Hello readers, I hope the summer is treating you well - here in the UK it still hasn't caught up with us, but we live in hope, now that June is here. The foxgloves, whose seeds I collect from seedheads in the garden and strew around the garden and on the bank opposite the house every year, have come up and look ever so pretty. I'm not sure who the whimsical person was who named the flower, but I can just imagine Mr and Mrs Urban Fox - and there are at least two of them in the park opposite our house - slipping their paws into the flowers and going off, tripping the light fantastic, arm in arm.
So with that bit of whimsy at the forefront of my imagination, I set about making this weeks pieces - advance warning--- a lot of them involve flowers.
I bought strings of clear quartz beads in India in a prayer shop - they were strung into a 'Mala' which is meant to be an aid to meditation and prayer, clear the mind and get your chakras spinning. I'm afraid I bought them because they were pretty and shiny, and paired with pewter daisies, tiny turquoise beads and a very lovely turquoise clasp worn to one side, they make a very pretty necklace. If it helps the wearer with their psychic health, well, that's an added bonus, but I cannot vouch for that particular outcome. I had to string the third strand while wearing the piece and looking into a mirror, to get the daisies in exactly the right place, so that they would hang at the bottom of the necklace when the clasp is positioned to one side. It took me ages, to get the positioning just right, and Kevin and Betty looked on in amusement while I struggled - I couldn't use either of them as I needed to have the necklace on a 'real' person to get it just so.
Hand carved turquoise roses and teardrops are assembled using bead weaving and knotting techniques in this very different necklace which sits close to the base of the neck.
Necklaces with Afghani Pendants
I had two last pendants in my most recent delivery of pendants from Afghanistan and I made polymer clay beads to go with them over the weekend. As I had all the canes made and stored earlier, making the beads was quick and easy and the necklaces almost made themselves once the beads were ready.
Bright and sassy, the necklaces in the Tribal Bling section are able to effortlessly go from day to night, and from Eastern to Western attire - one just needs to be brave enough to wear them. I have strung them on two strands of beading wire so that although the pendants are heavier than most focals, the necklaces are robust and will take everyday wear and tear.
This is my little kiln, and I have ignored it for a while - I am always trying to run befor I can walk, and then, when I have a spectacular failure, I retreat to lick my wounds and the technique that unwittingly caused me grief gets put on the back burner.
I decided to break my duck and try some simple designs again. Having cracked a 20 gm packet of Precious Metal Clay in 99% silver, I made three pieces of jewellery, and these worked out more or less how I wanted them to - maybe I'll play some more!
I combined a piece made with silver with a polymer clay and resin 'cabochon' made with inspiration from a class taken with Debbie Carlton. The polymer clay is embellished with silver foil and the pattern on the clay looks like raindrops hitting parched earth - hence Summer Rain. I made earrings to match with a piece of leftover clay.
I hope you've liked what you've seen this week - do leave a comment and tell me what you think. That's a wrap for this week folks, catch you next week, same time, same place
Hello readers, this week I have spent some time thinking about the essential Caprilicious Woman - the woman who wears my jewellery. I was idly looking at photographs I have taken of the jewellery I have made over the last couple of years and I realised that the jewellery on the website is extremely eclectic - there doesn't seem to be a theme running through it.
For instance, some websites I have looked at have sweet and simple, very pretty pieces that appeal to someone who dresses like a fragrant rose. Yet others have large, bohemian pieces that are a cross - cultural patchwork for people who like to dress in a more exotic manner.
The Caprilicious website, however, caters to both these tastes - in fact they may be the same woman in two different moods, on two different days. That, in essence is what a Caprilicious woman is - someone who cannot be corralled into a box, a blithe free spirit who changes her attire with her moods and looks great in all of them! A bit schizophrenic, you say?? You might think so, I couldn't possibly comment!
Why the introspection? Well, I made some sweet and pretty floral earrings in one half of the week, and then the wind changed, and so did my mood - and out came Oshun - a very tribal piece of jewellery.
As I've mentioned before, I tend to make jewellery while watching the telly of an evening, much like a knitter, and I lay the finished piece out on the coffee table till it is photographed and ready to put on the website.
I caught Mike standing at the table one morning, and he said he couldn't believe the same person had made the two pieces of jewellery - that got me thinking ....I just wondered what on earth was going on in my tiny mind that I could find both pieces of jewellery equally engaging - and then I realised - that's what a being a Caprilicious Woman was all about.
I bought these really pretty orchids - and my house elf promptly stole them from me - I turned the house upside down looking for them - I've even mentioned the story on my blog - and then one day, there they were - just sitting on the side of my table, as if butter wouldn't melt and they'd been there all the time. But I know better - I know it is my malign house elf playing games with me - so to foil him, I made them up into jewellery ( he doesn't like made up pieces, only components!) and having photographed them, put them away in my cupboard - aha! take that, malign house elf! Kapow!!
I have been trying to make Ranunculus flowers out of polymer clay - and ending up with only mush - but finally, finally, I made these really pretty flowers that actually look like ranunculi. You can't see it very well in these pictures, but each layer of petals is in a different shade of the same colour.
The Kaleidoscope Saga
This story started with a polymer clay cane I made for a friend - she was picking a design for a commissioned piece of jewellery, and this cane was a reject. I hate wasting stuff, so I put together this kaleidoscope cane, and made a bunch of earrings with it - the last one was made with the end of the cane, turned into a swirly bead. I stuck a spike on it, and connected them with some wire - here it is....
Dog Rose Earrings
I made these flowers in my kiln last year - but didn't know what I wanted to do with them. I wanted them to be different - but what would make them stand out from the earrings made by everyone elas?? - it took me an year to figure that out. I am very proud of them because they are entirely handmade - well, I bought the tear drop shaped jade beads - but you knew that - you didn't expect me to go rock hounding as well as everything else, did you??
Anyway, I finally decided that the addition of colour would make them 'pop' - and that word immediately brings to mind polymer clay, which is quintessentially mouldable colour. The ear wires were made with 20 gauge wire, hammered and polished, the headpins to carry the jade drops made with the same wire. So here, I present my very first entirely handmade pair of earrings..... (drumroll)................
Once I made these, I was on a roll - I had a pair of hydrangeas which received a similar treatment, and a little vine leaf pendant charm was hung with a polymer clay backing sheet with a real leaf impressed into it, and cut out in the shape of a leaf.
Oshun is an Orisha - the beautiful and benevolent Yoruba deity of rivers, love, feminine beauty, love, life, sex, fertility, and art. I was given the beautiful wooden tribal head by my friend BN - I gave my Orisha a shock of hair made of a clutch of beads, some shells, and made the necklace with wooden beads I found in India. My sister in law brought me the trade beads while on a trip to Kenya, and I used some of them to add colour to the piece.
The tribal look is an antidote to 'sweet and pretty' - and I have gone as wild as I dared with this piece. It can be worn with neat and tidy clothes as an almost shocking counter balance, or as an accessory to summer linens and slouchy trousers, with loads of chunky bracelets and fringes and feathers, in a sort of uncontrolled, joyful clutter. Go as Tribal as you dare - it is such a fabulous look, you can but enjoy it. I have loads of pieces on my Out of Africa page - I enjoy making them, and I certainly enjoy wearing them.
A couple of warm days at the beginning of the week, and my thoughts turned to butterflies and dragonflies - those entrancing creatures who embody summertime. Unfortunately, the rest of the week was only fit for ducks as it rained persistently - but the inspiration stayed with me and I made one of each of these, and hung them as pendants.
That's it for this week folks, catch you next week, same time, same place - have a fabulous week
Good morning, and how nice it is to have you stop by. How are you today? We have had a mixed bag, weather wise, in Britain (what a cliché - a blog from the UK mentioning the weather in almost the first sentence!), and our collective moods have been up and down with the vagaries of the elusive summer sunshine.
I spent the week preparing frantically for the jewellery party at my friend's place at the weekend - cleaning and polishing stuff I tried to chose carefully to match the demographics of the people who are likely to be there.
I am determined to put on a decent show - both for Caprilicious, and for my friend, who has bigged me up and invited all her friends - Gerri and I have known each other for ages, having been at school together. These good folk will be driving for up to an hour to get there and will be expecting a decent show for their effort.
I will tell you all about it next week, when I have recovered my equilibrium. Just now, I am wandering around the house muttering and shaking my head, looking for stuff the house appears to have eaten - a bit like Gollum and his 'Preciousssssssssssssssss'.
These stones landed on my doorstep earlier this week, bought from a vendor in India - 342 carats of carved cabochons in Labradorite and rose quartz, 73 carats of prehnite teardrops, and best of all, 233 carats of a labradorite slab.
You might well wonder why I would want to buy a large flat grey stone - enlarge the picture, and you will see a fine tracery of blue, that resembles lightening bolts running through the stone.
This is what happened when I tilted the stone so it got some light shining on it from the living room window - the flash of Schiller is unmistakeable.
When I tilted it further towards the light, the flash was so brilliant, I almost needed my sun glasses to look into it directly.
I have put these stones away, deep in my stash, and will bring them out periodically to look at, and stroke, until one of them speaks up and demands to be used. The large slab will remain with me, until I can be certain it will go to a good home, it is so beautiful, it deserves preferential treatment.
Beads Unlimited are a bead company in Brighton. I occasionally submit designs to their website, for their readers gallery, and Jo Porter went along to the Caprilicious website to take a look at my other designs - she loved them so much, she offered to feature me on her Bead Barmy Blog - and here's a screen capture of what she wrote.
To read it for yourself, here's the link - http://www.beadbarmy.com/2013/06/hobby-to-business-caprilicious-jewellery/
Thank you Jo, and Beads Unlimited, for your kind words and your little gift of beads and wire.
Flutterby from last week was a hit, and sold even before the blog was released on Friday. I had one more cloisonne butterfly and I decided that it too, should be allowed free - and so Flutterby (2) was born. I used amethyst, fluorite and emerald nuggets, so that the two of them wouldn't be identical.
With my foot still poorly, I gave it a fighting chance by resting it as much as possible - this meant that I could not work with polymer clay, as this meant treks back and forth from the oven to my work room. So I played with my kiln and fired some silver clay, and for the first time, bronze clay as well. Silver is now so expensive, I had to make sure I got it right- here are the pieces I made.....
Metal clay is made from powdered metal mixed with water and a substance called "methyl cellulose" to create a clay-like dough.
Metal clay handles similar to traditional modeling clays, and when dried is transformed into a solid, metallic object through a firing process. During firing, the methyl cellulose binder is burned away and the metal particles "sinter" into a solid form.
The montage below shows some of the story. I managed to make quite a few pieces, and only one of them broke in the heat of the kiln, probably because the imprint of the design was a bit too deep - Oh well, I can live with that.
The whole thing was fired for an hour in an oxygen depleted environment, buried in carbon particles in a lidded stainless steel container and left to cool in the kiln overnight. And then, I held my breath as I opened up the container and scrabbled around in the charcoal for the pieces of bronze that I had buried the day before - would they be OK, or would they be rubbish????
It's amazing what a bit of soapy water in the tumbler can do - the stainless steel shot works its way into every crevice and shines and hardens the metal - I love my little tumbler, it makes the metal so pretty - I forgot to put a couple of pieces in the tumbler, and you can see the difference straight away. I couldn't wait to add some pretty gemstones and turn them into danglers.
Daffodils Daffodils lining the road to Coombe Abbey
............Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
One cannot imagine an English Country Garden without daffodils - I found this beautiful set of brass stampings on a site in the USA and bought a few of them - this is the second one I have used, with a woven copper frame and loads of Czech glass. I meant to put a beaded necklace on it, but in the end decided to give it a more modern look with a leather thong. A blue chalcedony tear drop finished the piece off with elegance.
That's it for this week, thank you for stopping by. Must go and pack the car now and see how many things I can forget! Catch you next week, same time, same place with the story
p.s. for those of you who read the Caprilicious blog each week, to the side of the title is a logo that reads 'Follow my blog with Bloglovin' - this will ensure that it lands in your inbox without fail, so you don't need to be connected to Facebook to get it. Alternatively, below this is the Network Blogs link - this will do the same - you can take you pick
see you soon
Good day everyone, I trust you had a good week. I have been very rested, as I took some time off the day job, and found I had no pressing matters to attend to, so could chill, and make as many pieces of jewellery as I like, with little or no interruption.
This week, I tried out a new technique - chainmaille.
Chainmaille is the practice of linking rings to create interesting patterns, or more traditionally "sheets" of flexible metal for the purpose of armor or decoration. The name comes from the French word maille, derived from the Latin macula, which means a 'mesh of net'. The basic weaves use jump rings, which are open rings not intended to be soldered. For decorative use, the supportive structure of the weaves is enough to ensure the rings don't pull open.
I bought a rhodochrosite carved pendant a while ago - rhodochrosite is a reddish pink stone - the pink color of rhodochrosite is caused by the element manganese and it is formed when manganese is dissolved by ground water and combines with a carbonate material, then drips off the ceiling of caves and crevices deep underground. It is commonly found in the form of stalactites and stalagmites in the caves of Argentina. The Incas, who called it Inca Rose, believed that rhodochrosite is the blood of their former kings and queens that was turned to stone.
I am by no stretch of imagination a 'pink lady' - but I had to have the pendant - the carving called out to me - 'buy me Neena, buy me' it implored. I searched for a suitable way to tone down the pinkness - I bought Morganite - too pink, tektite - too black, rose quartz - even more 'too pink', and finally, after my bead stash was swollen with unsuitable (!) elements, I found frosted red agate - orangey pink/ red beads, smudged with inky black, and frosted over like the bloom on a grape - lovely!
The Mermaid's Song
This necklace just grrrrrew - couldnt stop it - I made a seahorse, a couple of starfish, and a 'fisherman's net' around the mermaid with fish and other shells caught up in it - and then thought I would try the chainmaille techniques out here to link the beads together - well, easier said than done - it is ever such a fiddly technique, and certainly not suited to sitting in front of the telly with a tray in your lap. But, I persevered and in the end, I am glad I did.
Love knots are very basic chain maille links, with three rings linked together, rather like a Russian wedding ring, and the individual bead links leading off the centre of the knot. All was well till I decided I didn't like the placement of one or two of the elements - it has to be just so for me - and for you - and everything needed to be taken apart and redone - but in the end, I liked the effect - a little more ornate than using just the one ring between elements, I may try this again, and who knows, one day, I might surprise myself with a bracelet made of chainmaille links (don't hold your breath, Neena!).
Diamond White is a necklace made of clear quartz needles with pewter coloured vintage focal beads from another necklace I cannibalised. It is also a cider with a hight alcohol content (12.5%) here in the UK and it had a certain following amongst my friends when I was young. I decided that I would use the name of an old favourite for this rather nice necklace. One of my friends said it made her think of winter - but hey, our non summer is almost over - and we have to face a bleak winter - what better way than to wear nice jewellery - wearing pretty stuff puts a smile on my face, anyway.
Here Comes The Sun
Confused?? - the weather here certainly is - one day it is hot and sunny, and the next it is raining cats and dogs and freezing cold - my jewellery efforts reflect that seesaw - so on this particular day, after a swim and a barbeque meal (no clearing up - yippee!), I sat down with a reel of copper wire and some peridot beads and made this.....
I love the green of peridot - wish it wasn't quite so expensive - but in common with amethysts and aquamarine, it is too expensive to buy in large amounts. Peridot is one of the few gemstones that occur in only one color, an olive green. The intensity and tint of the green comes from the iron in the crystal structure. It is also called Olivine - due to its colour, and is classed as a precious gem. I got the faceted teardrops on a visit to Capri, where they seem to have large deposits of the gemstone, and I used two of them in these copper wire earrings.
And while the barbeque was sizzling and Mike was slaving away over it, I put the polymer clay flowers I made a few weeks ago onto brooch backs and popped them in the oven to cure.
The Paisley pattern has been around for simply ages - its origins are claimed by the peoples of both India and Persia, but its Western name derives from the Scottish town of Paisley. In India, it is a common design, and thought to be a stylised mango. It was popularised in the Western world by the East India Company, and adopted by Liberty into the 'Liberty Print'. I am very familiar with this design, as it is very common in the gold thread work in South India, where I am from, originally, so I decided to make a paisley 'mango' in silver, with some delicious multicoloured tourmaline I acquired earlier, and add a fine silver daisy made from Precious Metal Clay in my kiln. I used wire netting to fill out the paisley shape with tourmaline beads, and hung it from the daisy on a silver chain - sweet!
The Wings of Love
A Hungarian jewellery maker I once bought a bracelet from posted a piece of embroidered jewellery she created around a beetle's wing - I was startled and thought then that she was joking, but not so - the naturally beautiful elytra (wings) of the Green Jewel beetle (Sternocera aequisignata) shift in color from green to hints of blue at the edges, and the surface is shiny and iridescent, giving the effect of sunlight on an oil-slick. The beetles have a short life span of 3-4 days, and when they die, they loose their wings, which are then collected up for use in various objects, and jewellery. No beetles are harmed in the making of this jewellery (phew!).
A bit more research revealed that beetle wings have been used for centuries by Indian civilizations, cut into tiny spangle shapes and sequins to adorn a range of objects, their reflective properties admired as a means to ward off evil spirits. The beetles, in beautiful colours are like living jewels, and in Victorian England it was the height of cool to have live jewel beetles tethered by tiny gold chains to your décolletage! The beetles were caged and fed, and covered with gemstones, if they weren't colourful enough, and taken on regular outings pinned to the lady's chest!
I set out looking for these wings, and found a vendor in Thailand, where these beetles are found, and am now the proud owner of a large number of these wings, this means that I will need to think up plenty of designs to use all of them, but I have no doubt that they will be liked - anyone who likes shiny, pretty things, is bound to like these. I made some earrings, just to get the feel of this new acquisition - but I just know that they will fly out of my hands real quick! I did worry a little about the word 'beetle' which does not conjure up the nicest image - but hey, if the Victorians could wear real live beetles, why shouldn't we wear the wings, beautiful as they are - just takes a bit of getting used to - and we do wear leather from dead animals all the time, don't we??
A bit more about those Victorians - they loved insect jewellery - apparently. For example, Caddisfly larvae glue together tiny stones, grains of sand, and bits of litter to form cases that camouflage and protect them from their natural enemies. When gold nuggets, shells, or semiprecious stones, were added to their cages, they incorporated these into their protective cases, which was later harvested and made into earrings, necklaces, tie tacks, and pins. Amber jewellery - or fossilised insect jewellery was also very popular, and remains so today.
Though light, the wings are quite robust. I accidentally stood on one and it didn't break (and I am no featherweight)! I will of course provide stoppers, as the earrings are very light - but the converse of that is that they can be made long as you like, without fearing for your earlobes! They make a pleasant swishing sound when they knock against each other - a sort of rustle - brings to mind long silk gowns - which is just the right mental image for these beautiful jewel coloured earrings.
The Flemish artist Jan Fabre created the ‘Heaven of Delight’ using 1.6 million of these wings! Fabre and his team of thirty people took 4 months to glue all of the beetle shells to the ceiling and a chandelier in the Heaven of Delight Hall of Mirrors, of the Royal Palace in Brussels. I would have associated the colours and the name with a more exotic place than Brussels, but Fabre really loved these beetle wings and used them extensively in a lot of his art.
I hope you have enjoyed the tale of the beetles - I really got stuck into my research about them, and found so much to talk about. The wings are truly beautiful, and I am surprised that they are not more commonly used in jewellery. I must mention Agi Kiss from Moonsafari Beads who set me off on this journey - you can see her piece here - http://www.etsy.com/shop/MoonsafariBeads
That's all for now folks. Catch you later
I was at work in the day job all last weekend - and this time the Gods weren't smiling on me - it was literally the weekend from hell! I was in and out of the hospital, picking up pieces that had been dropped by others, soothing ruffled feathers - and whatever could go wrong..... did.
So I came home each day and pulled out my beads and clay and soothed myself calm - it was so nice to be able to do that - and I think the people around me benifited from that! A three day weekend can be so tedious, when everything is unravelling around you.
Shiny pretty things - to appeal to the magpie in every woman
I took delivery of a bunch of crystals from someone who was closing down a bead shop - so while I sat watching the telly with Mike, I put together some pretty chandelier earrings - I felt the need to dive straight into the crystals - I usually hoard pretty things for some crazy reason, but it would be madness to hoard half a kilogram of mixed crystals. I poured them through my fingers, sorting them into little piles and picking the ones I wanted to use - like a wide eyed AliBaba in the cave of treasures - and these are the chandeliers I made with this multicolour medley of crystal beads.
Love's Sweet Scent
This piece evolved out of my disastrous weekend - I mixed myself some pretty buttery yellow clay to make flowers from - had just about had enough of various shades of pink - someone recently said that yellow is a difficult colour to create with, and apparently, some people wont wear yellow as it causes their skin to look sallow. I thought, maybe it could be used as an accent - to brighten up a piece of jewellery - a little bit of it can't hurt - and it is so pretty after all. A floral theme seemed to evolve - I made peony type flowers - which will go into a brooches, I think, and a bunch of jasmine flowers and buds - these are the little plump jasmine that have the most delicious scent - ladies in India might wear just the one in their hair and you can smell it from a mile off, if you have a halfway decent sense of smell. They are usually a creamy white, but I claimed artistic licence and made them in the yellow of the winter flowering jasmine found in more temperate climes - they are still pretty recognisable though..... I think!
My mother has a bush in her garden which yields loads of flowers - enough to use as offerings during her prayers, and for the ladies of the house to wear in their hair should the mood take them. I remember my dad bringing home little packets of jasmine garlands, all ready for pinning into mum's hair - and she always shared them with her daughters - I wonder if it was a secret message between them!
Anyway, mindful of the edict that too much yellow would not be appreciated, I wove my jasmine into a little corsage, and teamed it with turquoise coins, pearly beads and dark blue sunstone in a statement collar - I love making those. I am sure, come winter, when the only flowers we can find easily are in the supermarket, they will gladden the heart.
These jasmine are evocative of my childhood, and the bush growing outside my bedroom window, and I called it Love's Sweet Scent. The jasmine has been set low enough so it won't jab the wearer in the neck - I just love this necklace.
I also made some silver components in my kiln - more flowers!- I need to decide just what to do with them, so will just post a little sneak peek into what is to come. The polymer clay peony has very thin petals, to try and resemble the flower as closely as possible - it may be too fragile on a piece of jewellery that may be knocked about during regular wear, and will have to go into a brooch, though I originally inteded to use it on the wrist in a wide bracelet - like a prom corsage.
Jhumkas - Indian style in Wire and Crystal
I made some beadcaps using wire and crystal - when my friend Suj saw one of them, she said - Oh you can make Jhumkas out of them - Jhumkas are bell shaped danglers, and almost every Indian woman has a pair of these. They used to be simple, in gold and pearls, but have now become so fanciful, they are almost unrecognisable. I made mine in copper wire with some of my crystal bead stash in a colour combination of green and gold - very dressy. As these are all lightweight beads, the resultant piece is pretty and ornamental, yet light and easy to wear.
My little piece of Caprilicious silver this week is a tiny fine silver bud, about an inch long, made in the kiln, antiqued and polished, with a tiny red Cubic Zirconium emdedded into it. It comes with it's own chain, and is perfect for someone who likes her jewellery a bit smaller - as you all know, a lot of my stuff is 'in your face' and cannot be overlooked when worn - maybe because I was once innately shy, (although I have grown out of it now) but there was another side to me that was a bit 'song and dance', and didn't know quite how to reflect that, so preferred my apparel to do it for me. I could not buy chain store stuff if someone paid me.
Most of my designs are made with me in mind - if you don't want it, I should be happy to wear it myself - so, the corollary to this is, if you like the stuff I make, we must be kindred souls - Soul Sisters, even!
That's all for my week this time around - see you same time, same place next week
Precious Metal Clay is a revolutionary way to create jewellery in fine silver and gold and now more excitingly (and less expensively copper and bronze).
Originally developed by the Japanese company, Mitsubishi Materials, for their tradition of ceramics, it has now found its way into the jewellery and craft
market. It is a putty-like material, made up of 90% fine silver or one of the other metals, 10% water and organic binder. Its pliable consistency makes it easy to shape, model, cut and texture – there are also liquid and paste forms which can be used as a glue, or to add decoration. When fired either by torch or kiln, the organic binder burns away, leaving a solid piece of fine silver or other metal. Its ease of use makes it an ideal introduction to the art of jewellery design with little knowledge of jewellery making techniques. It can also be used with glass, clay and porcelain.
The clay can be pushed into a mould to take on a particular finish or shape, or painted onto the under surface of a leaf, or covered over a cork or wood mould to make a hollow metal object – the cork burns to a fine ash inside the piece.
Went back to In The Studio last weekend to learn the techniques and made some credible pieces of jewellery which made me think I could do this too.
It is also yet another magical process – looks and feels like clay/putty/ sludge when wet, then dries to look like plaster of Paris. When fired, it turns white – and looks like' Omigod, what on earth have I created!!!!!' until brushed firmly with a brass brush – and hey, presto – silver/ copper appears – amazing. It is possible to set Cubic Zirconia into the putty before it dries, and even add it when it is dry – hooks can be added to it, and of course, eventually soldered if needed – but I am crazy about the magic of this new material
Once fired, it can be filed, soldered, patinated, enamelled and finished to professional standards.
I am soon going to buy me a kiln – have ordered one, and then am going to go for it – mainly with copper to start with, I think.