Hello readers, how are you- I hope you've been enjoying the sunshine - we certainly have in the UK. Wirework and beads have been my friends this week - it has been difficult to tear myself away from the sunshine and go in to work, and I have spent whatever time I could spare sitting in the garden and playing with them. I saw some aerial pictures on Pinterest and I was inspired to recreate them in polymer clay, on the one rainy day we had at the weekend. Elysian Fields is a series of pendants inspired by these photographs which I then made up into necklaces. Elysian FieldsThe Elysian Fields are beautiful meadows in Greek mythology where the favored of Zeus enjoy perfect happiness and where they compose poetry, sing, dance, and tend to their chariots according to Homer - that's the best the ancients could think of when they imagined perfect happiness?!? The Parisians named the Avenue des Champs-Élysées after this mythical place ( more like Elysium, in my opinion and you can get more there than singing and mending chariots) - and anyone who has visited it will agree that it is truly one of the most beautiful avenues in the world - but you will need loads of money to find happiness there. Luxor
The turquoise blue of the scarab was offset by the grey and yellow of the wooden beads I found in India and the coral and turquoise beads I sourced from Nepal. Mayan StepsIncredibly, twice a year on the spring and autumn equinoxes, a shadow falls on the pyramid in the shape of a serpent. As the sun sets, this shadowy snake descends the steps to eventually join a stone serpent head at the base of the great staircase up the pyramid’s side.
The stepped structure of a bismuth crystal is the result of a higher growth rate around the outside edges which generates an electrical charge activating crystal growth to a higher degree than on the inside edges. It is the only element that has been successfully converted into gold by Nobel laureate Niels Seaborg of Berkeley University in California. It is diamagnetic - it repels both the North and South pole equally, and can levitate a magnet. It is the only metal that contracts on heating! But more, much more than this, it is beautiful and lends itself to wire wrapping. There aren't too many artisans making this type of jewellery - some attach a bail using glue, this is the only other way it can be suspended - it shatters like glass on drilling it. Sourcing some for Caprilicious became something of a quest/ treasure hunt - I got my crystals from a UK source for ease of delivery, and so I wouldn't have to pay exorbitant postage / customs duty, and couldn't wait to make them up into pendants. Swarovski Rivoli PendantsSwarovski makes these beautiful crystals, with a faceted top and a pointy back - they are fairly flat and are usually set in bezels that can be purchased in bead shops or handmade beaded girdles. Nicole Hanna decided to set a challenge to wire wrap these Rivolis - she issued half a tutorial and left us to finish the piece without too much addition or subtraction, even the tools were specified - all the contestants received the finished tutorial as a gift for participating. I had never set a Rivoli before, but am not averse to a challenge, so I gave it a go. The main engineering difficulty was to secure the crystal securely to the wire bezel without the use of glue, prongs or any such elements, while keeping the design interesting, of course. I made a few of these, and the last one with the tutorial, as envisaged by our host, Ms Hanna.
And that's all I had time for, folks - I hope you enjoyed your visit with Caprilicious and come back next week, same time, same place. Have a great week in the meantime
xx
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This lovely piano solo by Kevin Kerr expresses the emotions I have tried to capture in this necklace. To me summertime is all about butterflies and dragonflies, mellow sunlight, tinkling music and flowers - I don't think about the slugs and snails and weeds and rain that are such a nuisance - I must be a romantic at heart, although I would deny it hotly, if someone said that about me. Happy Friday, readers and thanks for joining me today. This week, I've written two posts - the last one about Statement Jewellery, posted on Wednesday will be a guest post on a friend's blog later on in the year - but you caught sight of it first, right here. I didn't want to add this weeks pieces of jewellery to the guest post and decided to write a separate one instead. My muse see sawed wildly this week from the conventional and pretty, to the wild and crazy. I kick started the weekend by making wire and resin dragonflies. The problem with this was that each coating of resin took at least a couple of days to set - this gave my mischievous muse time to draw my attention to all sorts of other ideas - I was a bit overloaded on the ideas front and my mind was spinning out of control! And while I waited for the resin to set, off Ms Muse trotted dragging me in her wake, this time in the direction of Cubism and Pablo Picasso. A few lessons ( quite a few, actually - because I cannot draw) off the internet in drawing a face from two different perspectives and I set about making this piece, which in the end was made into a brooch by the addition of a pin. It was an awful, grey and rainy weekend, which might have sparked the need for bright colour. I love it, but I do feel the need to offer apologies to Pablo. In my defence, it is more difficult than one would think, especially for someone who cannot draw in one perspective, let alone two at the same time! - try it and see how you go - and then, once it has been drawn, to successfully convert it to a polymer clay piece - eeps! not sure I'll be doing this again any time soon. This is a gift for a very wacky and fun friend of mine - we are to visit her in Hamburg soon, I hope she will love it as much as I do. And the dragonflies showed no sign of being ready yet, so on we went, my muse and I, plodding on with another piece. Images from the Subconscious - Mind Games!While I was researching the making of the 'Picasso' pin, I looked at a whole load of stuff on the internet that set my mind a buzzing - among others, the art of Romero Britto, and the South American god of Fertility - the Kokopelli - colourful images that seemed to stay with me in my dreams. No wonder then, that my next piece was shaped by them. This is Kokopelli, a Native American fertility deity. He is usually depicted as a hump backed and feathered flute player, and he takes care of both the harvest and fertility - which in the end mean one and the same! I was looking for a colourful piece to replicate in Polymer clay, but passed him up in favour of the cubist face - another time perhaps, I thought.............
And the dragonflies were still wet........sigh! Oh well! ZehraConus snails are venomous though beautiful and are the species of snail whose shells are seen in most collections.The species most dangerous to humans are the larger ones which prey on small bottom-dwelling fish; the smaller species mostly hunt and eat marine worms. They have a venom gland and a hollow tooth like a harpoon or proboscis through which they inject and paralyse their prey before eating it. This pendant came from Indonesia and is set with cross sections of conus shells in coloured resin, and I added faceted onyx, and pyrite nuggets which gleam in the light - they aren't called 'Fools Gold' for nothing! 'Zehr' is the Arabic word for poison - although Zehra means beautiful! Either way, I think the name fits this pendant - would you agree?? MayuriThis peacock feather pendant came from Indonesia as well - I was quite taken with the way the edges of the feather had been beaded like a Rastafarian's dreads - hard work, and done so neatly - I have a great deal of admiration for the artist who made it. It can't be fun to play with feathers and glue and beads - just imagine the mess at the end of it. Together with a string of freshwater pearls and a couple of enamelled Indian beads, bought during my last trip home, a simple, but elegant necklace was born. Of course the word Mayuri really means a peahen and is a misnomer - the poor peahen hasn't been born with the elegance of the male bird - but hey, let's not quibble, eh! At last, finally, the dragonflies were ready to be used - and about time too!! The Dance of The DragonflyI think it was worth the wait, don't you?? As a bonus, I have a few leftover dragon flies, which will eventually work their way into other pieces, later on.
That's a wrap for this week folks, I'll catch you again next week, same time, same place. Have a lovely week xx Hello readers, nice to meet you here again. Last week we talked a bit about statement jewellery. This week we talk about why people wear jewellery in the first place - the potted story of jewellery, if you like. People originally began to cover their bodies with skins from the animals they hunted for food to shelter themselves from the elements - but jewellery doesn't appear to serve any such purpose - so why then has it become an important part of our psyche?? These shells, coated with red ochre are the oldest known ornaments - thirteen of them were found in a cave in Morocco, dated to 82,000 years ago by archeologists. They are thought to have come from Tunisia where the snail that once lived in these shells originated. They were probably used as beads as they have perforations to indicate this. Picture from National Geographic News. Decorating and beautifying the body with jewellery made of animal hide, leather, bones, shells, feathers and berries are well known early forms of jewellery. However, simple adornment may not have been the only reason for the wearing of jewellery - advertising wealth and status, hoarding wealth in the form of precious metals, and using jewellery as coinage to make purchases has been described in many societies. Procreation and the perpetuation of our gene pool is a basic human instinct - and jewellery aids in the 'plumage' factor - something bright and attractive that flashes and glints, drawing attention to the wearer. Amulets to provide protection - Gods and Saints, hopefully appeased into working away furiously in the background to protect us from all manner of evil are often worn as charms and pendants. This one is St Christopher - patron Saint of travellers. These are Ghau Boxes - worn in Tibet and Nepal - they are decorative portable shrines, and are ornate boxes holding prayer scrolls, miniature idols and lucky turquoise and coral nuggets worn as pendants - now that's getting closer to the kind of statement jewellery we know and love. When times are hard, people are willing to try anything to make them feel better. With the 'belt and braces' approach and mysticism from the East raising its head and bringing words like 'Chakras' and crystal healing into our collective consciousness, there are reams (or Mega Bytes) written about the power of various minerals and gemstones. Initially, 'tumble stones' used to be carried in pockets and pouches, but then it seemed to become important that the stone was in contact with the skin of the wearer. Jewellery makers found a niche market for believers, and prettified them to be worn as a statement. These wands have been made so that the points are free of metal, to allow the energy to flow out of them into the wearer. Expression of SelfToday jewellery is used more as a means of self-expression. How do you feel when you wake up? - delicate or bold, colorful or subdued, happy and exuberant or fed up - your subconscious will pick out your clothes and jewellery to reflect your mood. Have you ever thought about why you pick one set of clothing or accessories in favour of another on any given day?? Next week I will visit 'How to Wear Statement Jewellery' - in the meantime, lets take a look at some of the pieces I made at Caprilicious this week. Dark StarI made a necklace I called A Circlet of Stars - it was the first piece I made this year and my sister fell in love with it and bought it from me. I decided to make a similar piece, but this time the fire polished beads I used to embellish the piece were in dark tones. 'Dark star I see you in the morning I played with polymer clay and made some beads - of course playing with clay entails a whole day of fun, what with the curing and sanding and buffing - only then are the pieces ready to make up into jewellery - and so, the weekend vanished in a twinkling, making these, amongst other beads. They look like the rings around a planet to me - what do you think?? The Kris Kros PendantThis is a simple design by Lisa Barth - a bit fiddly to make, and meant to embellish the front of a dull stone. It looks extremely elegant, and this was borne out by the fact that the pendant flew out of my hands within a couple of hours. I will certainly be making a few more of these, with some variations - my boredom threshold is low and I couldn't make the same thing over and over again - which is just as well for a 'one of a kind' jewellery website! The stone here is a carved rose quartz leaf, in a pale pink. The contrast between the masculine and feminine is what makes this piece, I think. I thought I would add hair accessories to my repertoire - I have made a few hair combs in the past, and I will add to this collection over time. Embellished hairpins and hair sticks are in fashion - and these are my effort.... Great for a Rapunzel moment and there's even a tutorial by Melissa of Tangible Daydreams on how to release your hair in a 'swoosh' movement like a film star. Sea SpriteI am a firm believer that it is absolutely fine to wear a bit of bling to work - and if you are meeting up with friends after, your jewellery should be perfect for that too - a dual purpose piece of jewellery is always welcome. With that in mind, I added some shiny crystals to what would have been an otherwise sedate necklace - sea sediment jasper with a brass Nepalese bead. Temple of the StarsWith a couple of days off from work, I had time to try out some new techniques - a labradorite cabochon from my hoard was crying out for attention. The stone is hand carved, and flashes a brilliant blue in the light and I didn't want to create an over embellished setting. I worked out how to set it in wire prongs - wire workers almost feel cause to be ashamed if there is a need to apply solder or glue to anything we make - we take great pride in using cold connections. I was very chuffed when Pearl Blay of The Beading Gem's Journal said she liked the photograph on G+. The stone itself in meant to have many metaphysical qualities including a beneficial effect on the Throat Chakra, as does copper - if you are a believer, this one is for you!!
Look into My EyesHappy Friday readers, I hope all of you are well this fine morning and rocking it with your statement jewellery. This week started with my muse following one of my previous avatars and going into a mesmeric mode. I qualified as a clinical hypnotherapist a number of years ago, and still use my skills from time to time, although not as much as I would have hoped - a girl can't do everything! But, when this polymer clay bead formed itself in my hands it reminded me of a traditional stage hypnotist's induction tool. I made two, but lost one to the process ( i.e. it was consigned to the scrap pile) but I saved this one in the nick of time. I put it into my 'orphan beads' box- and one day, my muse decided that this pendant would be made with it, using the tutorial I won from a competition on the lovely Nicole Hanna's website. I love the way the swirls of colour go towards the centre point - perhaps it should be worn by someone trying to persuade people into following their will - or someone who is trying to keep those eyes focused at a point away from their cleavage!! There are earrings to match and I have talked about them in a previous post. Spellbound - The Keeper of SecretsThis jade pendant came from China - I bet you guessed that! I love the face on her - Les Dawson (the late comedian who was famous for his mother in law jokes) would have said that the face reminded him of his own MIL. In an attempt to soften her profile a bit and make her look less like Les' mother in law, I added a frame of woven wire - I did think of adding other embellishments - but the severe lines of the face go with the straight lines of the frame - curlicues would have been out of place here - although she did get one or two - and a dangling bead, I simply couldn't resist. Raziel is the Hebrew Archangel and Keeper of Secrets and is the ruling God of the Second Heaven - I think the face on this pendant looks a lot like a Raziel - don't you?? And finally, after all the work put into it, the necklace is a true statement piece - certainly arresting and worthy of a second look when it is worn. Precious Metal Clay PendantsI have talked a bit about precious metal clay before - it is a great medium that yields silver that is 99% pure, as opposed to Sterling Silver, which is only 92.5%. The heat in the kiln scared me a bit to start with, but I am rapidly getting more relaxed about it. I made a couple of pendants earlier and strung them on some extremely pretty semi precious gemstone necklaces. Pitter PatterThis pendant has tiny feet carved into it, and I set a little red cubic zirconium into the second toe on one foot - like a bejeweled toe ring. Strung with labradorite and peridot the necklace is extremely delicate and pretty. This particular string of beads has exceptional labradorescence - it flashes every time the light shines on it from various angles. StardustWith this little scrap of deeply engraved silver, I went a bit overboard when I was setting the cubic zirconia - I put in so many stones, that the piece twinkles like a starlit sky. I found the beautiful, tiny squares of apatite in India and when teamed together, the result is soothing and pleasing to the eye. Someone who likes their statement jewellery a bit on the small side will love these pieces from my kiln. A couple of pairs of earrings rolled off my pliers while I was watching late night movies with Mike - there has to be some benefit to being an insomniac! These were made with inspiration from mini tutorials donated to the cause of wire workers everywhere by the very generous Nicole Hanna. The Dragonfly's DellI acquired this slice of agate from my friend BN - it has beautiful striations deep within when held up to the light, but when held against the skin, it resembles the blue green waters of a still and glassy lake - the warm summer weather has brought out the dragonflies and I was reminded of a poem I read by someone who calls herself SusieA, published in Fairies World. The Dell Down past my garden, underneath the trees, There is a place of magic that no-one ever sees, A little grassy clearing, plain at ones first sight; But if you take the time to see, you shall find delight. If you come to see this place, take heed: you've found the Dell. I wire wrapped the stone, and then added a dragonfly to the bail, along with some extremely shiny iridescent Czech fire polished beads - when I finally decided it was finished, I thought any respectable dragonfly worth it's salt ought to love it in this dell! And finally, my last piece this week - drumroll................ Sea BreezeMade with a handmade toggle clasp as the focal, and a string of graduated turquoise heishi beads. Lot's of blue air around me - I dropped the beads, and spent time scrabbling around on the floor on my hands and knees, and then reassembling them into the graduation on a bead board, swearing softly to myself all the while - then stringing them so that the focal bit was to one side with the larger beads at the bottom of the necklace. One of my friends asked if I would write a guest post for her blog on 'What is Statement Jewellery and How to Wear it' - I began to put some thoughts together - I found that I had so much to say, that I decided to start a mini series here, on the Caprilicious Blog - each week, I'll start off with a paragraph or two on how to rock your statement jewellery - I am very excited about this little project - if you have any questions for me, do post a comment and I'll try my very best to answer them.
That's it for this week folks, have a fabulous weekend and I'll catch you next week, same time, same place xx Hello readers, I hope the summer is treating you well - here in the UK it still hasn't caught up with us, but we live in hope, now that June is here. The foxgloves, whose seeds I collect from seedheads in the garden and strew around the garden and on the bank opposite the house every year, have come up and look ever so pretty. I'm not sure who the whimsical person was who named the flower, but I can just imagine Mr and Mrs Urban Fox - and there are at least two of them in the park opposite our house - slipping their paws into the flowers and going off, tripping the light fantastic, arm in arm. So with that bit of whimsy at the forefront of my imagination, I set about making this weeks pieces - advance warning--- a lot of them involve flowers. Daisy MaeI bought strings of clear quartz beads in India in a prayer shop - they were strung into a 'Mala' which is meant to be an aid to meditation and prayer, clear the mind and get your chakras spinning. I'm afraid I bought them because they were pretty and shiny, and paired with pewter daisies, tiny turquoise beads and a very lovely turquoise clasp worn to one side, they make a very pretty necklace. If it helps the wearer with their psychic health, well, that's an added bonus, but I cannot vouch for that particular outcome. I had to string the third strand while wearing the piece and looking into a mirror, to get the daisies in exactly the right place, so that they would hang at the bottom of the necklace when the clasp is positioned to one side. It took me ages, to get the positioning just right, and Kevin and Betty looked on in amusement while I struggled - I couldn't use either of them as I needed to have the necklace on a 'real' person to get it just so. Stone RosesHand carved turquoise roses and teardrops are assembled using bead weaving and knotting techniques in this very different necklace which sits close to the base of the neck. Necklaces with Afghani PendantsI had two last pendants in my most recent delivery of pendants from Afghanistan and I made polymer clay beads to go with them over the weekend. As I had all the canes made and stored earlier, making the beads was quick and easy and the necklaces almost made themselves once the beads were ready. PsychedeliaMorning GloryBright and sassy, the necklaces in the Tribal Bling section are able to effortlessly go from day to night, and from Eastern to Western attire - one just needs to be brave enough to wear them. I have strung them on two strands of beading wire so that although the pendants are heavier than most focals, the necklaces are robust and will take everyday wear and tear. This is my little kiln, and I have ignored it for a while - I am always trying to run befor I can walk, and then, when I have a spectacular failure, I retreat to lick my wounds and the technique that unwittingly caused me grief gets put on the back burner. I decided to break my duck and try some simple designs again. Having cracked a 20 gm packet of Precious Metal Clay in 99% silver, I made three pieces of jewellery, and these worked out more or less how I wanted them to - maybe I'll play some more! Summer RainI combined a piece made with silver with a polymer clay and resin 'cabochon' made with inspiration from a class taken with Debbie Carlton. The polymer clay is embellished with silver foil and the pattern on the clay looks like raindrops hitting parched earth - hence Summer Rain. I made earrings to match with a piece of leftover clay. I hope you've liked what you've seen this week - do leave a comment and tell me what you think. That's a wrap for this week folks, catch you next week, same time, same place
xx Hello readers, thanks for dropping by. We've had some wonderful weather in the UK and the garden is coming along nicely, although it is way away from being at top dead centre. I have been out and about with my camera, recording what is for us, spring in full cry. This is my neighbours Laburnum tree - it is beautiful in spring, and then fades away into obscurity for the rest of the year - but isn't it just so beautiful?? My muse decided that I would go back to my roots this week. The first piece I felt compelled to make was with the last of my Nepalese pendants - that reminds me, I really ought to go and hunt down some more. I found the pendant in my hoard, and teamed its coral and turquoise inlay with bronze shell pearls, blue dyed jade and red agate - the birth of Zeenat, which means decoration, or adornment in Arabic. ZeenatMushika and his MasterGanesh, the Elephant God has the head of an elephant and the body of a man. The story my grandmother told me about this was that one day Ganesh's mom was bathing and she had asked him to mind the door against intruders. Halfway through her bath, his dad wanted to come indoors, and was refused entry by the lad - his insolence irritated his dad ( who was well known to have anger management issues) so much, that he cut off his head in a fit of pique ( he did much worse things when he was really riled! although in the picture he looks like butter wouldn't melt in his mouth). There were no social services in those days, unfortunately or dad would have been in BIG TROUBLE. Mom then gets out of the bath, humming to herself, and is horrified when she sees what has happened to her darling, obedient son - she threatens dad with murder and mayhem, and following a ding-dong row, he agrees to put things right and is issued with a high decibel deadline .....'or else'.... - he sends someone out for a new head - the half blind idiot who went looking (the calibre of servants was shocking in those days) brought back an elephant's head - the deadline was upon him and dad thought he'd just stick the head on and hope for the best, maybe even hide mom's glasses so she couldn't see too well........and the rest is history! Ganesh is known to love his food - well, you would comfort eat too if you were a cute little boy one day and this happened to you - and besides, he is half elephant, and everyone knows elephant's eat a lot (that's his excuse and he's sticking to it). As for Mushika, he was once a beautiful and vain celestial being, who got on the wrong side of a sage and was turned into a mouse for his pains! He made such a nuisance of himself with his bad behaviour (everyone knows that mice are ill mannered), that eventually Ganesh caught him and decided to sit on him much like other children ride on their dogs. Poor Mushika was in deadly danger of being squashed to death by this portly elephant/child, and begged him to loose some weight - but we all know how hard that is, so by a sleight of hand, the elephant god made himself lighter (wish I knew how to do that) whenever he rode the mouse, and they lived together happily ever after. SplashI managed to run through approximately 2 Kilos of wire and had to send off for new supplies - this is in addition to the fine weaving wire, and the silver wire I have used over the last year and a half. SplashI brought this piece of glass back from Murano - it looks like someone has dropped a pebble into a body of water and made a SPLASH! Embellished with miles of wire, it makes a beautiful pendant. Look in The BagI am now officially the jewellery designer for Look in the Bag's new collection of silk scarves. They are a small company, founded by a graphic designer and her husband. She draws and paints the designs and then transforms them magically into silk scarves - well it is magical to me, because I have no idea how it is done - probably child's play to her! They market the scarves, each with it's own little bag and a piece of jewellery to match, on their website - I have bought some as gifts myself, and am proud to be associated with the brand. Andrew, has some fantastic tales to tell about the 'models' who wear their scarves ( He's definitely a budding novelist), and Neelam designs the scarves and draws all the illustrations - I just love the whimsical way they present their wares. Here they are, worn by Neelam's models - my photographs are from the ones I sent out for approval as I went along making the collection to her specifications. I made them up one design after another earlier on in the year, with Neelam abroad having the scarves made up to her satisfaction. I must acknowledge 2good claymates for the fabulous tutorial they posted on their website, from which I took some of my ideas for the scarf jewellery.
The photographs of the prototypes went back and forth, till we agreed on the design, and I made the requisite number up for her. Each time I made one of the pieces, I fell in love with the scarf and decided that I was going to have to buy it - until the next one! Fickle, huh?? That's it for this week - hope you've enjoyed the read - have a good week, and see you next week, same time, same place xx My muse was in the grip of an obsession she was powerless to resist, and swept me along with her enthusiasm. Everyone loves orchids, and I once harboured a secret longing to grow them in my conservatory, and get a really good collection going. However, when I thought about it more carefully, I remembered that I was married to a renowned murderer of pot plants - and why on earth should the poor orchids fare any better than all the plants in our house which have given up the ghost one by one, and kicked the bucket, happy to depart just to get away from the over zealous attentions of Mike?? So, having managed to tame my longings for an orchid arbour, I have ended up, from time to time making orchid jewellery. I bought these beautiful orchids online - they were vanished by my house elf for a long while - I got so fed up of looking for them ( my house got a spring clean in the bargain while I turned everything over), I bought another lot - and once Elfie realised that I would not be deprived, he gave up in disgust and threw the first lot back at me. Last week, I made some earrings with them, and they were bought up almost immediately. So here are some more I made to replace them..... And while I had these on the go, I played with wire and made......yet more orchids! They were sufficiently similar in size to turn them into earrings, once I decided how to hang them. I made the ear wires up myself - shop bought ones simply wouldn't do - they had to be shaped and hammered into position with a nylon mallet to give the wire strength and keep it all from falling apart. The wires are coated with nylon, so that they do not react badly to skin ( or is it the other way round?? - anyway, you know what I mean). ClareI bought this beautiful ox bone face from Robyn of Indounik, a lovely lady who lives in Indonesia. I was looking for a face to make a piece of jewellery to fit one of my favourite songs 'Clare', by Fairground Attraction - Clare is a 'serpentine seductress' , trained in New Orleans in the dark arts of voodoo. I have other bone faces, but this one, with the design carved into it seemed to fit the bill perfectly - the piece I planned was a pendant with loads of swirling wire, with a seductive, dark look - in the end, the piece took 9 feet of 20 gauge wire and miles of fine weaving wire, and once the copper in the pendant was treated with chemicals and darkened, she looks a lot like what I envisaged in my mind - I am happy with her. I showed it to Robyn, and she remarked that the free flow of the wire must have been a bit like meditation 'Wow, Neena, that's a truly incredible piece - so intricate and so intriguing. I'll bet that's like me shunting bits of paper and photos and other things around a scrapbook page, you find going where the wire wanders like a form of meditation '. ClareAn old friend came to spend the weekend with us, and as we chatted and rehashed old times, I played with a spool of wire and this little rose was born. It seemed to be entirely the natural thing to do once the formalities of the meal had been dispensed with. And finally, last but not least, after all those floral offerings, I made a linear pendant, inspired by the work of Nicole Hanna - well, it has very soft lines - I used a lamp work glass bead in orange and turquoise as the focus - I am in awe of people who make pretty things with glass - it is such a difficult thing to do. I have recently bought a large stash of lamp work beads in whimsical colours and designs and no doubt you will see them from time to time. That's all I had time for this week, folks, have a fabulous weekend, and I'll catch you next week, same time, same place
xx Hello readers, this week I have spent some time thinking about the essential Caprilicious Woman - the woman who wears my jewellery. I was idly looking at photographs I have taken of the jewellery I have made over the last couple of years and I realised that the jewellery on the website is extremely eclectic - there doesn't seem to be a theme running through it. For instance, some websites I have looked at have sweet and simple, very pretty pieces that appeal to someone who dresses like a fragrant rose. Yet others have large, bohemian pieces that are a cross - cultural patchwork for people who like to dress in a more exotic manner. The Caprilicious website, however, caters to both these tastes - in fact they may be the same woman in two different moods, on two different days. That, in essence is what a Caprilicious woman is - someone who cannot be corralled into a box, a blithe free spirit who changes her attire with her moods and looks great in all of them! A bit schizophrenic, you say?? You might think so, I couldn't possibly comment! Why the introspection? Well, I made some sweet and pretty floral earrings in one half of the week, and then the wind changed, and so did my mood - and out came Oshun - a very tribal piece of jewellery. As I've mentioned before, I tend to make jewellery while watching the telly of an evening, much like a knitter, and I lay the finished piece out on the coffee table till it is photographed and ready to put on the website. I caught Mike standing at the table one morning, and he said he couldn't believe the same person had made the two pieces of jewellery - that got me thinking ....I just wondered what on earth was going on in my tiny mind that I could find both pieces of jewellery equally engaging - and then I realised - that's what a being a Caprilicious Woman was all about. I bought these really pretty orchids - and my house elf promptly stole them from me - I turned the house upside down looking for them - I've even mentioned the story on my blog - and then one day, there they were - just sitting on the side of my table, as if butter wouldn't melt and they'd been there all the time. But I know better - I know it is my malign house elf playing games with me - so to foil him, I made them up into jewellery ( he doesn't like made up pieces, only components!) and having photographed them, put them away in my cupboard - aha! take that, malign house elf! Kapow!! I have been trying to make Ranunculus flowers out of polymer clay - and ending up with only mush - but finally, finally, I made these really pretty flowers that actually look like ranunculi. You can't see it very well in these pictures, but each layer of petals is in a different shade of the same colour. The Kaleidoscope SagaThis story started with a polymer clay cane I made for a friend - she was picking a design for a commissioned piece of jewellery, and this cane was a reject. I hate wasting stuff, so I put together this kaleidoscope cane, and made a bunch of earrings with it - the last one was made with the end of the cane, turned into a swirly bead. I stuck a spike on it, and connected them with some wire - here it is.... Dog Rose EarringsI made these flowers in my kiln last year - but didn't know what I wanted to do with them. I wanted them to be different - but what would make them stand out from the earrings made by everyone elas?? - it took me an year to figure that out. I am very proud of them because they are entirely handmade - well, I bought the tear drop shaped jade beads - but you knew that - you didn't expect me to go rock hounding as well as everything else, did you?? Anyway, I finally decided that the addition of colour would make them 'pop' - and that word immediately brings to mind polymer clay, which is quintessentially mouldable colour. The ear wires were made with 20 gauge wire, hammered and polished, the headpins to carry the jade drops made with the same wire. So here, I present my very first entirely handmade pair of earrings..... (drumroll)................ Once I made these, I was on a roll - I had a pair of hydrangeas which received a similar treatment, and a little vine leaf pendant charm was hung with a polymer clay backing sheet with a real leaf impressed into it, and cut out in the shape of a leaf. OshunOshun is an Orisha - the beautiful and benevolent Yoruba deity of rivers, love, feminine beauty, love, life, sex, fertility, and art. I was given the beautiful wooden tribal head by my friend BN - I gave my Orisha a shock of hair made of a clutch of beads, some shells, and made the necklace with wooden beads I found in India. My sister in law brought me the trade beads while on a trip to Kenya, and I used some of them to add colour to the piece. The tribal look is an antidote to 'sweet and pretty' - and I have gone as wild as I dared with this piece. It can be worn with neat and tidy clothes as an almost shocking counter balance, or as an accessory to summer linens and slouchy trousers, with loads of chunky bracelets and fringes and feathers, in a sort of uncontrolled, joyful clutter. Go as Tribal as you dare - it is such a fabulous look, you can but enjoy it. I have loads of pieces on my Out of Africa page - I enjoy making them, and I certainly enjoy wearing them. A couple of warm days at the beginning of the week, and my thoughts turned to butterflies and dragonflies - those entrancing creatures who embody summertime. Unfortunately, the rest of the week was only fit for ducks as it rained persistently - but the inspiration stayed with me and I made one of each of these, and hung them as pendants. That's it for this week folks, catch you next week, same time, same place - have a fabulous week
xx When I first started to make jewellery, I was given a piece of advice which has stayed with me - a pretty clasp lifts a simple necklace to greater heights, like nothing else can. Since then, I have been a clasp junkie, spending prodigious amounts of money on store bought clasps. When I had the exhibition over in India, I watched ladies walking around the room, and to a (wo) man they all noticed the clasps. In fact, one woman chased me around the room asking me where I had got them from, and would I please sell her some, forgetting that this was an exhibition of jewellery, not jewellery findings, and that I was highly unlikely to be carrying extra clasps in my suitcases! My love affair with the clasp has continued to the extent that I am now making clasps for myself, in an effort to make them one of a kind and different from the ones that other jewellery makers use. Tutorials from the likes of Nicole Hanna and inspiration from Sharon Solly have helped, as well as a book by Denise Peck in my latest endeavour. I sent a sample to my friend BN, and she used the clasp in ten different ways and sent me photographs to show me what she had done with it - she still hasn't told me which one of the ways was her final choice for the necklace she made! Ten Ways to Use a Clasp, by BN I also made some faux lamp work glass toggle clasps out of polymer clay and wire using a tutorial written by Amber of Caterpillar Arts and inspiration from work by Sharon Solly - these are colourful and playful and I will need to find the right beads for them. The Dryad Another toggle clasp inspired by Nicole Hanna was used in a necklace made of wood grain jasper and gold coloured crystals - I tried to break up the browny - golds of the necklace with blue crystal beads and dichroic glass. Dryads are tree nymphs in Greek mythology, each one looking after a particular tree in the woods, punishing thoughtless mortals who injure their trees. Ariel This necklace was named after the beautiful mystical, serene, angelic face in this pendant. The Archangel Ariel, predominantly in Hebrew writings, is thought to be the angel of nature - had she been Greek, she would probably have been closely related to a Dryad, as she too guards nature and trees and punishes humans who harm them. The quartz needle points in the necklace have been heat treated and coated with titanium and gold vapour, and teamed with green crackle quartz. I made the wire accent beads myself out of yards and yards of fine wire wrapped over a frame. African Queen It was a beautiful weekend, the sun was shining, the peonies were out and we went to the pub for Sunday lunch. These hollow faux ebony and ivory focal beads in my hoard were just right to wear with white linen summer clothes - I strung them on waxed linen cord, with bone beads and cowrie shells - summer necklaces for the boho chick! Cosmic Spirals Spirals are a compelling shape and have universal appeal - I'm not sure why this is, perhaps because they are the most natural shape seen by our eyes and enter the subconscious right from the very beginning. The spiral shows up often in nature - in the pattern of seeds in a seedhead, in the growing tips of ferns, in the pattern that leaves grow on a stem, in the shape of a nautilus shell, and imprints itself deep into the subconscious mind, so that when seen again the shape is familiar and pleasing to the eye. I too love spiral patterns, and made these faux bone hollow beads with spirals of bright coloured 'zippers' wound around them. Teamed with faux ostrich egg beads and a large chunk of sponge coral, they make a light but chunky necklace - another one to go with the summer linen outfits. I found these two shell pendants in a most unlikely place in the house - I think my house elf got fed up of hiding them from me and tossed them out for me to find - I quickly turned them into pieces of jewellery, before he pinched them again. I asked my Facebook fans to help name the one and Minerva's Prize was the name bestowed on it. I called the second one the Whirly Shell Pendant. With both, I have echoed the pattern and shapes in the shells with the wire. I hope you've enjoyed looking at this weeks 'makes' - catch you next week, same time, same place - have a fabulous week
Share and share alike - that's what a good marriage is all about, right?? Well, if that's the case, ours must be solid - or Mike is being too literal - he generously gave me a good lashing of his cold. Oh, the muzzy head, the aching joints, the stopped up sinuses (and now I sound just like Mike - minus the Tarzan-esque thumping of the chest)- I just crawled into bed on Saturday afternoon, and stayed there all day, every day till Thursday. The weekend was all nice and sunshiny, but I couldn't go out - nor did I have the energy to play with clay - I knew all my efforts would turn into mud! Sitting in front of the telly of an evening, I picked up my pliers and an oxbone face - I thought I'd make something from an idea I had earlier - it took me two days to wrap the face and give it a head dress - and I just couldn't see how to take it further - a complete constipation of ideas. I took a photograph of the half finished piece and put it on a couple of wire - worker's forums on Facebook, and posted that I was planning to cut it up to salvage the beads. It was almost as if I was punishing the little piece of jewellery for my cold - childish?? - of course, but I was way beyond rational at that time. A very gratifying hue and cry went up - after that, I had to save her from the knacker's yard and make something halfway decent with her, if only to justify comments like these -- 'you were going to cut that up are you mad, it's stunning, must be the cold, hope your feeling better', and 'This piece of art is beautiful. Please don't cut it up. It would be a crime. xx'. So, onward I went! This is a mask I bought last year when in Venice - everywhere you turn, it would seem that there are masks for sale - at first I said I would absolutely not buy one, but, by the end of the holiday, I had got so used to seeing them around I felt I would miss the damn things if I didn't have one of my own! The history of Venetian masks goes way back to the fourteenth century, and there are many types, with names of their own. Colombine is the type of mask that fits over the eyes and is held on by a baton or with ribbon - probably because the first woman who wore one was too vain to hide her face in it's entirety. One can only imagine the intrigue and skulduggery that went on behind the mask, not to mention the bad hair days that were hidden by the wigs which were part of the ensemble. ColombineI like the colours -the carnival effect is played out by the colours that my hands chose instinctively - I say that, cos I sure didn't do it consciously with that muzzy head, no way! I slept most of Sunday and Monday away, and on Tuesday, feeling only a little better, stayed off the day job for yet another day. While idly surfing the web, I found this image of Barbie in India - actually this is the least hideous one I found - all the others are even more over the top - I found myself wondering whether the designers at Matel had been dropping acid when they put together these caricatures of Indian womanhood. And then I remembered blue eyed, blond haired, Barbie - yes, of course they are on acid - they probably live on LSD fuelled dreams of what their dream woman/ Stepford wife would be like, and go through later life in a permanent fog of disappointment, not being able to find her when reality bites. I decided I'd design a piece for Barbie - if she actually came from Bollywood. Maybe I should change the name - to Pink and Pretty (using the 'say what you see' rule), rather than associate Caprilicious with Barbie ? Oh well, it's not her fault, poor thing, that she has an image problem - would you agree?? The Bollywood Barbie EarringsWednesday rolled by, and by now we were both deaf as well as anosmic, coughing and spluttering in tandem. The house stank to high heaven - Mike poached smoked haddock in milk - that's what his mother gave him as a lad when he was sick - normally I protest at the smell, but this time I was blissfully unaware. The Modern VictorianI learned a new weave called the Kokkocik weave from a wire worker in Poland and thought I'd use it to make up a little pendant. Using a beautiful labradorite cabochon, which flashes the most fire of any I've ever seen, I made a little pendant with seed pearls, copper wire and ruby quartz. Seed pearl jewellery was especially popular from the last quarter of the 18th century and throughout the nineteenth century, when the burgeoning middle-classes of Europe and the United States grew fascinated with pearls and had the money to purchase them. The Victorians favoured the look of these delicate, almost lace-like pieces against the skin and often associated seed pearl jewellery with purity. They were especially fashionable as bridal gifts and refer to natural pearls that are 2mm or less in size. Drilling holes into pearls of any size is difficult enough - imagine how difficult it was to drill into a pearl that was as small as a seed before the advent of lasers and other aids used today. I don't suppose the Victorians really cared too much about the eyesight of the people involved in the making of their intricate jewellery. Each week, I tend to make three different kinds of jewellery - with polymer clay at weekends, a piece or two with beads and gemstones, and have a bit of a play with wire. With Mike and I having the dreaded lurgy, it has meant that I have almost exclusively stuck with making small pieces of jewellery with wire for two weeks - and this is the result - wire worker's thumb nail! This comes from scooching the wire along while weaving it with my right thumbnail, rather than using pliers which might mar the wire or break it. I wonder if I should submit this picture to the British Medical Journal, to the column entitled Minerva on the last page - after all, we have 'pigeon fanciers lung','malt worker's lung' and even 'hot tub lung' - I now present 'wire-worker's thumb nail'!!! What's that you say?? - stick to gynaecology and wire work and stop this madness ?? - OK, right you are then - it must be the head cold making me go doolally! That's all for this week folks, catch you next week, same time, same place xx |
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