading By Grand Central Station I sat Down and Wept by Elizabeth Smart - I read a review on the dust jacket that said the book was like Madame Bovary on speed - I felt like I was walking through a thick fog, my feet mired in the swampy syrup of love - this is not me at my most pragmatic, normal self, and I am sure the effects will wear off by next week. Why was I reading the book?? I've no idea, it just seemed like a good idea at the time.
But, while I felt this way, my muse has been infected by the virus of romance and these are the results ..................
"Kashmiri Song" is a song by Amy Woodforde-Finden based on a poem by Laurence Hope.
Pale hands I loved beside the Shalimar,
and it ends, all romantically morbid, and lovesick ( I assume this chap is still talking to the 'Pale Hands')..........................
I would have rather felt you round my throat,
This was a poem/song written in 1901, and you can just imagine the gentleman pining for his lover, who by all accounts seems to be a bit of a goer - leading men down 'Raptures roadway' before discarding them and moving on quickly to her next victim. This necklace, named after the Shalimar gardens, built in Kashmir by the Mughal emperor Jehangir for his wife Nur Jahan, was made for such a mood - romantic and seductive, worn at night to bring a glow to the complexion.
The mother of pearl pendants and little amethyst nuggets complement each other and convey romantic wistfulness to the observer.
For some reason, my muse has decided to go festive this week - perhaps she senses the 'C' word - yes, there are only 103 days left........bring on party time!! Opalite beads glowing gently are teamed up with clear crystal, coated with an Aurora Borealis sheen to make another pretty and romantic necklace.
I recently picked up some beautiful agate cabochons - the depth of colour in these stones is amazing - they are a deep purple, with veins of orange and blue, and I fell in love with them instantly. I wrapped each one in miles of copper wire, two of them went on organza ribbons, and the other two into necklaces. Although all four of the stones are cut from the same rock, I gave each of them their own treatment, taking into consideration their shapes and the pattern on their faces. Handmade lampwork beads in a deep shade of crimson complemented the colour of the stones.
At this point, I decided that I had had an overdose of romance - so I put my foot down with a firm hand and gently led my muse away, before she made a complete fool of herself, the soppy thing!
My little kittens are very keen to help in my jewellery making - they especially love wire, and their teeth are so sharp, I could probably use them as wire snips if I ever ran out, provided I could train the cats to cut the wire where I needed them to. They also have a very short attention span and fall asleep on my bead tray while I am working, so it is a wonder that I have actually produced anything at all.
The Promise of Autumn
The lampwork beads in this pendant are handmade and came from a stall at the Newmarket Bead fair - I went there last year with my friend BN and found these really pretty handmade beads. The beads are in a pretty green, with a stripe of red/orange and yellow running through the centre. The design is by Nicole Hanna and meant for earrings, but I felt that the piece was too heavy for earrings so converted it into a pendant.
Heavy Earrings and how to Wear Them
This is for people who feel they cannot wear earrings because their earlobes are too fragile, or torn from many years of ear lobe abuse - yes, there are many of us around, missing out on the old danglers - well, now, here's help - there is a product called Lobe Repair - a tiny skin coloured adhesive patch you put on the back of the ear lobe and pierce with the stalk of your earrings or ear wires. I have tried it and it does work, provided you do not wear the earrings for too long - just enough to party for a few hours, perhaps. They aren't very expensive and are invisible, if anyone wants to give them a go. I have ordered some and if anyone wants a few to try, do let me know.
This is along the same principles as the Indian chains used to hold a heavy earring up into the hair or even around the ear. These perform a dual function in being ornamental as well as suspensory, but obviously cannot be used with contemporary styles or ear wires.
So, there you are, Cinderella shall go to the ball in her beautiful danglers!
That's all I have for you this week, catch you next week, same time, same place
Hello readers, thanks for dropping by. We've had some wonderful weather in the UK and the garden is coming along nicely, although it is way away from being at top dead centre. I have been out and about with my camera, recording what is for us, spring in full cry.
This is my neighbours Laburnum tree - it is beautiful in spring, and then fades away into obscurity for the rest of the year - but isn't it just so beautiful??
My muse decided that I would go back to my roots this week. The first piece I felt compelled to make was with the last of my Nepalese pendants - that reminds me, I really ought to go and hunt down some more.
I found the pendant in my hoard, and teamed its coral and turquoise inlay with bronze shell pearls, blue dyed jade and red agate - the birth of Zeenat, which means decoration, or adornment in Arabic.
Mushika and his Master
Ganesh, the Elephant God has the head of an elephant and the body of a man. The story my grandmother told me about this was that one day Ganesh's mom was bathing and she had asked him to mind the door against intruders. Halfway through her bath, his dad wanted to come indoors, and was refused entry by the lad - his insolence irritated his dad ( who was well known to have anger management issues) so much, that he cut off his head in a fit of pique ( he did much worse things when he was really riled! although in the picture he looks like butter wouldn't melt in his mouth). There were no social services in those days, unfortunately or dad would have been in BIG TROUBLE.
Mom then gets out of the bath, humming to herself, and is horrified when she sees what has happened to her darling, obedient son - she threatens dad with murder and mayhem, and following a ding-dong row, he agrees to put things right and is issued with a high decibel deadline .....'or else'.... - he sends someone out for a new head - the half blind idiot who went looking (the calibre of servants was shocking in those days) brought back an elephant's head - the deadline was upon him and dad thought he'd just stick the head on and hope for the best, maybe even hide mom's glasses so she couldn't see too well........and the rest is history! Ganesh is known to love his food - well, you would comfort eat too if you were a cute little boy one day and this happened to you - and besides, he is half elephant, and everyone knows elephant's eat a lot (that's his excuse and he's sticking to it).
As for Mushika, he was once a beautiful and vain celestial being, who got on the wrong side of a sage and was turned into a mouse for his pains! He made such a nuisance of himself with his bad behaviour (everyone knows that mice are ill mannered), that eventually Ganesh caught him and decided to sit on him much like other children ride on their dogs. Poor Mushika was in deadly danger of being squashed to death by this portly elephant/child, and begged him to loose some weight - but we all know how hard that is, so by a sleight of hand, the elephant god made himself lighter (wish I knew how to do that) whenever he rode the mouse, and they lived together happily ever after.
I managed to run through approximately 2 Kilos of wire and had to send off for new supplies - this is in addition to the fine weaving wire, and the silver wire I have used over the last year and a half.
I brought this piece of glass back from Murano - it looks like someone has dropped a pebble into a body of water and made a SPLASH! Embellished with miles of wire, it makes a beautiful pendant.
I am now officially the jewellery designer for Look in the Bag's new collection of silk scarves. They are a small company, founded by a graphic designer and her husband. She draws and paints the designs and then transforms them magically into silk scarves - well it is magical to me, because I have no idea how it is done - probably child's play to her! They market the scarves, each with it's own little bag and a piece of jewellery to match, on their website - I have bought some as gifts myself, and am proud to be associated with the brand. Andrew, has some fantastic tales to tell about the 'models' who wear their scarves ( He's definitely a budding novelist), and Neelam designs the scarves and draws all the illustrations - I just love the whimsical way they present their wares.
Here they are, worn by Neelam's models - my photographs are from the ones I sent out for approval as I went along making the collection to her specifications.
I made them up one design after another earlier on in the year, with Neelam abroad having the scarves made up to her satisfaction. I must acknowledge 2good claymates for the fabulous tutorial they posted on their website, from which I took some of my ideas for the scarf jewellery.
The photographs of the prototypes went back and forth, till we agreed on the design, and I made the requisite number up for her. Each time I made one of the pieces, I fell in love with the scarf and decided that I was going to have to buy it - until the next one! Fickle, huh??
That's it for this week - hope you've enjoyed the read - have a good week, and see you next week, same time, same place
I'm Neena Shilvock, and I'm crazily addicted to jewellery. I've been designing and making quirky and interesting statement necklaces for the last five years and my passion hasn't cooled off one little bit - in fact it has got worse, such that I'm even dreaming jewellery.
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I would love to hear from you - please leave a comment on the blog or send an email to jewellerybycaprilicious(at)gmail.com
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